AVALIAÇÃO DA IMDb
6,9/10
3,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaMarlina lives quietly in Sumba until one day a man named Markus and his gang try to rob her house and she kills him. Eventually, she is haunted by Markus, and her life turns in 180 degrees.Marlina lives quietly in Sumba until one day a man named Markus and his gang try to rob her house and she kills him. Eventually, she is haunted by Markus, and her life turns in 180 degrees.Marlina lives quietly in Sumba until one day a man named Markus and his gang try to rob her house and she kills him. Eventually, she is haunted by Markus, and her life turns in 180 degrees.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 27 vitórias e 41 indicações no total
Yayu A.W. Unru
- Raja
- (as Yayu Unru)
Ruly Lubis
- Don
- (as Ruli Lubis)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Marlina (Marsha Timothy) is a young woman living on a farm in rural Indonesia. As news spreads that she is recently widowed, a gang of seven bandits arrive at her home with the intention of robbing and raping her. Her predicament and its aftermath lead her to meet other interesting characters including Novi (Dea Penendra) who is in a late stage of pregnancy and experiencing marital problems.
Director Mouly Surya (who wrote the film with Rama Adi) seems to be influenced by Quentin Tarantino though, thankfully, with much less violence and darkness. This film has a bizarre mix of humour with conflict and tragedy. Like Tarantino, Surya succeeds in creating a film that is unique, thrilling, and eccentric. Timothy is good as unlikely hero; her sarcastic glances are hilarious. And the stunning photography of beautiful landscapes was truly a treat. - dbamateurcritic.
Director Mouly Surya (who wrote the film with Rama Adi) seems to be influenced by Quentin Tarantino though, thankfully, with much less violence and darkness. This film has a bizarre mix of humour with conflict and tragedy. Like Tarantino, Surya succeeds in creating a film that is unique, thrilling, and eccentric. Timothy is good as unlikely hero; her sarcastic glances are hilarious. And the stunning photography of beautiful landscapes was truly a treat. - dbamateurcritic.
Frontier home, arid landscape, livestock and a recently widowed woman, Marlina, left alone to face a group of bandits at her door. It is not the Wild West of the past, but the Wild East of the present. The bandits tell Marlina that they are doing her a favor by taking advantage of her. "You are lucky," they tell her "if men still find a use for you." Therein begins the robbery, journey, confession and birth. If Marlina can stay calm and keep her wits about her, there is life at the end of the tunnel.
The cultural tapestry of eastern Indonesia, resiliency and determination of local women, ugliness of traditional male privilege and mystery of life, are revealed in this humorous, witty, bold and unique film. While some of the supporting cast are a little shaky with their acting, a few scenes are far-fetched and disjointed, and the dialogue could use added depth, the film is a compelling cocktail of intriguing and unusual characters, pretty scenery and uncommon circumstances. There are occasional scenes of violence and intense action, yet generally the film is easy going and delightfully slow-moving. Seen at the Toronto International Film Festival.
The cultural tapestry of eastern Indonesia, resiliency and determination of local women, ugliness of traditional male privilege and mystery of life, are revealed in this humorous, witty, bold and unique film. While some of the supporting cast are a little shaky with their acting, a few scenes are far-fetched and disjointed, and the dialogue could use added depth, the film is a compelling cocktail of intriguing and unusual characters, pretty scenery and uncommon circumstances. There are occasional scenes of violence and intense action, yet generally the film is easy going and delightfully slow-moving. Seen at the Toronto International Film Festival.
The four acts go by pretty fast, which is good. It's like an uncooked Kill Bill as Marlina kills her rapist and the men who he was traveling with who wanted a chance to assault her as well. Then it's a strange slow burn as Marlina attempts a journey to inform the police of what happen, while avoiding another set of men looking for her attackers.
It's one of those flicks that has an interesting story line, that your expecting far more action and drama from, but the filmmakers chose to keep a quiet approach possibly to respect the real situation of sexual assault.
Plus it's done in a different culture other than my own. A contemporary place that co-exist with my place but in so many ways very different than what I know. That really does add to the interesting element of the film.
And I love the pacing of the film. It seems to go slowly but it does not feel like it at all. Perfect!
Absolute great watch!
It's one of those flicks that has an interesting story line, that your expecting far more action and drama from, but the filmmakers chose to keep a quiet approach possibly to respect the real situation of sexual assault.
Plus it's done in a different culture other than my own. A contemporary place that co-exist with my place but in so many ways very different than what I know. That really does add to the interesting element of the film.
And I love the pacing of the film. It seems to go slowly but it does not feel like it at all. Perfect!
Absolute great watch!
Four acts may sound like a lot and for some people the movie may feel very slow. It is indeed slow, so just don't expect any big bangs or a story that will have a Hollywood flair to it. Having said that and mixing into it that there is a certain degree of predictability. Still there is shocking moments and this may not be for the faint of hearted.
It's not like it is very explicit in its violence depiction, but you'll get the idea (no pun intended). Some may have issues with the movie being "feminist". I do not feel there being a negative energy with a strong female lead. Also there is still a lot of bad male characters. Which generally is something I don't like - one sided portrayl, but it does work for this movie. I don't agree with everything in here, but this is more than decent
It's not like it is very explicit in its violence depiction, but you'll get the idea (no pun intended). Some may have issues with the movie being "feminist". I do not feel there being a negative energy with a strong female lead. Also there is still a lot of bad male characters. Which generally is something I don't like - one sided portrayl, but it does work for this movie. I don't agree with everything in here, but this is more than decent
This is not movie about forgiveness. The fusion between folk indonesia east and western is very brilliant. The moving picture, the story, the plot is so dark yet beautiful. In remote place in developing country there are so many women like marlina surviving and struggling.
This movie is about women empowerment !!
Você sabia?
- CuriosidadesThe first full-length film from Indonesia to be appeared in Cannes Film Festival in the last 12 years.
- ConexõesFeatured in Women Make Film: A New Road Movie Through Cinema (2018)
- Trilhas sonorasLazuardi
Written by Zeke Khaseli & Yudhi Arfani
Performed by Zeke Khaseli & Yudhi Arfani Featuring Cholil Mahmud
Principais escolhas
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- How long is Marlina the Murderer in Four Acts?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Marlina the Murderer in Four Acts
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 17.788
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.296
- 24 de jun. de 2018
- Faturamento bruto mundial
- US$ 26.331
- Tempo de duração
- 1 h 33 min(93 min)
- Cor
- Mixagem de som
- Proporção
- 2.39
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