Entardecer

I watched this movie more or less by chance. I went to a non-mainstream theatre (this movie wasn't widely exhibited in Portugal), read the sinopsis and decided to give it a try.

On the one hand, this is one of those movies that really transport you into another time and place. Due to the brilliant sets and costumes, you really fell that you are in 1913's Budapest.

On the other hand, I found this movie dreadfully boring, I couldn't stop looking at the clock! I found the plot either irrelevant, boring or confusing.

The variety of camera shoots is also very poor. At some point, I got tired of looking at the back of the head and neck of the protagonist as she walks around.

To sum up, athough this movie had a great potential, the final product ended up beyond expectations.

Greetings again from the darkness. Hungarian filmmaker Laszlo Nemes mesmerized us with his first feature film, SON OF SAUL (2015), the Oscar winner for Best Foreign Language film. That debut was an incredibly unique viewing experience centered on the Holocaust at Auschwitz. Mr. Nemes got much of the band back together for this follow up, and their collaboration, while a bit frustrating to watch, is again quite fascinating to look at.

Mr. Nemes co-wrote the script with his SON OF SAUL writing partners Clara Royer and Matthieu Taponier (also the film's editor). And for those that share my frustration in watching the film, it's the story that is likely to blame. Is there a story? Certainly not in the traditional sense - which makes it difficult to follow or try to explain. Irisz Leiter (played by Juli Jakab) is first seen being fitted for fine hats in the elegant shop that bears her family name. We soon learn her parents both died, and she has been absent from the city for many years. The new owner, Oszkar Brill (Vlad Ivanov, 4 MONTHS, 3 WEEKS AND 2 DAYS, 2007) is startled to learn of Irisz's return, though we aren't sure why he is so uncomfortable around her. Irisz soon discovers she has a brother (a surprise to her) and that he is quite notorious in these parts.

Much of the film focuses on Irisz trying to track down her brother, and then track him down again. That's the closest thing to a plot we get. Mostly it's a succession of scenes where people ask questions that never get answered. In fact, there is minimal dialogue to go with the now-familiar camera work of cinematographer Matyas Erdely who utilizes his SON OF SAUL first person perspective with background fuzzed out so that we see what one person is seeing. There is an underlying theme of what is apparently a corrupt part of a mysterious sub-culture in the society - even involving the Royal family. Keep in mind this is 1913 Budapest and war is at hand.

The set design and costume design are extraordinary ... especially the lavish hats from the era. The score is from Laszlo Melis (also from SON OF SAUL), and while Ms. Jakab is pleasant to look at, the story is disorienting and unfulfilling. The approach with the camera work is designed to force us to see things through the characters' eyes, but it's not enough to offset the incoherent and aimless wanderings of Irisz as she collects scraps of information that may or may not be pertinent. Perhaps you are smarter than I am, and will be able to connect the dots ... or at least find dots to work with.

I saw this movie, in an unpremeditated way, kindly accepting the choice of a friend who absolutely wanted to see it. So without any a priori at all. Pros: photography, costumes and sets are all 3 excellent. We really feel in Budapest in 1913. Cons: this is an unintelligible and almost unpleasant sequence of scenes; it's ultra-rough!. A dozen times, I asked myself: what's the relationship between the current scene and the previous one(s)?!? I can not believe that this movie was directed by László Nemes, author of the unforgettable and poignant O Filho de Saul (2015). According to some people, it's art and/or an advanced form of expression. Well, well, well, ... Honestly? I didn't understand a damn thing. Really!

In summary: visually amazing but desperately boring ... Please László, come back to earth!

I guess I was expecting more dynamics, but unfortunately didn't see it. Too much protractedly and like it turns around and turns, and turns. Nothing compared to the previous one. Yes, the style is the same, fast moving camera in one frame, ok, but it should be more than that considering giving us the good story. This is just running through some smoke, darkness, shiness and perhaps the picture of preparing for the war.

Movie very boring with something about to happen which never happen. Why make a such extended film for a so small story?