AVALIAÇÃO DA IMDb
5,9/10
18 mil
SUA AVALIAÇÃO
Inspirado pelos acontecimentos reais do sequestro de 1976 de um vôo da Air France que cobria a rota de Tel Aviv para Paris, e a mais ousada missão de resgate jamais tentada.Inspirado pelos acontecimentos reais do sequestro de 1976 de um vôo da Air France que cobria a rota de Tel Aviv para Paris, e a mais ousada missão de resgate jamais tentada.Inspirado pelos acontecimentos reais do sequestro de 1976 de um vôo da Air France que cobria a rota de Tel Aviv para Paris, e a mais ousada missão de resgate jamais tentada.
Michal Shtamler
- Hanna Cohen
- (as Michal Shtamler Yanai)
Avaliações em destaque
I think I saw the trailer for this once in recent months so it definitely wasn't on my radar at all. Had some time to kill today, so guess what? Was hoping for a solid thriller based on a real life event. Sadly, the film fails to tell a rather interesting story with the spark it probably deserves. I can see why this film sort of just snuck into theaters without a lot of promotion. Its just not very good, and is a forgettable film about an event that could have been adapted better.
The film follows the real life events of two German terrorists (Wilfried Böse and Brigitte Kuhlmann) who along with a group of Palestinian terrorists, hijack an airplane in 1976 in Entebbe, Uganda. Their hopes are to receive a ransom of 5 million for the passengers on board and the freedom of Palestinian soldiers captured in Israel. The film follows negotiation efforts and the ultimate retrieval of the hostages by the Israeli operative forces.
I'm not very familiar with a lot of Jose Padilha's work but his Robocop remake was a definite misfire. Even here we have an interesting event and two very talented co-leads but a story that is just so dull and boring. While the film is shot well, the merits of the writing fall very short. Its hard to care for what goes on when the film doesn't really attempt to entice you with any thrill, action, or moments to make it memorable.
The relevance of the film and incident is that it mirrors the hostility between Israel and Palestine today, a conflict that has stretched for decades. Other than that, Entebbe has good intentions but fails. It doesn't exactly have a voice or make a statement but just recreates the event in a half hearted way. The best part was that weird dance sequence performance that kept going on during the film.
5.5/10
The film follows the real life events of two German terrorists (Wilfried Böse and Brigitte Kuhlmann) who along with a group of Palestinian terrorists, hijack an airplane in 1976 in Entebbe, Uganda. Their hopes are to receive a ransom of 5 million for the passengers on board and the freedom of Palestinian soldiers captured in Israel. The film follows negotiation efforts and the ultimate retrieval of the hostages by the Israeli operative forces.
I'm not very familiar with a lot of Jose Padilha's work but his Robocop remake was a definite misfire. Even here we have an interesting event and two very talented co-leads but a story that is just so dull and boring. While the film is shot well, the merits of the writing fall very short. Its hard to care for what goes on when the film doesn't really attempt to entice you with any thrill, action, or moments to make it memorable.
The relevance of the film and incident is that it mirrors the hostility between Israel and Palestine today, a conflict that has stretched for decades. Other than that, Entebbe has good intentions but fails. It doesn't exactly have a voice or make a statement but just recreates the event in a half hearted way. The best part was that weird dance sequence performance that kept going on during the film.
5.5/10
Most of us (including me), when we heard about the new film 7 DAYS IN ENTEBBE, thought to themselves "didn't they just make this film a few years ago...?" The answer is yes. A similar film to this - RAID ON ENTEBBE - was a TV movie made a few years ago - 42 years ago, to be precise. It starred Peter Finch, Martin Balsam, Jack Warden and good ol' Charles Bronson. Made a mere few months after the true events, this slapped together movie was an old-fashioned "shoot 'em up."
This film is most definitely not.
7 DAYS IN ENTEBBE tells the true story of the 1976 Air France Hijacking of (mostly) Israeli citizens that settle in Entebbe, Uganda (under the leadership of crazed dictator Idi Amin) - refusing to negotiate with terrorists, the Israeli government plan, stage and execute a daring rescue mission.
Sounds like a pretty good plot for a Charles Bronson shoot-em-up.
In this version, Director Jose Padilha (the 2014 remake of ROBOCOP) decides to focus most of his attention not on the hijacked Israeli citizens, but rather, a pair of German hijackers juxtaposed against the political infighting in Israel between Prime Minister Yitzhak Rabin and Defense Minister Shimon Peres. The Israeli governmental infighting was interesting to watch with intriguing characters and cat-and-mouse back-stabbing politics while the plight of the kidnappers was underwritten and underwhelming. Consequently, this film was "just okay".
Oh...and it had about an hour-fifteen minutes of content stretched over an hour-forty-five minutes, so to stretch things out, Padilha decided to cut back and forth between the action (what there was of it) and a modern dance recital. Clearly he was trying a metaphor of the dance punctuating the emotions and actions elsewhere. It just didn't work for me.
Neither did this film. Skip this one and check out the Charles Bronson shoot-em-up.
Letter Grade C+
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
This film is most definitely not.
7 DAYS IN ENTEBBE tells the true story of the 1976 Air France Hijacking of (mostly) Israeli citizens that settle in Entebbe, Uganda (under the leadership of crazed dictator Idi Amin) - refusing to negotiate with terrorists, the Israeli government plan, stage and execute a daring rescue mission.
Sounds like a pretty good plot for a Charles Bronson shoot-em-up.
In this version, Director Jose Padilha (the 2014 remake of ROBOCOP) decides to focus most of his attention not on the hijacked Israeli citizens, but rather, a pair of German hijackers juxtaposed against the political infighting in Israel between Prime Minister Yitzhak Rabin and Defense Minister Shimon Peres. The Israeli governmental infighting was interesting to watch with intriguing characters and cat-and-mouse back-stabbing politics while the plight of the kidnappers was underwritten and underwhelming. Consequently, this film was "just okay".
Oh...and it had about an hour-fifteen minutes of content stretched over an hour-forty-five minutes, so to stretch things out, Padilha decided to cut back and forth between the action (what there was of it) and a modern dance recital. Clearly he was trying a metaphor of the dance punctuating the emotions and actions elsewhere. It just didn't work for me.
Neither did this film. Skip this one and check out the Charles Bronson shoot-em-up.
Letter Grade C+
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
Written by Gregory Burke, and directed by José Padilha, Entebbe has met with near universally bad reviews (22% approval on Rotten Tomatoes at the time of writing), and while it is without doubt flawed, it's not nearly as bad as has been made out. Telling the story of the 1976 AirFrance hijacking by Palestinian and German revolutionaries, and subsequent Israeli Defence Force rescue mission (Operation Thunderbolt), the film is presented from multiple points of view; Revolutionäre Zellen members Brigitte Kuhlmann (Rosamund Pike) and Wilfried Böse (Daniel Brühl), Israeli Minister for Defence Shimon Peres (Eddie Marsan), Israeli Prime Minister Yitzhak Rabin (Lior Ashkenazi), IDF Pvt. Zeev Hirsch (Ben Schnetzer), AirFrance 1st Engineer Jacques Le Moine (Denis Ménochet), IDF Lt. Col. Yoni Netanyahu (Angel Bonanni), and Ugandan President Idi Amin (Nonso Anozie).
The problem is obvious; the film covers every point of view except the most important one; the Palestinian. Indeed, the only Palestinian given any kind of development is a fictional character played by Omar Berdouni, who talks of Israeli tanks driving over a car in which his family were trapped. And there are other strange omissions; the death of Dora Bloch (Trudy Weiss), murdered on Amin's orders after she was released in Kampala, is never mentioned, and Wadie Haddad is nowhere to be found. Additionally, the film doesn't have much of contemporaneous relevance to say in relation to the Arab-Israeli Conflict, other than alluding melancholically to the self-propagating nature of the violence, and the unlikelihood of peace (the closing legend points out that after he pushed for negotiations in 1995, Rabin was assassinated by a Jewish extremist). However, it's aesthetically very well put together, and the juxtaposition of Thunderbolt with a Jewish dance number works much better than it has any right to. True, it doesn't get to the heart of the matter by any stretch of the imagination, and it could be accused of taking a pro-Israeli stance, but it's enjoyable enough, and worth a look.
The problem is obvious; the film covers every point of view except the most important one; the Palestinian. Indeed, the only Palestinian given any kind of development is a fictional character played by Omar Berdouni, who talks of Israeli tanks driving over a car in which his family were trapped. And there are other strange omissions; the death of Dora Bloch (Trudy Weiss), murdered on Amin's orders after she was released in Kampala, is never mentioned, and Wadie Haddad is nowhere to be found. Additionally, the film doesn't have much of contemporaneous relevance to say in relation to the Arab-Israeli Conflict, other than alluding melancholically to the self-propagating nature of the violence, and the unlikelihood of peace (the closing legend points out that after he pushed for negotiations in 1995, Rabin was assassinated by a Jewish extremist). However, it's aesthetically very well put together, and the juxtaposition of Thunderbolt with a Jewish dance number works much better than it has any right to. True, it doesn't get to the heart of the matter by any stretch of the imagination, and it could be accused of taking a pro-Israeli stance, but it's enjoyable enough, and worth a look.
The ending was annoying mostly because of the frequent crosscutting between the dancing sequences and the action taking place. I don't know what it was supposed to mean, but it was just irritating. And there was a subplot with one of the Israeli soldier and his girlfriend, that didn't add anything to the story, why it was included is a mystery to me. the storyline was good but the slow pace didn't help it.
On the contrary, 7 days in entembbe was well-acted, and the cinematography was awesome. the score was amazing but can be overbearing at times.
On the contrary, 7 days in entembbe was well-acted, and the cinematography was awesome. the score was amazing but can be overbearing at times.
Before I watched this I read a lot of reviews both the 1/10s and the 10/10s to see what I would make of it when I had finished watching.
In my opinion it is definitely not a 1/10 movie, but it is also not a 10/10 movie, there are a lot of things that could have been improved, but it did a reasonable job of retelling a rather well know chapter in our history. I have seen the original a few times and this stands up well against it for me.
Nothing came across biased against the Israelis, in fact they were shown in a far better light than they perhaps deserve. If anything I thought the movie biased against the terrorists, even though they were shown from a much more personal view then the original movie.
For me it really showed how much innocent people are used as pawns at the behest of political leaders of all persuasions.
Rosamund Pike and Daniel Brühl did a very good job in thier roles, as I expected them to do, they are top notch actors. Eddie Marsan was also excellent as Shimon Peres. The supporting cast were mostly excellent as well.
In my opinion it is definitely not a 1/10 movie, but it is also not a 10/10 movie, there are a lot of things that could have been improved, but it did a reasonable job of retelling a rather well know chapter in our history. I have seen the original a few times and this stands up well against it for me.
Nothing came across biased against the Israelis, in fact they were shown in a far better light than they perhaps deserve. If anything I thought the movie biased against the terrorists, even though they were shown from a much more personal view then the original movie.
For me it really showed how much innocent people are used as pawns at the behest of political leaders of all persuasions.
Rosamund Pike and Daniel Brühl did a very good job in thier roles, as I expected them to do, they are top notch actors. Eddie Marsan was also excellent as Shimon Peres. The supporting cast were mostly excellent as well.
Você sabia?
- CuriosidadesIt's not mentioned nor shown in the movie, but the Israelis destroyed several Ugandan MiGs on the ground of Entebbe airport, to keep the aircraft from being used against them, and as part of an agreement with the Kenyan government in exchange for allowing the raid aircraft to refuel in Kenya.
- Erros de gravaçãoIn the film, the Israeli C-130 planes land at Entebbe with full runway lights. In real life, the first plane landed in total darkness, and the commandos used flashlights to guide the other planes.
- Citações
Shimon Peres: There can be no negotiations with terrorists.
Yitzhak Rabin: You want to invade Uganda, Shimon?
Shimon Peres: We'll give it back to them when we leave.
- ConexõesFeatured in WatchMojo: Top 10 Failed Oscar Bait Movies of 2018 (2019)
- Trilhas sonorasChair Dance (Echad Mi Yodeah)
Traditional
Arranged by Avi Belleli, Ilan Green, Ophir Leibovitch, Ohad Naharin
Performed by Nikmat Ha-Traktor (as The Tractor's Revenge) and Ohad Naharin
Courtesy of The Tractor's Revenge
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- How long is 7 Days in Entebbe?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Sete dias em Entebbe
- Locações de filme
- Malta(location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 3.326.885
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.592.645
- 18 de mar. de 2018
- Faturamento bruto mundial
- US$ 8.771.432
- Tempo de duração1 hora 47 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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