Adicionar um enredo no seu idiomaThe incredible tale of Mozart's Prague years.The incredible tale of Mozart's Prague years.The incredible tale of Mozart's Prague years.
- Direção
- Roteiristas
- Artistas
Hana Vagnerová
- Frau Smitt
- (as Hana Vágnerová)
Avaliações em destaque
This movie is a nuanced presentation of how toxic masculinity affected women in the 1700s. While ostensibly about Mozart and a performance of the marriage of Figaro in Prague, the movie provides a speculative fiction of how Mozart came to compose Don Giovanni, based on "real life" occurrences. We are presented with a highly credible representation of an abusive, powerful man who exploits women of all backgrounds with impunity. Although the theme is tragic, the celebration of the era's lifestyles and the magnificent music sugarcoat the grim message. Beautifully photographed with B role of historic Prague to enjoy, fine acting performances, and gorgeous costumes, it is suitable for 14+ audiences and serves as an important warning to girls and young women today.
The acting was really fantastic. This movie has it all - music, love, intrigue and mystery. The settings and costumes were beautiful. Bravo and Brava for your work :-)
My title does not say that it is an accurate reconstruction, and it probably does not set out to be, as just how much is known of the events of October 1787 might be up for debate. That the overture was a last minute composition is apparently true, as is the fact that the Duscheks were prominent in Prague's operatic world, but I expect that much of the rest was a rich blend of fantasy and artistic licence. However, the location choice of the Estates Theatre, the genuine venue of the opera's premiere, was a terrific touch.
Seeing Cilla Black's hubby pop up as Mozart was a surprise, but he did a far better and more credible job than.the clown-like Tom Hulce in 'Amadeus' some 33 years earlier. And having a real life Don Giovanni imposing his attentions on the women of the city was an interesting twist as a suggestion of Mozart's inspiration for the story, especially with a servant named Laporel, so similar to the opera's Leporello.
But the truth is that Mozart only arrived in the city 11 days prior to the planned premiere, so by that point he must have already composed just about everything, if not the overture. That premiere was postponed by two weeks, but apparently only for organisational reasons.
I have seen Don Giovanni countless times over the last 60 years or so, and that made it intriguing viewing for me. However the shooting was way too dark - yes, I know they only had candles and oil lamps in 1787, but as an audience we need to be able to see the faces and have a clear grasp of what is going on. And the dialogue was at times so mumbled that I would have liked subtitles. So in conclusion, 7/10 is a fair score.
Seeing Cilla Black's hubby pop up as Mozart was a surprise, but he did a far better and more credible job than.the clown-like Tom Hulce in 'Amadeus' some 33 years earlier. And having a real life Don Giovanni imposing his attentions on the women of the city was an interesting twist as a suggestion of Mozart's inspiration for the story, especially with a servant named Laporel, so similar to the opera's Leporello.
But the truth is that Mozart only arrived in the city 11 days prior to the planned premiere, so by that point he must have already composed just about everything, if not the overture. That premiere was postponed by two weeks, but apparently only for organisational reasons.
I have seen Don Giovanni countless times over the last 60 years or so, and that made it intriguing viewing for me. However the shooting was way too dark - yes, I know they only had candles and oil lamps in 1787, but as an audience we need to be able to see the faces and have a clear grasp of what is going on. And the dialogue was at times so mumbled that I would have liked subtitles. So in conclusion, 7/10 is a fair score.
An interesting tale set at the time Mozart conducts The Marriage of Figaro in Prague, in 1786. In the opera, the count is determined to seduce the countess' maid, Susanna who is betrothed to Figaro, who works for the count. This opera was somewhat revolutionary in that it held up the count to scorn and ridicule.
Aneurin Barnard was a delightful Mozart, as was Morfydd Clarke as the beautiful soprano to sing Cherubino on the new opera, Don Giovanni.
However, Adrian Edmondson was excellent as Herr Lubach, but Dervla Kirwan just grated as his wife.
The wonderful irony was seeing the angry and grief-stricken Mozart channeling his anger towards the baron in getting revenge. Lots of beautiful music, and period costumes.
I thought this was a creative take on Mozart's Don Giovanni. Granted that I don't know much about the opera, I can appreciate the complexity and artistry of the music and the beauty in the talent and range of the vocalists. It is my understanding that this is a fictional story written based on actual events. I can only assume that this implies that Mozart composed Don Giovanni in Prague but the story surrounding the composition in the film is fictional. Regardless, I enjoyed watching this.
The great things in this film are the music, the vocalists, the costuming, the settings and emotion. I was a bit disappointed that there wasn't more focus on how devious the barron was. I felt like the fear of his cruelty was seen clearly in most of the characters but his actions causing fear just weren't explained enough to justify so much fear.
I'm not sure that I will watch this again but I'm glad I decided to check it out.
The great things in this film are the music, the vocalists, the costuming, the settings and emotion. I was a bit disappointed that there wasn't more focus on how devious the barron was. I felt like the fear of his cruelty was seen clearly in most of the characters but his actions causing fear just weren't explained enough to justify so much fear.
I'm not sure that I will watch this again but I'm glad I decided to check it out.
Você sabia?
- ConexõesFeatured in Interlude in Prague: Behind the Scenes Featurette (2017)
- Trilhas sonorasPorgi Amor - From The Marriage Of Figaro
Written by Wolfgang Amadeus Mozart (as W A Mozart) (1786)
Performed by The City of Prague Philharmonic Orchestra
Vocals by Samantha Barks
Solo Violin by Lucie Svehlova
Principais escolhas
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- How long is Interlude in Prague?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Интерлюдия в Праге
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 5.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 14.699
- Tempo de duração
- 1 h 43 min(103 min)
- Cor
- Proporção
- 2.39:1
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