AVALIAÇÃO DA IMDb
4,2/10
3,8 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaWhen four estranged brothers return home to say their last goodbye to their dying mother, Grace, hidden motivations reveal themselves.When four estranged brothers return home to say their last goodbye to their dying mother, Grace, hidden motivations reveal themselves.When four estranged brothers return home to say their last goodbye to their dying mother, Grace, hidden motivations reveal themselves.
Mike Donovan
- TJ
- (as Mike Donovan)
Christopher Brechtel
- Man
- (as Chris Brechtel)
Avaliações em destaque
If you have absolutely nothing to do, watch it. If however you feel the urge to pull your fingernails out with a pair of pliers then I suggest you will have more satisfaction with the latter. Wasted a Sunday afternoon with this movie. Good on ya Netflix. It could always be worse though. I might have taken my lady to the cinema and spent money for the two of us to be disappointed beyond belief. 90 percent of the movie was filmed in dark conditions and it was very hard to follow the story as the characters were unrecognizable most of the time and you didn't know if the masked guys were getting on top or the brothers actually got a win. Sad to see that in our day and age with all the technology available that someone can get a movie so wrong with camera work alone. Then there was the acting. At least everything about the movie was consistent.
Disappointed Disappointed Disappointed. If you read my review and still go ahead and watch this rubbish then you cant say you haven't been warned. Hey look.... golf is on channel 2. At least it will be better than what I've just put myself through.
Disappointed Disappointed Disappointed. If you read my review and still go ahead and watch this rubbish then you cant say you haven't been warned. Hey look.... golf is on channel 2. At least it will be better than what I've just put myself through.
Not well written or executed. The acting was fine, but the characters were not well developed. For example, we just get bits and pieces of conversation. Nothing is ever hashed out, which is frustrating due to the presentation of tension between the characters. Other things just don't make sense. Why plot a home invasion at the rare evening when the entire family (6 and a guest) all happen to be there? Victim one in the woods stabs his perpetrator with a knife then leaves the knife in the body rather than cutting the ropes around his wrists. Another brother uncovers a motorcycle from the shed, and oh my, there happens to also be a loaded gun there as well. One step brother reveals to the other that he and his real brother are cut out of the inheritance-why? what's the purpose? That would completely work against the final twist of the plot. There's more, but hopefully I've said enough to keep you from wasting your time.
A deathbed-drama turns into a home-invasion thriller, and dark secrets are revealed -- all to little effect -- in the clumsy and not-quite- worthwhile "Mercy."
The plot involves four brothers who convene upon the family homestead as their mother nears death. The patriarch fathered only two of the boys. The other two are children from the dying woman's previous marriage; their father died under mysterious circumstances, leaving her a sizeable sum of money. There's a rift between both pairs of half-brothers, a rift which is aggravated by the living patriarch, who wishes to keep the inheritance to himself and his biological children.
The drama plays-out with quiet tension, leaving us with a few too many questions -- like: The four of them have been provided with what appears to be a DIY euthanasia-kit by a local doctor. It's established that they all believe their mother is suffering. And yet, they unanimously object to the use of euthanasia. It seems this may stem from religious belief. And yet, the way they suspiciously eye one another about it, and the way the DIY kit keeps getting thrown away and then "significantly" re-appearing, it seems like all isn't what it appears to be.
Well, and it's not, quite frankly. There are a few twists to this tale. The first is a home-invasion, which happens quite abruptly and changes the feel of the film. The second is the reveal of the identity of the invaders, which is more surprising than I had guessed. The third concerns the true nature of that euthanasia kit.
Ultimately, having seen the full scope of the plot, I can see what someone may have seen in this material. It's a crafty setup. But it's terribly underserved by both the writing and the execution.
A better version of this film would have had sharper dialogue and more closely-observed characters. The four brothers presented by this film are fairly generic guys; each is given a defining trait or two, but no meaningful dialogue is exchanged between them, other than whatever is necessary to advance the plot. A better film would have traced the deep rift between these siblings; it might have referenced a specific event in the past which touched them all in different ways; it might have said something about the nature of familial division. Instead, we're given four brothers who talk like crooks getting ready to pull a heist, each one suspicious of the others. We're given no insight into their personal lives.
A better version of this film would also have played a bit more with the religious themes. There is a definite ironic comparison to be made between the dad's sternness, his presumed moralistic idealism, and the kind of faith which becomes part of the film's final act.
A better film would also have made those final-act twists work better. These twists should be quite shocking -- but as delivered by this film, they just leave us feeling a little puzzled and unsatisfied. We need to feel, more strongly, the ironic nature of what happens at the end in the mother's room. A better film might have done this by setting-up certain signifiers earlier in the film, certain things which might have raised questions or doubts, so that when the final act pulls these sudden reversals, we can better appreciate what's happening and it doesn't feel so... well, kind of arbitrary.
A better film would also have utilized the cinematography and the editing better. "Mercy" isn't exactly an ugly film, but it's a film without a strong sense of visual direction. This is a story which involves things both spoken and unspoken, secrets, and misdirection. Some clever camera-work and thoughtful editing could have helped to tell the story, could have "said" the things that the characters themselves aren't saying. Instead, "Mercy" gives us the flat, affectless, somewhat-shaky look which has become the hallmark of the generic, low- budget home-invasion thriller.
Overall, it's not great film. It's barely a good one. There were certainly some promising elements here, but those are quite underserved by this film's thoughtless, generic execution.
The plot involves four brothers who convene upon the family homestead as their mother nears death. The patriarch fathered only two of the boys. The other two are children from the dying woman's previous marriage; their father died under mysterious circumstances, leaving her a sizeable sum of money. There's a rift between both pairs of half-brothers, a rift which is aggravated by the living patriarch, who wishes to keep the inheritance to himself and his biological children.
The drama plays-out with quiet tension, leaving us with a few too many questions -- like: The four of them have been provided with what appears to be a DIY euthanasia-kit by a local doctor. It's established that they all believe their mother is suffering. And yet, they unanimously object to the use of euthanasia. It seems this may stem from religious belief. And yet, the way they suspiciously eye one another about it, and the way the DIY kit keeps getting thrown away and then "significantly" re-appearing, it seems like all isn't what it appears to be.
Well, and it's not, quite frankly. There are a few twists to this tale. The first is a home-invasion, which happens quite abruptly and changes the feel of the film. The second is the reveal of the identity of the invaders, which is more surprising than I had guessed. The third concerns the true nature of that euthanasia kit.
Ultimately, having seen the full scope of the plot, I can see what someone may have seen in this material. It's a crafty setup. But it's terribly underserved by both the writing and the execution.
A better version of this film would have had sharper dialogue and more closely-observed characters. The four brothers presented by this film are fairly generic guys; each is given a defining trait or two, but no meaningful dialogue is exchanged between them, other than whatever is necessary to advance the plot. A better film would have traced the deep rift between these siblings; it might have referenced a specific event in the past which touched them all in different ways; it might have said something about the nature of familial division. Instead, we're given four brothers who talk like crooks getting ready to pull a heist, each one suspicious of the others. We're given no insight into their personal lives.
A better version of this film would also have played a bit more with the religious themes. There is a definite ironic comparison to be made between the dad's sternness, his presumed moralistic idealism, and the kind of faith which becomes part of the film's final act.
A better film would also have made those final-act twists work better. These twists should be quite shocking -- but as delivered by this film, they just leave us feeling a little puzzled and unsatisfied. We need to feel, more strongly, the ironic nature of what happens at the end in the mother's room. A better film might have done this by setting-up certain signifiers earlier in the film, certain things which might have raised questions or doubts, so that when the final act pulls these sudden reversals, we can better appreciate what's happening and it doesn't feel so... well, kind of arbitrary.
A better film would also have utilized the cinematography and the editing better. "Mercy" isn't exactly an ugly film, but it's a film without a strong sense of visual direction. This is a story which involves things both spoken and unspoken, secrets, and misdirection. Some clever camera-work and thoughtful editing could have helped to tell the story, could have "said" the things that the characters themselves aren't saying. Instead, "Mercy" gives us the flat, affectless, somewhat-shaky look which has become the hallmark of the generic, low- budget home-invasion thriller.
Overall, it's not great film. It's barely a good one. There were certainly some promising elements here, but those are quite underserved by this film's thoughtless, generic execution.
I caught this on Netflix and as is usually the case, it's another pile of crap movie that only Netflix can offer up. You would think a service that you pay for could actually offer some decent movies, but instead they give us B movie crap like this.
I was totally frustrated by this movie as I never understood what was going on, and there was no explanation at the end. It had potential, and had they given the viewer some idea as to what was going on, it might have worked.
If you run across this one on Netflix, save yourself some time. Pass on this mess. You'll thank me.
I was totally frustrated by this movie as I never understood what was going on, and there was no explanation at the end. It had potential, and had they given the viewer some idea as to what was going on, it might have worked.
If you run across this one on Netflix, save yourself some time. Pass on this mess. You'll thank me.
I am told that American Netflix has a far better selection of movies; good movies, i.e. ones with a coherent plot, good acting and a sense of dramatic timing. However I have seen enough of Canadian Netflix to assert that many movies on the service are simply filler that must have been made by wealthy "wanna-be" film producers or charming con artists who managed to cajole wealthy friends to part with their money and finance a film. All the imagination and timing went into the making of the trailer for this. Do not be fooled. You have been warned. I'll give a nod to Mercy's maker for the first 20 minutes or so: he did a capable, if pedestrian, job of setting up the dramatic contours for a conflict of some kind that does not end well. Had the remainder of the movie followed this arc (without resorting to a clumsy back-in-time approach to explain what just happened which left me confused at various points) then I would have rated this a 6 (for mildly diverting, at times intense, but I am glad I didn't drop $12 to see this at a theatre).
Você sabia?
- CuriosidadesTodas as entradas contêm spoilers
- ConexõesReferenced in Flix Forum: Mercy (2019)
- Trilhas sonorasCountry Gent
Written by Anthony Rizzo
Principais escolhas
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- How long is Mercy?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 30 minutos
- Cor
- Proporção
- 2.35 : 1
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