O Túnel

A husband and father is heading home with his daughter's birthday cake when a tunnel collapses trapping him inside his car.

Disaster movies are meant to be filled with tension and drama. This film did not fail in giving its viewers a healthy dose of both. While it is a bit drawn out, it is a decent movie that I found to be enjoyable. It is hard for me to review disaster movies simply because to have the right amount of tension you need a curiosity as to what might happen next. Knowing too much takes away from the anticipation about what might happen next. So, I'm just gonna be short and sweet about it by saying that it is a good film that had me confidently saying that had I been this fella, I would never have to work again because I would have sued the socks off of everybody.

This is a successful disaster film, dark tunnel, tense atmosphere, but the most desperate is the darkness of the human heart

I don't watch enough world cinema, let alone South Korean films, the country that gave us incredible flicks like Oldboy and Sky Blue (Wonderful Days) so when I see there's a showing at my other local cinema, I had to go and I didn't regret it.

Seong-hoon Kim, director of the highly acclaimed A Hard Day (now on my watchlist) tells us a story of a business man (Jung-woo Ha) who is on his way home to wife and daughter and unfortunately becomes trapped in a near fatal accident when a tunnel collapses on him and his car. We see his blight as he struggles to survive and how he comes to terms with the reality of what's happening.

There's a superb balance between him and the outside world who is attempting to rescue him, witnessing empathy, sympathy and later tragedy but also the lack of, from the media and politicians causing conflict about what's the right thing to do.

It's touching, when seeing the lengths people will go to in offering help in a time of crisis, like the radio station for example, playing him messages of support each day. This show of humanity reminded me of the epic TV movie of the late eighties, Everybody's Baby: The Rescue of Jessica McClure and the more recent World Trade Centre, only fundamental difference, this not being a true story.

Sometimes I felt like being a passerby, watching the train wreck happen right before you, seeing things going from bad to worse without being able to lift a finger to do anything. But on the flip side it's purposefully comical to display another side of what it is to be human.

There's incredible performances for the three key characters, especially Cloud Atlas star Doona Bae who plays his grieving wife having to deal with the press whilst trying to do as much as she possibly can to aid the rescue. And Dal-su Oh is superb as the chief, who's in charge of the operation who has this moral obligation to save him.

The film is loaded with tough decisions and moral issues questioning you, what would you do if you were either of the three characters. It did drag, but only ever so slightly for the 126min running time. Has got an amazing score from Young-Jin Mok and the set pieces are on point with some amazing camera work.

I wouldn't recommend this for viewers with fear of tunnels or claustrophobia but a great drama with some amazing performances, a must-see for world cinema drama fans.

Running Time: 7 The Cast: 8 Performance: 9 Direction: 8 Story: 7 Script: 8 Creativity: 8 Soundtrack: 8 Job Description: 8 The Extra Bonus Points: 0

71% 7/10

A man is on his way home when the poorly constructed tunnel he is driving through collapses, leaving him trapped.

"Tunnel" comes to us from writer-director Seong-hun Kim, who is likely not very well known in the United States, though some fans of Korean cinema may have seen his previous film, "A Hard Day" (2014). The star of "Tunnel" is Jung-woo Ha, who you will most likely recognize from "The Handmaiden" (2016), which is being heavily promoted by Amazon. (Perhaps the PR folks behind "Tunnel" can build off of this?)

This is one of those films that works well because it relies on a very simple plot with a high amount of tension. We have just about the smallest stage possible (the inside of a car), though it does cut to other areas from time to time. (Would it work better if it just stayed in the car? Maybe.) Others have said the film runs a bit too long, and I have to agree. Although you can often make a "slow burn" go for two hours or more, this one may not hold the tension as well as it could. I don't know. Opinions will vary.

"Tunnel" is out now (May 2017) from WellGo, available on DVD. Why it is not being released on Blu-ray is unclear, and the DVD is very much a bare bones affair. While the movie is good enough to stand on its own, there is literally nothing on the disc that would make it an improvement over a streaming option.

Another decent Korean offering, Tunnel is worth taking in if you're tired of Hollywood productions and you'd like to take in something different. Recommended.