Fútil e Inútil

A Futile and Stupid Gesture is about the creation of the National Lampoon brand and its creator Doug Kenney. This film follows Doug through his extraordinary heights and lows of his life in the comedy business.

This film is directed by David Wain (Role Models), Wrote by Michael Colton and John Aboud (Penguins of Madagascar). It stars Will Forte (Nebraska) as Doug Kenney, Domhnall Gleeson (Ex Machina) and Martin Mull (Clue) as The Narrator. Along with a great line up of stellar comedians.

What I liked about this film was it's direction and in my opinion pitch perfect interpretations of famous actors and directors. I really enjoyed Joel McHale as Chevy Chase and Will Forte as Doug Kenney. Most of the jokes are funny as well especially the ones featuring famous scenes in films and how they came about. My favorite scene would have to be the ending though which for someone who didn't know the story actually had me tearing up a bit.

But some of the jokes do not hit for me, along with a dive in quality in the middle of the film which makes it last forever. means that it certainly isn't comic genius.

However I do like this film and think you should watch it. Its a bit rough around the edges but it means well and for fans of National Lampoon films, this fil is defiantly for you.

7/10

'A FUTILE AND STUPID GESTURE': Three and a Half Stars (Out of Five)

A comedy biopic about writer Doug Kenney, who was the main contributor to the success of National Lampoon in the 1970s and 80s. The film stars Will Forte as Kenney, and it was directed by David Wain (who also helmed 'WET HOT AMERICAN SUMMER', and several episodes of the TV series based on it). It costars Domhnall Gleeson, Martin Mull, Emmy Rossum, Matt Walsh, Joel McHale, and many others (in cameos as famous comedians). The movie was scripted by John Aboud and Michael Colton, and it's based on the book (of the same name) by Josh Karp. The film was released by Netflix through it's streaming site, and it's gotten mixed to positive reviews from critics. I found it to be both educational and funny, but it's also a little too dark and unbalanced.

The film is narrated by Doug Kenney, supposedly in modern day (Mull). He tells his life story, starting when he was in his twenties (Forte); when he and his best friend Henry Beard (Gleeson) decided to create the magazine National Lampoon. It of course became a huge success, and blockbuster movies followed (like 'ANIMAL HOUSE' and 'CADDYSHACK'). Kenney could never be content, or happy, still though.

I knew nothing about Doug Kenney previous to seeing this movie, but I love his work. So I was absolutely fascinated by this film, and I of course found it to be very educational. I also loved seeing all of these other actors portraying other famous actors (like Chevy Chase, Bill Murray and John Belushi). I also just really enjoyed seeing how these classic comedy films, and that famous comedy magazine, came to life. Forte is great in the lead too, and the supporting cast is all more than adequate. The film, as funny and interesting as it often is, is still really dark and depressing though. It left me with mixed feelings about how I really felt about it as a whole. It's also got a strong TV feel to it, which kind of cheapens what should have been a theatrical film feel (the story deserved a theatrical presentation at least).

A driven joker pushes his way through Harvard and on to comedy stardom, but the fun begins to get manic ...

Clever story telling that takes a while to get the right mood, but once it hits the American Hustle-style montage pace with the '70s period look it just rolls along. Plenty of decent laughs, but with good introspection by the lead actor. I didn't know much about this guy, and his stuff was just before my time, but I found the story really engaging, and of course there's the satisfaction of spotting a host of comedy stars at the start of their screen careers. Biggest laugh was Chevy Chase trying to pour a drink at the parents' new mansion.

The meta narrative is amusing, with a pointed reference to the source of the movie's title, but it also pulls a clever trick in setting up a shock ending for anyone who doesn't know this man's life. Only complaint is that there's no killer line. Maybe: "All you had to say was don't call me Shirley".

The performances are good all round, and the direction, editing and cheerful music keep it bubbling all the way through.

Overall: Nice surprise, big recommend.

This is a good movie. It's a story well told but it's certainly one sided. For one thing it ignores the fact that National Lampoon wasn't very funny. It is also a bit of a hatchet job on the parents and P J O'Rourke, whose least credit, as probably the funniest American print writer of the 20th century, is editor of NL.

Worth watching though.

It's weird watching this immediately after Drunk Stoned Stupid Dead (Im also reading the Making of Caddyshack, which is basically about the making of National Lampoon) and....

Joel McHale as Chevy is inspired casting. A lot of the casting is - Will Forte and Domnhall Gleeson at the top and their scenes in the first half of the film making up the real heart of the thing (like Social Network but totally wiseass, which is fun).

But that framing device is just pure WTF, and it ends on a note that maybe Kenney would have appreciated if he were alive, but he's not and we are and it feels so... I dunno. It's also strange to be living in 2018 and (as David Erhlich pointed out, im sure he wasnt alone) have a straight-faced take on the "wrong kid died" cliche that was mocked ten years ago in Walk Hard. Sure it did happen here, but Wain's treatment doesnt skirt the cliche, it just is one.

There are enough fun bits here to make it watchable (grading sort of on a Netflix curve), and the actors are all trying their best. And... It's fine. Which is not the kind of praise Kenney would've wanted.