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IMDbPro

Marlina si pembunuh dalam empat babak

  • 2017
  • Not Rated
  • 1 h 33 min
AVALIAÇÃO DA IMDb
6,9/10
3,6 mil
SUA AVALIAÇÃO
Marsha Timothy in Marlina si pembunuh dalam empat babak (2017)
Trailer 1
Reproduzir trailer1:44
1 vídeo
64 fotos
DramaThrillerWestern

Adicionar um enredo no seu idiomaMarlina lives quietly in Sumba until one day a man named Markus and his gang try to rob her house and she kills him. Eventually, she is haunted by Markus, and her life turns in 180 degrees.Marlina lives quietly in Sumba until one day a man named Markus and his gang try to rob her house and she kills him. Eventually, she is haunted by Markus, and her life turns in 180 degrees.Marlina lives quietly in Sumba until one day a man named Markus and his gang try to rob her house and she kills him. Eventually, she is haunted by Markus, and her life turns in 180 degrees.

  • Direção
    • Mouly Surya
  • Roteiristas
    • Rama Adi
    • Garin Nugroho
    • Mouly Surya
  • Artistas
    • Marsha Timothy
    • Egy Fedly
    • Tumpal Tampubolon
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,9/10
    3,6 mil
    SUA AVALIAÇÃO
    • Direção
      • Mouly Surya
    • Roteiristas
      • Rama Adi
      • Garin Nugroho
      • Mouly Surya
    • Artistas
      • Marsha Timothy
      • Egy Fedly
      • Tumpal Tampubolon
    • 35Avaliações de usuários
    • 79Avaliações da crítica
    • 77Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 27 vitórias e 41 indicações no total

    Vídeos1

    Marlina the Murderer in Four Acts
    Trailer 1:44
    Marlina the Murderer in Four Acts

    Fotos64

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    Elenco principal20

    Editar
    Marsha Timothy
    Marsha Timothy
    • Marlina
    Egy Fedly
    • Markus
    Tumpal Tampubolon
    • Marlina's Husband
    Yoga Pratama
    • Franz
    Haydar Salishz
    • Niko
    Yayu A.W. Unru
    Yayu A.W. Unru
    • Raja
    • (as Yayu Unru)
    Norman R. Akyuwen
    • Bing
    Ruly Lubis
    • Don
    • (as Ruli Lubis)
    Satrya Ghozali
    • Robert
    Dea Panendra
    • Novi
    Ayez Kassar
    • Paulus (Bus Driver)
    Rita Matu Mona
    • Yohana
    Anggun Priambodo
    • Ian
    Safira Ahmad
    • Topan
    Aryanto Bitu
    • Topan's Father
    Ozzol Ramdan
    • Officer Roni
    Arawin Pepinte
    • Officer Doni
    Sapto Soetarjo
    • Officer
    • Direção
      • Mouly Surya
    • Roteiristas
      • Rama Adi
      • Garin Nugroho
      • Mouly Surya
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários35

    6,93.5K
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    Avaliações em destaque

    7richardgeuter

    Very well-made satay western

    "Marlina" is a wester-slash-road-movie about an independent woman fighting back against male aggressors and seeks redemption or justice for herself. Throughout her journey through the desertlike rural area of Indonesia and its small villages (if you can call them that -- they mostly consist of single houses surrounded by desert and a solitary, dusty road), Marlina encounters a number of women who, if not as violently as Marlina, have in some other ways experienced injustice from men who were not condoned for it.

    Not being an Indonesian woman myself, I cannot account for "Marlina"'s accurateness in depicting gender discrimination in the country, but it is probably safe to assume that director Mouly Surya is not particularly interested in providing deep insight the mechanics of sexism. "Marlina" is a feminist film in the same way that Tarantino's "Kill Bill" movies or "Mad Max: Fury Road" are feminist films: They portray strong female characters taking revenge on or otherwise trying to dismantle a chauvinist society that has wronged them. The specifics of the villains' ideology don't matter much -- in one scene near the beginning, one of Marlina's robbers compares her cooking to his sister's and his mother's, inviting the question, how does he treat these women that he apparently has some respect for, if he compares their cooking to that of his potential rape victim? The movie never attempts to answer or expand upon that question or similar ones, as all of the men in the film lack more-dimensional characterisations.

    That is not meant to be a criticism of the film, though, as Mouly Surya wisely makes it stylized enough to make it work as a simple genre movie, a revenge tale set in an uncaring and rough world of rapists, thieves, and cowards. When Marlina rides on horseback on the sandy road, with the cut-off head of her rapist under her arms, the film enters almost surreal territory. This is helped by a great Morricone-esque score that, in several of the largely slow-paced scenes, builds tension.

    Thankfully, in contrast to the men, most of the women in the film are given much deeper and more well-rounded characters to play. Even the comic relief character, an elderly woman who enters the drama as she is on her way to bring her nephew's wife his dowry, deepens the universe of the film's story (and gets a couple laughs, as well). Novi, a pregnant friend of Marlina's, is probably the most developed of the side characters here, and her arc is a very powerful subplot in the film. And of course, Marlina herself is played very well, too. It's admirable that, even if the movie overall is, by default, black-and-white in its characterisations, Mouly Surya allows her protagonists to show weakness, too, when they are confronted with potential danger and trauma.

    The landscapes are beautifully shot, and although I would assume the film is a rather low-budget production, it never looks as cheap as it probably is. That's because the cinematographer has a very good eye for composing their images, and the lack of production value never shows. Another element that greatly deepened the film's impact is the soundtrack. The film is very slow-paced, so framing the shots in a way that invites you to look at them for a couple of seconds longer and laying good music over them that suits the mood of the story was very vital to the film's success, and in my opinion they pulled that off very well, for the most part.

    The biggest downside of the film is that the slow pacing doesn't always work out perfectly. Because the story is so simple (and, quite frankly, if you've seen other rape-and-revenge films before, you know how these movies work), there are long stretches of film in which you know exactly where it is going, but it takes the story too long to get there. It's not always equally entertaining. Also, the lack of dimensionality in its storytelling can be a bit boring after a while. However, the high points are so high that I can easily forgive the film for some of its flaws and recommend it almost universally.
    9tomkudo

    Indonesian Delight

    I enjoyed watching this Indonesian movie! I enjoy good foreign movies, it enhances my appreciation for films from around the world!.
    JohnDeSando

    She's every bit as tough as Eastwood in his spaghetti mode.

    When the Western genre comes out of Indonesia, attention to its similarities becomes a critic's part-time job. Critic Maggie Lee calls Marlina the Murderer in Four Acts a "Satay Western" the way other critics would call a Clint Eastwood western an "oater."

    But Leone and Morricone are there with lens and music, landscapes hot and desolate and music just as forlorn. Marlina (Marsha Timothy) alone out there, widowed, and visited by bad guys who want not her money and livestock but also her body.

    From that harrowing episode comes a vengeance story different from the usual Western tropes in so many ways. Mostly it is a Western with a female as lead and as tough with a machete as Eastwood with a gun, and just as vengeful.

    Marlina together with another feisty female, Novi (Dea Panendra), who is pregnant, places the patriarchal men in vulnerable territory. In fact the customs of Indonesia, Malaysia, and elsewhere are so vigorously male-centered as to make any cultural Westerner cringe. However, that seems to be director Mouly Surya's goal.

    Marlina the Murderer in Four Acts will remind you of Tarantino's Kill Bill but without some of his patented irony. In both cases, a violent feminism seems just right given the offenses women have suffered over the centuries.

    As in the great spaghetti Westerns, the theme music is haunting and the landscape forbidding. But most of all, the characters are strong and righteous, just the way #MeToo should like it.
    8yushendrayana

    Enjoying an adventure

    This movie will serve you an "adventure" of a local widow in her struggle of survival and her attempt to have justice for her. The settings of the story is in Sumba which is shown as vast land of withered meadow where people are strongly bound to unique/unusual norms and cultures.

    As an Indonesian myself I am surprised by the environment in the movie. They are really unusual and look really harsh yet they are still relatable in the daily life. I feel that I may had met people who have same characters and witnessed various situations like in the movie.
    8kosmasp

    Defending

    Four acts may sound like a lot and for some people the movie may feel very slow. It is indeed slow, so just don't expect any big bangs or a story that will have a Hollywood flair to it. Having said that and mixing into it that there is a certain degree of predictability. Still there is shocking moments and this may not be for the faint of hearted.

    It's not like it is very explicit in its violence depiction, but you'll get the idea (no pun intended). Some may have issues with the movie being "feminist". I do not feel there being a negative energy with a strong female lead. Also there is still a lot of bad male characters. Which generally is something I don't like - one sided portrayl, but it does work for this movie. I don't agree with everything in here, but this is more than decent

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The first full-length film from Indonesia to be appeared in Cannes Film Festival in the last 12 years.
    • Conexões
      Featured in Women Make Film: A New Road Movie Through Cinema (2018)
    • Trilhas sonoras
      Lazuardi
      Written by Zeke Khaseli & Yudhi Arfani

      Performed by Zeke Khaseli & Yudhi Arfani Featuring Cholil Mahmud

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    Perguntas frequentes17

    • How long is Marlina the Murderer in Four Acts?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 16 de novembro de 2017 (Indonésia)
    • Países de origem
      • Indonésia
      • França
      • Malásia
      • Tailândia
    • Centrais de atendimento oficiais
      • Asian Project Market
      • Cannes Film Festival's website
    • Idioma
      • Indonésio
    • Também conhecido como
      • Marlina the Murderer in Four Acts
    • Locações de filme
      • Sumba Island, Indonésia
    • Empresas de produção
      • Cinesurya Pictures
      • Kaninga Pictures
      • Shasha & Co Production
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 17.788
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 3.296
      • 24 de jun. de 2018
    • Faturamento bruto mundial
      • US$ 26.331
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 33 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.39

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