Girlboss

It improved some as episodes went on,but still overly entitled to her way of life.

Casting was ok,as was cinematography too.

Nothing special or unique,just something to watch.. That's about it!

I watched this show all within a day and enjoyed it.

In reading reviews I saw some critics described it as 'fraud feminism' because the main character was selfish. I disagree with this as I see the Grilboss as showing how a female created a business out of nothing, I see a strong, determined female character. I don't understand how a flawed character (who yes, was irrational and childish at many times) taints the feminist message? Feminism is inclusive of all women? Not only the perfect, altruistic characters. Frankly there is no perfect female. Personally I disagree with this 'fraud feminism'.

Sad to see the show is cancelled. Definitely would have continued to watch it, and will recommend it to my friends.

Netflix (2017) show "Girlboss" is inspired by the best-selling book #Girlboss by Sophia Amoruso, founder of the fashion brand Nasty Gal. It has built a realistic mid-twenties character who still struggling with morality, sense of purpose, keeping up with technology and balancing a bank account. So, there are a lot of funny moments. Soundtrack is rock solid. The script is consistent. For a comedy, the cinematography was impressive. Cast wise, Britt Robertson as 23-year-old Sophie is amazing. While her character has many flaws - given her tendency to often be selfish, brash, inconsiderate and mindless of other people's feelings - Robertson is never insufferable and we are still able to support her even when she acts in a less than positive way. Obviously, Robertson has fun in the role. Despite some flaws, this comedy makes for a brisk binge. At the end, your enjoyment of "Girlboss" will come down to your ability to tolerate its protagonist's demeanor, but Sophie is on a learning curve because no one in her life had ever had faith in her. And that is why I really liked the show.

Rating: 7+/8-

Adulthood is where dreams go to die, bankruptcy is where companies go to die. It's unfortunate that whilst this series fanatically praises Nasty Gal founder Sophia Amuroso (here, she is called Sophia Marlowe)as a business success, in life Amuroso has stepped down as CEO and the company is bankrupt.

Sass alone does not make success but fictional Sophia seems to get by simply on being a sassy millenial. She starts the series as a twenty-three year old shoplifting drifter, who is stuck in teenager mood (where she basically remains throughout the whole series)and ends up a girlboss (the kind of patronising term you might use on marketing a Barbie doll).

Though the first three or four episodes are unbearably smug, Britt Robertson does a good job as little-girl-lost Sophia, seller of vintage fashion. Ellie Reed is fine enough as Sophia's hanger-on/best buddy Annie.

It's not so much the acting that's the problem as the whole concept being flawed. It's free publicity for the Nasty Gal business and no amount of dramatic license will disguise the fact that this is a six and a half hour commercial.

The reality is sanitised in the show. For starters, there is whitewashing (Sophia Amuroso is of Greek, Italian and Portuguese descent). Secondly, in this version Sophia is still in contact with her dad, with a relationship no more strained than any young daughter. When we know that he can bail her out financially, her decision to shoplift is bratty rebellion rather than financial problems.

The material was pretty thin anyway so unsurprisingly it did not get a second season.

So, the show is awesome but not without its flaws. Aside from hating the main character most of the time, this show is absolutely amazing and Britt Robertson can literally excel as every type of character imaginable. The show ends on a good note but it would've been nice to see how her empire grows. Watch it. Totally recommend.