The Lovers

Being of the older generation, I thought I would like this film more than I did.

Debra Winger and Tracy Letts are a married couple with each having an affair and continually postponing telling the other that they're leaving. Thus, they're also stringing along their lovers being unable to fully commit one way or the other. Somehow, this rekindles Winger and Letts' passion for each other sexually.

The movie is very slow-paced, has many awkward moments, but it does contain some deadpan humor that works at times. The film's characters are mostly unlikable and thus I was never really able to invest emotionally in them or really care what happened to them in the end.

Overall, a disappointment to me.

Debra Winger and her trademark scratchy voice star in The Lovers, with Tracy Letts. They are husband and wife, who are both having affairs. of course, they are both telling their own lovers that they are on the verge of divorce, but neither one seems to really want it to happen. everything moves SO slowly. the scenes between everyone are all too long and drawn out... in my life, when people are angry and arguing, they yell back and forth, and say things they don't mean. Here, the pauses are always SO long. and everyone keeps saying "i'm sorry". The story itself is fine... but this probably would have played better as a short film. its okay. written and directed by Azazel Jacobs; has won at several film festivals. on netflix.

This film tells the story of a married couple, who stopped loving each other. They respectively have affairs, and both plan to leave their spouse. They go through much soul searching when their son comes back home for a few days.

"The Lovers" is a story that people can relate to. What is particularly interesting is that they both have affairs, and both are pressurised by their lovers to leave their family. Their struggles are well portrayed, and it is not easy to make their decisions because deep down there is still a spark lurking somewhere. I liked watching "The Lovers", and the ending is particularly satisfying.

"Writers are always writing about infidelity. It's so dramatic. The wickedness of it, the secrecy, the complications, the finding that you thought you were one person but you're also this other person." Alice Munro

Rare it is to see a romantic comedy about middle-aged couples whose marriage breakup is so realistically painful that I found myself fidgeting out of discomfort at the very-human acts. The Lovers, written and directed with a sure, quiet hand by Azazel Jacobs, is about those who love and those who discard love at the same time.

I hope I didn't mislead you into thinking this is a comedy in the laughs motif. Married Mary (Debra Winger) and husband Michael (Tracy Letts) shift between their lovers and their spouses like different courses at the same meal. The film is sometimes farcical, however, as when his emotionally-unstable lover, Lucy (Melora Walters), hisses like a witch at Mary but more tragic than comedic.

Unlike the traditional comedy, The Lovers is neither light nor humorous and has neither a cheery nor happy ending. That ending is perhaps too ambiguous for its own good but nonetheless true to the uncertainty of love. It does have a jaundiced eye about the sincerity of humans in their attempt to be faithful and caring.

What The Lovers has is a wickedly critical take on the state of true love, or on the ability of lovers to remain faithful. Although it took me a while to adjust to the realism cum farce, after a bit I saw that Jacobs had caught the restless heart of humanity, its ever-searching for love.

Jacobs leads us to a surprising ending in which the restless heart is not down for the count. Regardless of how you like the ending, it is sure to spark conversation; a line from The Crying Game and other places is in order: "Who knows the secrets of the human heart?"

The premise of this film surely does it no favors. It sounds very much like a standard type of narrative when it's actually not. The way the film progresses in unexpected ways and it never feels forced or contrived. The performances are a testament to how natural it feels, but the screenplay is quite strong as well. Tracy Letts and Debra Winger are both very resonant and vulnerable when they need to be and they hit the various notes of the film in a pitch perfect way throughout. Someone else might have made this a complete melodrama and overblown but the film is anything but. This is highly recommended.