Cassius Green descobre a chave do exito profissional mas é levado por um mundo de avareza.Cassius Green descobre a chave do exito profissional mas é levado por um mundo de avareza.Cassius Green descobre a chave do exito profissional mas é levado por um mundo de avareza.
- Prêmios
- 20 vitórias e 56 indicações no total
LaKeith Stanfield
- Cassius Green
- (as Lakeith Stanfield)
David Cross
- Cassius's White Voice
- (narração)
Patton Oswalt
- Mr. _______'s White Voice
- (narração)
Lily James
- Detroit's White British Voice
- (narração)
Rosario Dawson
- Voice in Elevator
- (narração)
Jerry McDaniel Jr.
- Man Eating Dinner
- (as Jerry Mcdaniel Jr.)
Avaliações em destaque
If you like not knowing where a movie is going, this is the movie for you!
Because whatever you're thinking, that's not where it's going.
If you like that? Go for it. It's a wild ride.
Because whatever you're thinking, that's not where it's going.
If you like that? Go for it. It's a wild ride.
I always try to base my judgement of a film, on how much it can bring forth my emotions. The more a film can invoke my feelings the; whether that be love, fear or joy. That is what makes a movie great. I have stuck to that rule my whole life, and whether I am feeling in awe at another Nolan epic, or pure bitter frustration at sharknado 13, I have never stumbled across a single film to which I can make an exception.
That was in fact until I embarked on the journey known as "sorry to bother you".
This film is strange. I mean, reallyyy strange. A dystopian reality is constructed, using cheerful and colourful, mise-en-scene, picture and sound; as a poorly crafted mask to cover the dark undertones which hide in plain sight. The acting? Seamless. The humour? Hilarious. The plot? A positive unorthodox. And yet what emotion of mine does this film invoke? Misery.
The alternative reality conjured is so surreal, yet so real. The psychopathic nature of every single aspect of this creation bears all too many similarities to the world we too live in. So hyperbolized, so ridiculous, but still so true. Immediately after whatching this film I had to call my best friend, just to hear a sane voice, as even the one in my own head was failing to provide me that comfort.
This film does exactly what it sets out to do, it does so in stupendous fashion. And yet, I hated it. I recommended that none of my friends watch it. Though smiling throughout, my overall emotion was of such discomfort, that I really did not want anybody to go through the same. This is the best worst film I have ever seen. My rating has fluctuated from 4-10 throughout the writing of this review. But here you have it. 7/10. My final answer, a mediocre score, for a far from mediocre film.
That was in fact until I embarked on the journey known as "sorry to bother you".
This film is strange. I mean, reallyyy strange. A dystopian reality is constructed, using cheerful and colourful, mise-en-scene, picture and sound; as a poorly crafted mask to cover the dark undertones which hide in plain sight. The acting? Seamless. The humour? Hilarious. The plot? A positive unorthodox. And yet what emotion of mine does this film invoke? Misery.
The alternative reality conjured is so surreal, yet so real. The psychopathic nature of every single aspect of this creation bears all too many similarities to the world we too live in. So hyperbolized, so ridiculous, but still so true. Immediately after whatching this film I had to call my best friend, just to hear a sane voice, as even the one in my own head was failing to provide me that comfort.
This film does exactly what it sets out to do, it does so in stupendous fashion. And yet, I hated it. I recommended that none of my friends watch it. Though smiling throughout, my overall emotion was of such discomfort, that I really did not want anybody to go through the same. This is the best worst film I have ever seen. My rating has fluctuated from 4-10 throughout the writing of this review. But here you have it. 7/10. My final answer, a mediocre score, for a far from mediocre film.
Marvellous, odd ball & a great way to spend a couple of hours. If you like wacky story telling or anything by the great Gilliam then this will work for you.
American cinema needs this kind of indie style movie, to offset the general bilge produced by US mainstream cinema.
Beautifully shot, with a barking story line - A fine way to pass an evening.
Awesome satire movie, some moments i feel i was watching a Atlanta episode, others black mirror and ended up being a twilight zone episode! there is a lot of dark humor over here, is a thinking pay attention movie to catch a lot of the jokes.
if you like weird movies you should watch this one for sure!
if you like weird movies you should watch this one for sure!
Wow, there are a lot of people who don't like this movie, and moreover, seem to mad that others like it. Some samples:
"I think people who are giving it high praise believe that's just what their supposed to do but the fact is it's just a dumpster fire of a movie."
" I RARELY write movie reviews but had to inform people of the facts on this one."
"The positive reviews are from movie snobs who think they are smarter than everyone else and recognize brilliance in pure garbage."
You get the point. It's almost like we're all supposed to like all the same things now. (In fairness, there were plenty of other reviewers who didn't like it, but said they're glad others enjoyed it.
I'm not a movie snob. I'm not a film executive and I have nothing to do with the film except I paid 6 bucks to see it last Tuesday. This is a very surreal satire. It won't be to everyone's liking, but it seems to me that we are getting more and more confused about the difference between fact and opinion. It's not a fact that this movie sucks, any more than it's a fact that this movie is great. These are classically opinions.
Me, I like movies that start sort of pseudo-normal and go into bizarre. This is right up my alley. It's a Repo Man for our generation. Genetic engineering, dead end call center jobs, megalomaniacal Bay Area billionaires trying to save the world, race relations and post-postmodern art commentary. It's all painted in a crazy, bigger-than-life science fiction brush. Yeah, it's weird as hell, and maybe ends a little weakly (Monty Python and the Holy Grail, anyone?) but has a method in its madness.
If you don't like absurdist humor, or if you don't like movies that are at least semi-overt political statements (especially if the political statement is opposed to yours. Anti-union, pro-business capitalists with short fuses be warned! You should give it a miss and just read the National Review's Ross Douthat's review. He saved you a lot of time worrying your beautiful mind about it.), and if you don't like a dollop of science fiction every now and then, yeah, you're going to probably hate it.
But your opinion is still not fact. I liked it. That's my OPINION. Get over it.
"I think people who are giving it high praise believe that's just what their supposed to do but the fact is it's just a dumpster fire of a movie."
" I RARELY write movie reviews but had to inform people of the facts on this one."
"The positive reviews are from movie snobs who think they are smarter than everyone else and recognize brilliance in pure garbage."
You get the point. It's almost like we're all supposed to like all the same things now. (In fairness, there were plenty of other reviewers who didn't like it, but said they're glad others enjoyed it.
I'm not a movie snob. I'm not a film executive and I have nothing to do with the film except I paid 6 bucks to see it last Tuesday. This is a very surreal satire. It won't be to everyone's liking, but it seems to me that we are getting more and more confused about the difference between fact and opinion. It's not a fact that this movie sucks, any more than it's a fact that this movie is great. These are classically opinions.
Me, I like movies that start sort of pseudo-normal and go into bizarre. This is right up my alley. It's a Repo Man for our generation. Genetic engineering, dead end call center jobs, megalomaniacal Bay Area billionaires trying to save the world, race relations and post-postmodern art commentary. It's all painted in a crazy, bigger-than-life science fiction brush. Yeah, it's weird as hell, and maybe ends a little weakly (Monty Python and the Holy Grail, anyone?) but has a method in its madness.
If you don't like absurdist humor, or if you don't like movies that are at least semi-overt political statements (especially if the political statement is opposed to yours. Anti-union, pro-business capitalists with short fuses be warned! You should give it a miss and just read the National Review's Ross Douthat's review. He saved you a lot of time worrying your beautiful mind about it.), and if you don't like a dollop of science fiction every now and then, yeah, you're going to probably hate it.
But your opinion is still not fact. I liked it. That's my OPINION. Get over it.
Você sabia?
- CuriosidadesAt one point, Detroit wears a pair of earrings with the phrases BURY THE RAG and DEEP IN YOUR FACE. These are lyrics from "The Lonesome Death of Hattie Carroll" by Bob Dylan, which is a protest song about a poor African-American woman murdered by a wealthy white man. ("Bury the rag deep in your face/ Now's the time for your tears".)
- Erros de gravaçãoWhen Detroit is caught while vandalizing an advertisement for WorryFree, the letters she spray paints on the wall change from "S" to "SL" and back to "S" between shots.
- Citações
Sergio: Hey, Cash. How much longer I gotta wait for my money?
Cassius Green: God made this land for all of us. Greedy people like you want to hog it to yourself, and your family.
Sergio: Me and my family?
Cassius Green: Yeah.
Sergio: Cassius, I'm your fuckin' uncle.
- Cenas durante ou pós-créditosThere's a mid-credits scene.
Principais escolhas
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- How long is Sorry to Bother You?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Sorry to Bother You
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 3.200.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 17.493.096
- Fim de semana de estreia nos EUA e Canadá
- US$ 727.266
- 8 de jul. de 2018
- Faturamento bruto mundial
- US$ 18.170.707
- Tempo de duração
- 1 h 52 min(112 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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