AVALIAÇÃO DA IMDb
5,6/10
24 mil
SUA AVALIAÇÃO
As esposas dos bandidos do bairro de Hell's Kitchen na cidade de Nova Iorque nos anos setenta, continuam com o negoço depois que seus maridos são enviados á prisão.As esposas dos bandidos do bairro de Hell's Kitchen na cidade de Nova Iorque nos anos setenta, continuam com o negoço depois que seus maridos são enviados á prisão.As esposas dos bandidos do bairro de Hell's Kitchen na cidade de Nova Iorque nos anos setenta, continuam com o negoço depois que seus maridos são enviados á prisão.
- Direção
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- Artistas
- Prêmios
- 1 indicação no total
- Direção
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- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This movie couldn't make up it's mind what kind of a movie it wanted to be (Gritty Crime Drama, Female Empowerment Vehicle, Action Adventure Ride, Anti-Hero Saga). One one hand it had a high power primary cast with an equally stellar supporting cast, on the other hand it was loosely based on a DC comic series. The acting was passionate and well articulated, yet the writing was muddled, the premise kept shifting and the resolve was unfulfilling. The acting was good but rather drowned out by the movie's lack of focus. I give this film a 6 (fair) out of 10. {Crime Drama}
I loved this film. The acting was great. The female leads perfect. It was so entertaining. Plenty of dark humour. I don't often leave reviews but quite honestly the negativity is totally unfounded and this movie is well worth a couple of hours of your life!
Competently made - with believable performances from Melissa McCarthy, Tiffany Haddish, Elisabeth Moss, and the rest of its cast - but 'The Kitchen' suffers from a mediocre, paint-by-numbers script that wastes the full potential of the story.
"The Kitchen" seemingly sunk without a trace upon its release back in 2019, despite being an adaptation of a comic book and staring two comedy talents and the always wonderful Elisabeth Moss. Watching it now, it's easy to see why it couldn't connect.
When their low-level Irish mob husbands are sent to prison for a stick up job, three women, Kathy (Melissa McCarthy), Ruby (Tiffany Haddish) and Claire (Elisabeth Moss) short of money but with some connections, decide to step in and fill the gap. Because they actually provide the services that their husbands long since stopped delivering, they are very successful soon decide to take control of the whole of Hell's Kitchen, which draws the anger of the rest of the Irish families.
The immediate problem, and "The Kitchen" biggest failing for me was that I'm not sure what it was supposed to be. It doesn't help that I wasn't sure going in that it wasn't a comedy, as it a) sounds like a premise for a comedy and b) casts two comedic stars as two of its leads, but watching it you soon get that it isn't. So then you're left with a story about these characters coming up in organised crime, a story that's been well covered by other films before, but here, one where I never had any idea of the scale of the enterprise. They seemed initially to just be collecting from a couple of stores, but then it just seems to get bigger and more successful without ever showing us how, or what, they had to overcome to do so. And then it ends without ever reaching a conclusion. From a storyline point of view, it's a mess.
The performances are fine, I've not enjoyed all of McCarthy's comedic films, but she's probably the standout here. It's just that it's in a film that doesn't really have a story to tell.
When their low-level Irish mob husbands are sent to prison for a stick up job, three women, Kathy (Melissa McCarthy), Ruby (Tiffany Haddish) and Claire (Elisabeth Moss) short of money but with some connections, decide to step in and fill the gap. Because they actually provide the services that their husbands long since stopped delivering, they are very successful soon decide to take control of the whole of Hell's Kitchen, which draws the anger of the rest of the Irish families.
The immediate problem, and "The Kitchen" biggest failing for me was that I'm not sure what it was supposed to be. It doesn't help that I wasn't sure going in that it wasn't a comedy, as it a) sounds like a premise for a comedy and b) casts two comedic stars as two of its leads, but watching it you soon get that it isn't. So then you're left with a story about these characters coming up in organised crime, a story that's been well covered by other films before, but here, one where I never had any idea of the scale of the enterprise. They seemed initially to just be collecting from a couple of stores, but then it just seems to get bigger and more successful without ever showing us how, or what, they had to overcome to do so. And then it ends without ever reaching a conclusion. From a storyline point of view, it's a mess.
The performances are fine, I've not enjoyed all of McCarthy's comedic films, but she's probably the standout here. It's just that it's in a film that doesn't really have a story to tell.
I hadn't heard of this movie before I watched it, but I was interested because of the 70's NYC setting and I'm a fan of the leading actresses. It's not perfect, but I really enjoyed it. I liked the story line of these women taking care of business while their husbands are away in a time period when that wasn't expected. There are a lot of dead bodies and murders, but it's a mob movie, so that's expected. I thought parts of the plot twist toward the end were a little anticlimactic, but otherwise a good movie. Excellent song choices, also.
Você sabia?
- CuriosidadesWhen referring to a site for a planned convention center project, Alfonso Coretti mentions "some millionaire's kid, a little s**t-for-brains." The project would become the Javitz Center, and the millionaire's kid is Donald Trump who owned the option on the rail yard site that the Center would eventually be built upon.
- Erros de gravaçãoAt the 12:34 mark when Elisabeth Moss' character leaves the diner, an address number next door shows 6920. That shows that the shot was nowhere near Hell's Kitchen. (Actually it's 3rd avenue in Bay Ridge, Brooklyn.)
- Citações
Kathy Brennan: Bunch of men that have forgotten what family means.
Ruby O'Carroll: So we remind them.
- Cenas durante ou pós-créditosRetro-style versions of the Warner Bros. and New Line Cinema logos are used, suiting the film's 1970s setting.
- Trilhas sonorasIt's a Man's Man's Man's World
Written by James Brown and Betty Newsome
Performed by Etta James
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
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- How long is The Kitchen?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- The Kitchen
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 38.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 12.180.032
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.527.410
- 11 de ago. de 2019
- Faturamento bruto mundial
- US$ 15.980.032
- Tempo de duração
- 1 h 42 min(102 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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