Lumina

I suppose I should start with the positives, there aren't many so this shouldn't take long. The cinematography is rather good in some parts. And that....is that.

Everything else is terrible. The script. The plot. The acting. The screenplay. The direction. The editing. The CGI. The music. All of it objectively bad. Not poor, but really bad.

The worst thing about it is the unstructured, uninteresting meandering nature of the film. It is just a collection of scenes that mean nothing.

The characters and their relationship to each other is non existent.

You always know a bad movie when Eric Roberts turns up to collect his pension. Although he was in The Dark Knight, so I will cut him some slack.

Even in a world where sharknado and its ilk are made, I find it difficult to believe that someone would invest in and produce this.

The "plot" simultaneously is all over the place and goes absolutely nowhere. It is truly baffling that someone paid for this script and said, "I HAVE to make this".

You may think, "Well at least there must be some decent acting in it". You would be incorrect. Small town theaters provide more convincing performances than anyone involved in this delivers.

It is so very bad that I'm almost convinced that someone in charge decided early on that they were going to go for a Razzie or something.

The movie does not even have enough substance to be considered for a Golden Raspberry.

I've seen better things made by kids with cheap equipment on YouTube.

Gino McKoy's Lumina is a visually stunning and intellectually engaging sci-fi film. It challenges viewers with its complex narrative and philosophical themes, making it a standout in the genre. The cinematography is gorgeous, and the performances are compelling. While not a film for those seeking fast-paced action, Lumina is perfect for viewers who appreciate a blend of style and substance in their science fiction. Lumina is a remarkable achievement in science fiction cinema. Gino McKoy has crafted a film that is both visually stunning and intellectually challenging, offering a unique and thought-provoking experience. While it may not be for everyone, particularly those who prefer their sci-fi with more action and less introspection.

Lumina is a sci-fi masterpiece that goes beyond visual spectacle. Gino McKoy's film offers a profound exploration of existence and identity, wrapped in a visually breathtaking package. The slow pacing might deter some, but it allows for a richer, more immersive experience. With strong performances and a narrative that invites deep reflection, Lumina is a must-watch for fans of thought-provoking cinema. The story of Lumina is one of its most compelling features. At its core, the film explores themes of consciousness, identity, and the nature of reality - topics that have long fascinated philosophers and scientists alike.

Alien films are tricky because so much has been covered. There is little fertile ground save for the reshuffling of previous material. Here in Lumina, there is a soft effort to make a personal connection between the conspiracy and the characters. However, the film's path is full of never-ending twists in the road, unexpected turns, and revelations that keep the audience more distracted than engaged. By the time the film ends, there is a feeling of being off-balance caused by the rapid surprises and shifts in the narrative.

The biggest challenge for Lumina is the scope of its ambitions. The film tries to spin off into a myriad of directions, ranging from government secrets to alien menaces. These are all valid angles, but the problem lies in the execution, which is sloppy and, at times, distracted. Audiences will likely guess the ending before the end of the first act. The lack of subtlety is to the detriment of the film. While there are some twists, they arrive a little too late to make any real contact.

Full Review at Geek Vibes Nation.