Uma equipe de pesquisadores aquáticos trabalha para alcançar um lugar seguro após um terremoto devastar seu laboratório. Mas a tripulação tem mais a temer no fundo do oceano.Uma equipe de pesquisadores aquáticos trabalha para alcançar um lugar seguro após um terremoto devastar seu laboratório. Mas a tripulação tem mais a temer no fundo do oceano.Uma equipe de pesquisadores aquáticos trabalha para alcançar um lugar seguro após um terremoto devastar seu laboratório. Mas a tripulação tem mais a temer no fundo do oceano.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 4 indicações no total
Avaliações em destaque
Film patina, look, story and feel was just like Alien in many regards. Including an escape the creatures in bathing suit sequence that must have been a Sigourney Weaver underwear homage. Deep space traded for deep water. But somehow deep water movies are more terrifying than space movies because the obligatory flood scenes add to the terror. Enjoyed it all the same.
As a fan of William Eubank's 2014 film "The Signal" I was pretty excited for this. The Signal offered a lot of thrills and suspense and a twist ending that leaves you gobsmacked.
Underwater did not quite live up to the same shock value. Less build-up or development to make much of it float anywhere above mediocre. The setting, scenery, and cinematography and music however is stunning.
This is the love child of Alien, Cloverfield, A Quiet Place, The Abyss, Soma, DeepStar Six, HP Lovecraft Etc. But doesn't carry as much weight.
Underwater did not quite live up to the same shock value. Less build-up or development to make much of it float anywhere above mediocre. The setting, scenery, and cinematography and music however is stunning.
This is the love child of Alien, Cloverfield, A Quiet Place, The Abyss, Soma, DeepStar Six, HP Lovecraft Etc. But doesn't carry as much weight.
I dont understand the low rating, movie is quick in getting into action, some Fantastic effects, set etc. Good thrill. Reminds me of 70 and 80s movie.
Give this one a shot and you will not be disappointed.
Give this one a shot and you will not be disappointed.
Kristen Stewart is working in an underwater facility when it all goes horribly wrong.
Oh no all the escape pods are taken so the survivors will have to don diving suits, catch a lift to the bottom of the ocean and walk home.
It should be fine as long as the waters aren't filled with some nasty monsters released by the drilling.
Whoops!
The action is immediate and hard hitting and thrilling.
This has all the elements you can imagine, people getting stuck under things, oxygen running out, rooms filling with water, sea creatures mauling people etc.
The effects are great, the monsters interesting and it is all done quite well.
"Quite well" is the problem.
This film looks like it is going to be amazing and it is hard not to get excited about it.
So when it takes a paddle around lake-mediocrity it feels really, really bad.
The characters are stark and relatable but you get no build up so you are always playing catch up with them and the relationships between them were a little unclear.
Kristen Stewart's character has a sub plot that should be really meaningful but just feels tacked on as it is relayed through the mediums of chitchat and locker junk.
You get no feel of where the survivors are going so a lot of the plot relies on aptly placed road signs and a patronising version of Alexa, who is zero help to the crew, until it needs to explain how the film is going to end - which it does in patronising detail even drawing us a little picture.
This is a pretty good disaster/monster flick but it feels like a lot of potential has been wasted - which makes me think less of this film than I should.
The production and performances are all good.
Kristen Stewart is very good, but maybe she is stereotyped in my eyes as it took me twenty minutes to shake the feeling that she was on her way to a Halloween party dressed as "the real slim shady" when this all kicked off.
A good enough movie but with a tiny bit more work and a little more nerve this would have easily been an absolute classic people were talking about for the next fifty years.
Oh no all the escape pods are taken so the survivors will have to don diving suits, catch a lift to the bottom of the ocean and walk home.
It should be fine as long as the waters aren't filled with some nasty monsters released by the drilling.
Whoops!
The action is immediate and hard hitting and thrilling.
This has all the elements you can imagine, people getting stuck under things, oxygen running out, rooms filling with water, sea creatures mauling people etc.
The effects are great, the monsters interesting and it is all done quite well.
"Quite well" is the problem.
This film looks like it is going to be amazing and it is hard not to get excited about it.
So when it takes a paddle around lake-mediocrity it feels really, really bad.
The characters are stark and relatable but you get no build up so you are always playing catch up with them and the relationships between them were a little unclear.
Kristen Stewart's character has a sub plot that should be really meaningful but just feels tacked on as it is relayed through the mediums of chitchat and locker junk.
You get no feel of where the survivors are going so a lot of the plot relies on aptly placed road signs and a patronising version of Alexa, who is zero help to the crew, until it needs to explain how the film is going to end - which it does in patronising detail even drawing us a little picture.
This is a pretty good disaster/monster flick but it feels like a lot of potential has been wasted - which makes me think less of this film than I should.
The production and performances are all good.
Kristen Stewart is very good, but maybe she is stereotyped in my eyes as it took me twenty minutes to shake the feeling that she was on her way to a Halloween party dressed as "the real slim shady" when this all kicked off.
A good enough movie but with a tiny bit more work and a little more nerve this would have easily been an absolute classic people were talking about for the next fifty years.
It's a very suspenseful movie, with a great ambiance. The acting is fine and they are able to make you feel what they feel. Mission accomplished on that matter. No, it's not an all time great movie, but it's a very well executed horror movie. It's unique and it's riskfull in these main stream times. It feels like a 90's movie concept, which I love and it's more comparable to Alien in it's style. Don't compare it to the abyss, this is something quite different.
Você sabia?
- CuriosidadesActors wore airtight suits for the underwater scenes, making it difficult to hear the director's commands. Each suit weighed about 140 lbs (63 kg).
- Erros de gravaçãoDuring the opening title sequence, a typo can be seen, twice, where a portion of the station's blueprints is labeled "BOYANCY COMPENASATORS"
- Citações
Norah Price: There are things will happen and make you feel powerless, and make you feel insignificant, but that's it. There are just feelings. and sometimes you have to stop feeling, and start doing.
- Cenas durante ou pós-créditosJust before the ending credits begin a news appears on the screen about the two survivors of the accident and a date is written on top "Sunday, August 7, 2050" which means the film is set in the year 2050. later on as the news continues another date is also visible "August 12, 2050".
- ConexõesFeatured in Chris Stuckmann Movie Reviews: Underwater (2020)
- Trilhas sonorasSpongeBob SquarePants Theme
Written by Derek Drymon, Mark Harrison, Stephen Hillenburg and Blaise Smith
Performed by Avril Lavigne
Courtesy of Paramount Pictures
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Amenaza en lo profundo
- Locações de filme
- Louisiana, EUA(Studio)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 80.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 17.291.078
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.008.297
- 12 de jan. de 2020
- Faturamento bruto mundial
- US$ 40.882.928
- Tempo de duração
- 1 h 35 min(95 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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