Doentes de Amor

One of my favorite things to do is go into a movie completely blind. Not watch a trailer, look at a poster, or even the cast list. It's incredibly difficult to do in today's age, especially because of how much I enjoy watching trailers, but when the chance comes along to see a movie with no prior knowledge, I take it.

The Big Sick is one of those rare movies that presents itself as 3 genres, in this case Drama, Comedy, and Romance, and it services each of those genres equally. So well that you have to mention all 3 if you're talking about the movie. It's not just a Rom-Com or a Rom- Dram, it's most certainly a Rom-Com-Dram. I haven't seen a film so effortlessly balance the 3 genres. This is all while seemingly reinvent the formula for a romantic comedy to beautifully fresh results. The Big Sick uses witty humor, charming leads, and socially important topics to give us the best film of the summer thus far.

A romance is only as good as its leads and their chemistry. Luckily, Kumail Nanjiani and Zoe Kazan grace the screen with a refreshingly awkward and charming presence. Being that I haven't really seen either of them in anything else, their relationship felt miraculously original. The Big Sick is based on Nanjiani's actual life, but this felt like a comedy unrestricted by real-life accounts while also honoring a serious subject matter that has its place. However, the two's chemistry isn't all this film has, its entire ensemble is something to behold. Ray Romano, Holly Hunter, Anupam Kher, Adeel Akhtar, Zenobia Shroff, and the various comedians do a wonderful job of rounding out the fantastic cast.

It doesn't fall back into genre clichés or tropes, doesn't fall back into an overly physical comedy (like most comedies do now), and it most certainly doesn't go the direction you think it's going to go. The Big Sick benefits from having a diverse cast and story and an impeccably funny but also poignant script. Heck, it also doesn't hurt that it takes place and was filmed in my hometown of Chicago. But the important thing is, this film restores my faith (once again) in original romantic comedies. Go see it.

+Diverse

+Original

+Funny & heartwarming

+Balances its 3 genres impressively

10/10

Romance, cultural conflict, betrayal, compassion, and redemption. All neatly wrapped within the context of a comedic memoir. Michael Sholwater did a superb job directing and the writing collaboration between Emily V. Gordon and Kumail Nanjiani gave the audience a wonderfully intimate sense of how the warmth, power, and growth of a couple relationship can expand and strengthen the bonds of family.

No story or movie becomes great without a superb cast. Again Kumail Nanjiani proved his versatility with an amazingly strong performance (in my opinion award winning). And this movie was not a one man show, Zoe Kazan gave just the right energy to her role, Holly Hunter should get an Academy Award for best supporting actress for hers, Ray Romano was excellent as were Zenobia Shroff and Anupam Kher. This was the best movie I've seen in a very long time and just may be the best romantic comedy I've ever seen.

Not every indie comedy can buffet jokes about The X-Files and ISIS in practically the same breath, but director Michael Showalter does it with understated ease in The Big Sick. Be prepared to chuckle a bit over the pop-cult references and weep a bit over the heroine's hospitalization. Also be prepared to laugh about arranged marriages, Pakistani style, and a meet-cute that doesn't always bring a smile.

The anchor of this layered comedy is Kumail Nanjiani, not only a subtly smooth stand-up comedian but also a handsome leading man, whose low-key approach to ambition and love puts him in the pantheon of heroes who are believable, self-effacing, and charming. The story is built around his courtship of Emily (Zoe Kazan) based on his wife, Emily V, Gordon, who is co-writer of this warm, sentimental and ultimately realistic screenplay.

Perhaps that realism is just what so endeared me to this dramedy because it fairly depicts the humor of competing cultures and the strains of everyday life in stand-up comedy Chicago and the world. Yet, it is lighthearted rather than grim, with comic toss-off lines that beg for a return to the film to enjoy the ones you may have missed.

You may also return to see the star turns of Holly Hunter and Ray Romano as Emily's parents, Beth and Terry. The two pros can jump from flip to serious in a flash. They alone are a whole film experience wrapped in another film.

The Big Sick is more mood and tone than plot, a quiet reflection of the complicated lives that face more than decisions about sleeping around or telling your family all about your life. Although you may have experienced the cute lover suddenly rushed to hospital in countless other rom-coms, producer Judd Apatow has made sure you will laugh as you enjoy his iconic comedies, now in a higher form than ever, and wax philosophical at the slings and arrows of love in different cultures.

A romcom that's as romantic as it was funny. The fact that it's all based on a true story. It manages to make you laugh and smile even at the saddest moments and it all feels real. You get to see how difficult it can be for two people from different cultures and religion to get together may be. Haven't seen any rom com like it, how it centers around an event so bereaved for the main characters yet manages to put a smile on your face in the end. It's not mind blowingly good but I really like it.

Halfway through this syrupy, heartwarming gushfest, Pakistani boyfriend wannabe tells an edgy 9/11 joke to the very white American father of his comatose love interest: "tragic, we lost 19 of our best men". Silence. There's enough of these gloriously awkward moments in "The Big Sick", to bring much needed levity to the very tired romcom Hollywood game.

Maybe because it's based on the pretty crazy life experiences of comedian Kumail Nanjiani, "The Big Sick" resonates better than most cookie cutter plots. Sure there's sparks, joy, conflict, and tears, but there's also religion, racism, and history. Best of all, there's great chemistry between the leads and the various convoluted familial web players.

Plus Holly Hunter. Yup, Holly Hunter is in this, and of course, she is fabulous. Almost steals the movie. Almost. In fact all the performances are great, including several juicy supporting roles.

Nothing can get in the way of Kumail and Emily's fabulous love story. Hilarious, charming, and sneaky smart.