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Being a huge fan of the thriller genre and of course Gerard Butler, I could not wait to see the latest movie Plane. In all honesty, I was extremely surprised that it was better than I expected. Now the movie itself was rather predictable, after all, how many movies have been made with a similar concept/storyline over the years however, the movie still succeeded in capturing my attention from start to end. I thoroughly enjoyed the whole film. The movie was filled with edge of your seat moments and I found myself glued to the screen. If you like tense thrillers with a few heartstopping scenes then this is definitely worth the watch.

This is a lean and yet solid 7 star shopping mall cinema action film starring the ultimate.throwback shopping mall cinema action hero, the modern day Gerard Butler. Not 300 Gerard Butler. The Gerard Butler now. Gerard Butler 2023, here equal parts Snake Plissken and Ben from Leaving Las Vegas. Unshaven, puffy and pale. I don't know if I want him flying my airplane but I still love him even after all these years, and I'm along for another ride. Heck, I even got frequent flyer miles.

Here on Flight 119, Butler as Captain Brodie Torrance, does what he always does best. He makes you believe, and he kicks a little butt.

Dare I say that his character participates in a one-on-one fight scene so intimate and visceral that it could hang with anything seen in a Raid film (major compliment!) or even, yes, the new Avatar sequel. It's true.

There are other actors, longtime veteran character actors as part of the passenger list, or airline administration in this movie that are an absolute joy to see on the screen.

Joey Slotnick (Twister) as a pain-in-the-neck passenger, you just know something is going to happen to him and it ain't good!

Paul Ben-Victor (Body Parts) as a by-the-book airline executive, and Tony Goldwyn (Ghost) always bringing his best to every role. No different here.

Two standout performances by co-star, Mike Colter as Louis, a prisoner on international transport on this relatively empty New Year's Eve commercial flight, and lastly, the jaw-droppingly gorgeous flight attendant, Bonnie played by Daniella Pineda. Wow.

I will say this, there is no end scene but there most definitely should have been one with one of those characters for sure. I won't reveal who.

The movie is a tight hour and forty-seven minutes which is most welcome in a world where it seems every movie regardless of genre or content easily runs well over two hours.

Are there far superior plane crash/disaster films? Sure.

Castaway comes to mind. Even Con-Air, which this seems to pull from just a bit.

But this is a very good brainless movie. Just take your brain out before watching, eat your popcorn and enjoy.

This is an entertaining and needed theatrical release. It may not be that original but at least It's not a comic book movie, or a sequel or prequel.

Now return your tray tables to their full upright and locked positions and fasten your seatbelts.

It's gonna be a bumpy (but fun!) ride!

Everything is typical here, the Buddy-Genre, the action, the good ones, the evil ones, the mercenaries, and even the dumb ones (of the passengers).

Butler is Butler (bold and sympathetic), Colter is Colter (stoic and sympathetic), and the scenario is quite the simple one, for an audience that needs 1 and a half hours of escaping reality.

And it works. One of the most forgettable movies you can imagine, with almost no background stories, with almost no character development, with almost no depht, it can draw you in until you are one of the few passengers, and later a part of the Captain's rescue mission.

The movie is well made from script, scenery and action to acting and music (Marco Beltrami). I rarely felt that it's a movie. Maybe when, after emergency landing, some passengers are complaining. Who would complain after that ? That was a bit too much of a cliché.

I watched it spontaneously, just out of curiosity, and had no trailer seen before.

So I didn't know the plot. I didn't know what would happen. That was quite a benefit.

I read, that the area of the Philipines, where the movie is located, is indeed most likely as it is depicted here. A beautiful, very dangerous place where warlords reign and people are abducted or killed.

I love films like this where there's no confusing plot, no hidden agendas, no shock twists. Don't get me wrong, I enjoy those kind of films as well, but sometimes I just want to sit back and enjoy a movie for it's entertainment value instead of doing in-depth analysis.

'Plane' has a simple premise (just as the title indicates, I suppose). It is a disaster story, and a film about survival. Gerard Butler stars as Captain Brodie Torrance who flies from Singapore to Tokyo. There are only 14 passengers on board, including fugitive Louis Gaspare (Mike Colter), and 3 cabin crew. Not knowing what to expect from Gaspare, this character allowed for some tension from the beginning.

Brodie is forced to make an emergency landing during a fierce storm. They soon discover they landed on an island run by criminals, and there is no law and order. They have no radio, and no working phones, and they desperately need to find help. So Brodie and Gaspare brave the forest to find help.

'Plane' is fast-paced and became more and more intense by the minute. There's loads of action, gunfire, and suspense, and very good character development. This is also a very physical role for Gerard Butler, and I thought he did it wonderfully. Mike Colter also makes a credible hero.

Fair enough, the film probably won't be winning any awards, but this is an entertaining movie well worth seeing.

Yeah, it's constructed entirely out of familiar parts, without a single groundbreaking or original element. But Plane is able to fly above its generic ground by making the most of its actors and inherently tension-rich premise.

Gerard Butler actually gives his best performance in years here. If this was just a paycheck for him, he certainly doesn't act like it.

And director Jean-François Richet wisely paces the film in such a way that the characters have tangible time to breathe and take in what's happening between bursts of frantic action. He allows his actors time with lengthy shots to display the emotion their characters ought to feel.

And because we see the characters feeling it, we feel it too. Even though the plot is largely predictable and formulaic, I felt the white-knuckle tension of the brutal action and the entire unhinged hostage situation because the visual focus of the director is always on the people in this story and the fear they feel.

Richet uses almost exclusively handheld camerawork for this film, and I have mixed feelings on that. It does help with chaotic sequences to elevate the unease, but it also hinders the film when we should be seeing the outcome of fight sequences and it's sometimes obscured.

Although I probably won't be watching it again and will likely forget about it soon, this is a surprisingly more-than-functional action flick that is certainly worth a watch for escapist entertainment.