Sam, um jovem desiludido com a vida, conhece uma misteriosa mulher que desaparece da noite para o dia sem deixar rastros.Sam, um jovem desiludido com a vida, conhece uma misteriosa mulher que desaparece da noite para o dia sem deixar rastros.Sam, um jovem desiludido com a vida, conhece uma misteriosa mulher que desaparece da noite para o dia sem deixar rastros.
- Direção
- Roteirista
- Artistas
- Prêmios
- 3 vitórias e 9 indicações no total
Wendy Vanden Heuvel
- Topless Bird Woman
- (as Wendy Vaden Hueval)
Deborah Geffner
- Mom
- (narração)
Jeannine Cota
- Botox Reporter
- (as Jennine Cota)
Kayla DiVenere
- Sevence Kid #3
- (as Kayla Di Venere)
Avaliações em destaque
There is much here to enjoy in this likeable neo-noirish/dreamlike offering from David Robert Mitchell. It looks good throughout, has plenty of surprises, some surreal touches and generally a good feeling. At some point after halfway in begins to dawn on the viewer that it is going to be some achievement to resolve all the various and varied elements that have unfolded. Unfortunately (or just maybe fortunately) this does not seem the intention of Mitchell and even more bizarre and unresolved issues are brought up in the file stages. It is perhaps advisable then to not go into this expecting the 'detective' to solve the mystery of the missing girl or the dead dogs or the fantastic caves or the secret code, but to just enjoy the moments.
This movie was actually pretty interesting and kept me engrossed from the beginning. However there was a lot of stuff that wasn't explained and was left up for interpretation. Just gave me an uneasy feeling the whole time, but I think that was the point. I'd imagine that you'd need multiple viewings to "get" it, which I have not done yet. If you like creepy, weird, nutty thrillers then this is for you.
This movie has too much and not enough.
Too much length, too many plot threads, too many characters, too many wanna-be-argute references, too many unresolved nodes. Sadly, not enough meaning.
As other reviewers noted, it tries hard to be Mulholland Drive and Donnie Darko, but it falls short of expectations, especially in the uncompelling ending.
My son (who liked it) tried to convince me to see some deeper metaphorical level, i.e. One which would be delivering some harsh criticism of Hollywood's alleged many sins. Sorry, I don't buy it: if such was the intent, then arguably the implementation defeated the purpose, ending up guilty of these very same sins.
It's not all bad: the acting is OK, as well as the photography and the cinematography. Spotting the many references is fun at first, to quickly lose interest.
To me, the real problem is the erratic, self-indulgent direction, seemingly unable to convey a meaningful consistency to the movie, a compelling raison d'être that would and should have made this movie memorable rather than a disappointing sequence of fragments. Lots of dots, unconvincingly connected. All in all, a lost opportunity.
Sorry, even though I wanted to like this movie (or possibly _because_ of that) I just cannot recommend it.
Too much length, too many plot threads, too many characters, too many wanna-be-argute references, too many unresolved nodes. Sadly, not enough meaning.
As other reviewers noted, it tries hard to be Mulholland Drive and Donnie Darko, but it falls short of expectations, especially in the uncompelling ending.
My son (who liked it) tried to convince me to see some deeper metaphorical level, i.e. One which would be delivering some harsh criticism of Hollywood's alleged many sins. Sorry, I don't buy it: if such was the intent, then arguably the implementation defeated the purpose, ending up guilty of these very same sins.
It's not all bad: the acting is OK, as well as the photography and the cinematography. Spotting the many references is fun at first, to quickly lose interest.
To me, the real problem is the erratic, self-indulgent direction, seemingly unable to convey a meaningful consistency to the movie, a compelling raison d'être that would and should have made this movie memorable rather than a disappointing sequence of fragments. Lots of dots, unconvincingly connected. All in all, a lost opportunity.
Sorry, even though I wanted to like this movie (or possibly _because_ of that) I just cannot recommend it.
My wife and I watched this at home on DVD from our public library. The DVD box doesn't give away much, "A delirious fever dream about one man's search for the truth behind mysterious crimes, murders, and disappearances in his East L.A. neighborhood."
The movie is a homage to 1950s film noir, and even the music was composed to evoke that feeling. Andrew Garfield is Sam, about to get evicted from his apartment for lack of payment, and about to have his car repossessed. But he doesn't seem to be in any rush to get work. He is only interested in finding out why a pretty neighbor disappeared suddenly.
Silver Lake is a community outside L.A., just east of Hollywood. There is also a reservoir there, which plays a role in the mystery. Frankly when it was over neither my wife nor I could explain a story in what we saw, but the style is so captivating that we kept watching.
I enjoyed it, my wife less so. It is not the type of movie everyone will enjoy.
The movie is a homage to 1950s film noir, and even the music was composed to evoke that feeling. Andrew Garfield is Sam, about to get evicted from his apartment for lack of payment, and about to have his car repossessed. But he doesn't seem to be in any rush to get work. He is only interested in finding out why a pretty neighbor disappeared suddenly.
Silver Lake is a community outside L.A., just east of Hollywood. There is also a reservoir there, which plays a role in the mystery. Frankly when it was over neither my wife nor I could explain a story in what we saw, but the style is so captivating that we kept watching.
I enjoyed it, my wife less so. It is not the type of movie everyone will enjoy.
This movie is in a few words: strange, intriguing, dull, intimate, and dare I say addictive. The plot is seems pretty simple enough yet as you watch you can get lost at the movies direction- it's at times realistic and other times feels like the next scene will have something outer worldly happen. Regardless the protagonist (Andrew Garfield) whose almost a viewer himself just along for the ride except in real time is one of the movies real gems. It is definitely not for everyone rather it's not for most I believe , as some may really find it boring and/or stupid however if you're looking for something different and that will get your conspiracy senses tingling definitely one to watch.
Você sabia?
- CuriosidadesThe scenes with Sarah (Riley Keough) in the swimming pool are almost exact recreations of scenes from Marilyn Monroe's last film, Something's Got to Give (1962), which was never completed due to her sudden unexpected death. The footage from that film can be found online.
- Erros de gravaçãoWhen he leaves the bar to go to the crypt downstairs, he forgets the free record, but in the next scene at the table downstairs, he has the record.
- Cenas durante ou pós-créditosThe final credits contain a card in code, with the key "b=a" in the bottom right corner. Once decoded, the card reads: "A David Robert Mitchell film: Under the Silver Lake."
- ConexõesFeatured in Half in the Bag: Under the Silver Lake (2019)
- Trilhas sonorasNever My Love
Performed by The Association
Written by Donald J. Addriel and Richard Addrisi (as Richard P. Addriel)
Courtesy of Warner Brothers Inc
By arrangement with Warner Music Group Film & TV Liceneing
Principais escolhas
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- How long is Under the Silver Lake?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- El Misterio de Silver Lake
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 8.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 46.083
- Fim de semana de estreia nos EUA e Canadá
- US$ 35.270
- 21 de abr. de 2019
- Faturamento bruto mundial
- US$ 2.053.469
- Tempo de duração2 horas 19 minutos
- Cor
- Proporção
- 2.39:1
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