- Ganhou 1 Oscar
- 107 vitórias e 263 indicações no total
Maria Caggianelli Villani
- Elio's Friend
- (não creditado)
Krystal Ellsworth
- Astonished Store Customer
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This film is pure sensuality and emotion. You can see through the character's eyes, taste through their mouths but most importantly you feel, by God how you feel. Luca Guadagnino manages to extract the very best out of his actors: Armie Hammer's performance shows unprecedented depth and Timothee Chalamet is the essence of awe inspiring acting, this film will land him an Oscar nomination at the very least.
Beautiful movie. Timothée Chalamet is more than brilliant. He makes you
believe everything is real, every emotion, every scene, everything. Sweet, lovely boy
« Call me by your name » is a beautiful movie about first love. The atmosphere is dreamy and I have been taken on an emotional journey for two hours. Timothée Chalamet and Armie Hammer give remarkable performances. There is a great chemistry between them. The charming landscapes, the good soundtrack and the delicate direction also contribute to this achievement. I like the way homosexuality is portrayed: being gay is normal; there is no drama queen and no pathos. This is a touching story that makes me want to fall in love.
It's hard to put into words exactly the way I felt watching this film. Hours later it's hard to even begin to write my opinion on it. To put as simply as I can, the film perfectly captures its setting and atmosphere in a way few films do. The biggest credit needs to be given to director Luca Guadagnino, who is able to capture the smallest of details. Technically, the film is a marvel and I struggle to think of one flaw. It's beautiful, sensual, luscious in its execution, with absolutely marvelous pacing. In terms of pure directorial achievements, it's definitely one of the best of the year. The performance of Timothée Chalamet is also a pretty perfect portrayal of the character in the novel, and a completely internal performance that is reminiscent of Rooney Mara's wonderful work in Carol. Armie Hammer is also quite strong in the role, although it's a tricky character to get completely right. The novel is told completely through Elio's eyes and so we only imagine and see Oliver from a distance. He's more of an enigmatic figure in the novel than a real, tangible person. So much of that is due to the writing and the way Elio sees him as, so in terms of difficulty, I can imagine how Hammer had quite a task on his hands. Due to the literal nature of film, it's a type of character that always had to lose some of its mystery to its translation from the page, and it's as good one as can be.
I have so much I want to say about this but still can't find the right words, but the one thing I will say is that while the story here is pretty simple, the film really does capture, more than any other in recent memory, the feeling of that fleeting force of love and passion that can come to define one's life. It does so in a melancholic, beautiful way that makes it stand out from others of its kind. I can see why some people wouldn't take to it (and in fact the almost-unanimous positive reviews surprise me) because at the end of the day, the technical aspects work to create a film that can only be defined by a feeling that some people will experience watching the film and that others won't. All that sounds incredibly enigmatic, but it's a difficult feeling to pinpoint and considering the film, I think it's fitting.
I have so much I want to say about this but still can't find the right words, but the one thing I will say is that while the story here is pretty simple, the film really does capture, more than any other in recent memory, the feeling of that fleeting force of love and passion that can come to define one's life. It does so in a melancholic, beautiful way that makes it stand out from others of its kind. I can see why some people wouldn't take to it (and in fact the almost-unanimous positive reviews surprise me) because at the end of the day, the technical aspects work to create a film that can only be defined by a feeling that some people will experience watching the film and that others won't. All that sounds incredibly enigmatic, but it's a difficult feeling to pinpoint and considering the film, I think it's fitting.
Beauty in the midst of all the ugliness we're living in, it's like a shock. I wept like I hadn't wept in a movie since I was very young. It made me think and remember summers of my own life. It made remember sounds and smells. I was transported. The smartness, candor and gentleness of this unexpected love story goes beyond anything I've ever seen. Luca Guadagnino is rapidly becoming one my favorite directors working today. Armie Hammer completely demolished my preconceptions with a performance that is total perfection and I haven't mention Timothee Chalamet yet. No I need to dedicate the lasts paragraphs to him because his performance goes beyond perfection. I didn't know him at all. Now I' a fan. It reminded me of the first time I saw Daniel Day Lewis playing a gay punk in "My Beautiful Launderette" An explosion of beauty when you least expected. Thank you for that.
Director's Trademarks: The Films of Luca Guadagnino
Director's Trademarks: The Films of Luca Guadagnino
Suspiria director Luca Guadagnino takes IMDb through his approach to filmmaking, from longtime collaborator Tilda Swinton, to why he hopes he doesn't have a "style."
Você sabia?
- CuriosidadesTimothée Chalamet learned to speak Italian and play the classical piano pieces used in the film.
- Erros de gravaçãoAt the car, when Elio and Oliver prepare to head off to Lake Garda with Sam, Elio has his right foot up on the open back door panel during their conversation; however, when the shot changes to Oliver's point of view in the front seat, Elio clearly has his left foot up on the door frame. Back outside it's his right foot again.
- Citações
Mr. Perlman: We rip out so much of ourselves to be cured of things faster that we go bankrupt by the age of thirty and have less to offer each time we start with someone new, but to make yourself feel nothing so as not to feel anything - what a waste.
- Cenas durante ou pós-créditosAlthough the movie has a full opening credits sequence, the title of the film is not shown on screen until the end credits begin.
- Trilhas sonorasHallelujah Junction
Written by John Adams (as J.C. Adams)
Performed by John Adams
Published by Hendon Music Inc.
Administered in Italy by Casa Ricordi Srl
Courtesy of Nonesuch Records
By arrangement with Warner Music Italia Srl
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Llámame por tu nombre
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- € 4.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 18.095.701
- Fim de semana de estreia nos EUA e Canadá
- US$ 412.932
- 26 de nov. de 2017
- Faturamento bruto mundial
- US$ 67.485.643
- Tempo de duração
- 2 h 12 min(132 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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