Adicionar um enredo no seu idiomaSet in medieval Rajasthan, Queen Padmavati is married to a noble king and they live in a prosperous fortress with their subjects until an ambitious Sultan hears of Padmavati's beauty and for... Ler tudoSet in medieval Rajasthan, Queen Padmavati is married to a noble king and they live in a prosperous fortress with their subjects until an ambitious Sultan hears of Padmavati's beauty and forms an obsessive love for the Queen of Mewar.Set in medieval Rajasthan, Queen Padmavati is married to a noble king and they live in a prosperous fortress with their subjects until an ambitious Sultan hears of Padmavati's beauty and forms an obsessive love for the Queen of Mewar.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 44 vitórias e 66 indicações no total
- Amir Khusro
- (as Muzzamil Bhavani)
Avaliações em destaque
However, the cinematography was good. Some visuals were great but the dance nubers were the ones to rescue. They were very well choreographed and the music was great( These reminded me me of watching a Bhansali movie).
If you sum the movie all up, then its nothing more than a mediocre treatment to an epic tale and you will feel that showing great pieces of art on screen doesn't make it a great art itself.
Oveall A pretty good movie which is worth watching intheatres for the brilliant acting and fairy tale story.watch in 3D ,it gives you a new experience
Bhansali unabashedly depicts a stark contrast between 'righteous' Hindu and 'dastardly' Muslim warfare cultures, and due to deficiency of shades of grey the movie greatly suffers from lack-of-depth syndrome. However, Bhansali tries to make up for it with magnificent visual poetry and his typical OCDness in set design.
Unlike Rajamouli, Bhansali doesn't invent laws of motion. Instead, he rewrites Indian geography. Chittorgarh looks like Pushkar crossed with Asgard and Valhalla, and Delhi looks like Agrabah from Arabian Nights. Moreover, Khilji's march to Chittorgarh seems easier than commuting to Gurugram from Delhi.
Shahid's Ratansingh doesn't have to do much apart from showing his righteousness and sinewy torso. Had he been born in the British Raj, he would have played a princely cricketer who could contribute little with bat and ball but had the Wisden memorized by heart. Time for Shahid to return to Mr Bharadwaj.
Deepika's Padmaavati is adorned to such an extent that her jewelry would outweigh her hubby's chain-mail. She's the reason why men must take caution in watching this movie with their beloved as V-Day looms by. She manages to boil the pot in the first half but comes on her own in the second. Her chemistry with Shahid is lukewarm at best.
Ranveer's Khilji is the reason why we all watched Jurassic Park - to see the T-Rex. He gobbles up meat with the same intensity and dwarfs everything around. His narcissism, grandiosity and menacing grin can give Gabbar Singh an inferiority complex. Compound it with a beefed up physique, dark soulless eyes and sexual monstrosity which is way more intense than that of rapists depicted in 90s flicks. His moments with Malik Kafur are the best this movie has to offer.
Had Bhansali named this movie as "Khilji Ka Aatank", he could have had lesser problems with CBFC and Karni Sena.
Shahid Kapoor... As Ratan Singh, the last Rajput ruler. Shahid looks kingly and worthy for his role, he shows immense power and bravery as a Rajput emperor. Deepika Padukone... As Padmaavati, the legendary Rajput queen. Deepika as known to be an artist who is beautiful and equally talented, she mesmerizes with her beauty, brains and emotions. Ranveer Singh... As Alauddin Khilji, the Afghan ruler of the Delhi Sultanate. Ranveer unveils his monstrous and vicious character; he immediately makes you hate him in his first few scenes, Definitely his best performance till date! Absolutely applause worthy... Both Jim Sarbh as Malik Kafur, the general slave of Alauddin and Aditi Rao Hydari as Mehrunisa, the wife of Alauddin blend in their characters well.
Story : Based on the epic poem Padmaavat (1540), the journey of a Rajput queen who performs Jauhar (self immolation) to protect herself from Khilji. The mastermind Sanjay Leela Bhansali turns poetry into motion in a very majestic way. His vision on the locations, props, lighting, battle scenes, costumes, background score is admirable.
Music : Unlike the much celebrated music of Bajirao Mastani, the music of Padmaavat is weak and unpromising. However the track Ek Dil Ek Jaan is beautiful and Ghoomar's choreography is worth a praise.
Overall Padmaavat is history of the Rajputs unveiled, and undoubtedly a Must Watch!
Você sabia?
- CuriosidadesThe set was vandalized multiple times.
- Erros de gravaçãoWhen real camels walk, they first move both legs on one side of their body and then the other legs. Unfortunately the animators have created computer generated digital camels, that are immediately unbelievable because all their walking/running is incorrect for real camels, including incorrect movement of the camel-riders on the camel-backs. The animators have all the camels moving like horses.
- Citações
Maharawal Ratan Singh: One who masters any situation, is a Rajput. One who accepts all challenges and emerges victorious, is a Rajput. The one who never gives up and fights the enemy till his very last breath, is a Rajput.
- Cenas durante ou pós-créditosThe names of the three primary actors Deepika Padukone, Shahid Kapoor and Ranveer Singh appear together.
- ConexõesFeatured in 64th Vimal Elaichi Filmfare Awards (2019)
- Trilhas sonorasGhoomar
Written by A.M. Turaz and Swaroop Khan
Performed by Shreya Ghoshal
Music by Sanjay Leela Bhansali
Principais escolhas
- How long is Padmaavat?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 11.846.060
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.493.384
- 28 de jan. de 2018
- Faturamento bruto mundial
- US$ 60.510.288
- Tempo de duração2 horas 43 minutos
- Cor
- Proporção
- 2.35 : 1