Houston, We Have a Problem

Maybe one of the best documentary i have ever watched.

This movie is really an amazing peace of work. I took everything it told me as truth and let it create certain feelings. At the end I went back to an assumption that it is fabricated but the feelings remained very solid and suddenly a lot of other information about the past started to fill in the gaps where fabrication was removed. Everything started to make more sense. It was not a pleasant discovery. It's one thing to feel as a victim of some powerful force, but to finally realize your own active role in the abuse, I think it is even harder to accept. Every movie, no matter what genre, is some type of manipulation and an attempt from author to present his own illusion. This movie seems like it is an illusion constructed to deliver the truth, indirectly.

It takes one great mockumentary to make a truly remarkable hommage to the idea of Yugoslavia. Witty, entertaining and clever. It's a must, especially if you are into balkans or former Yugoslavia.

"Houston We have a Problem" started with an interesting enough concept through a documentary/narrative/fictional structure and strategy in order to deliver a certain idea, which in the end becomes a kind of clinical allegory about the disintegration of Yugoslavia – trying to be entertaining and funny while at it. Until the last third of the film, it was interesting, I admit, and intriguing where it would end up. By the end it was somewhat disgusting by the shallowness of its "irony," given the tragedy it depicts.

Zizek's usual overcooked but useless philosophical platitudes ring even more hollow than usual in this context – although he did have some funny lines in the beginning (yeah, and the socks, whatever).

It may be an interesting film for a disengaged and clueless audience, who were not affected by the history depicted in this film (or similar experiences in other parts of the world) – but imagine making such a clinical allegory of another, more "relevant" "country disintegration war" or even (gasp) genocide – take your pick – Israel, Palestine, Syria, Libya, etc. -- the filmmaker would maybe be more vilified/ostracized/banished than celebrated for his "cleverness." If you want an effective allegory of what happened with Yugoslavia, watch Tanovic's Oscar winner "No Man's Land," or even better, Kenovic & co.'s SaGA films (google it) – from that part of the world, Bosnians are much better and more interesting storytellers and record keepers than Slovenians (and much funnier, too – for full disclosure, I am not Bosnian and I don't subscribe to ethnic disparagement or similar).

PS. It's not really a "1" more like a "5" rating, but just to counter this ridiculous overrated extravaganza here.

While this documentary promised a deep look into a deal between Yugoslavia and the United States to transfer space technology to NASA, there is not enough new information presented to even fill a short magazine article. Most of the film is padded with stories about Yugoslavia's history, Tito and a single scientist from Yugoslavia who travels back to his home country for the first time in 50 years.

What little information is presented comes from an American historian who seems to be the only one in the documentary who speaks English. Subtitles are needed for most of the interviews in this film.

In any event, if you want to see a documentary that gives a passing mention to the Yugoslavian space program and more of a backstory into US-Yugoslavian relations from the 1960's to 1970's you may enjoy this. Beyond the first 30 minutes or so don't expect to learn much about NASA, the space program or what this title is supposed to focus on.