303

Many directors try to put out their take on Life what is good what is not into their films... but most of the time they end up making either a messed up movie which nobody understands or some boring documentary like film...

But Here the Directors put out his or rather smthg that everyboy know subconsciously into a very Beautiful film...

The Performance of both the actors was also so Intimate and it truly hits you esp jule...

Everything abt the film.. Cinematography, Music, Acting, Script and esp the conversations are pure Bliss to Watch...

There were many scenes where there is no cut for Minutes on and the actors speak their dialogue... true Film Making and pure Art...

303 is so beautiful and knows how to take its time, edit it all together nicely, use music effectively, and the subtlety of the direction works as well. The actors also are very good and give a sense of honesty to their characters. I wasn't sure if it could actually pull off a runtime of over two hours, but it could and it never got dull or uninteresting. Think Before trilogy, but German and with its own feeling to it.

By the way, I think it's pretty funny the director actually had a role in Before Sunrise as a cafe patron.

On a sidenote, 2018 seems to me like a unusually good year for German cinema from what I have seen so far.

Please give this film a chance if you are a fan of talky movies. I really love this one a lot.

Not the classic romantic comedy. Much more deep and interesting whilst simple. Great European landscapes and believable acting. The conversations between the main characters are just wonderful, hence I applaud the script writers.

The local cinematheque was host last night to the Austrian director Hans Weingartner, the author of the lovely film '303', who after the projection entertained a dialog with the film critic Yael Shuv. '303' is a movie of a kind that is not much made today - a romantic 'feel good' movie that also tells many smart things about the world around us, a movie about and with young people who are neither drugged, neither extremists, nor fallen into misery or crime, a combination between a 'road movie' in the style that Wim Wenders was making 40 years ago and romantic films like Arthur Hiller's 'Love Story' based upon Erich Segal's novel that delighted the generations that were young at about the same time.

At first it seems that we are dealing with the usual 'boy meets girl' recipe. The film's heroes are two young Germans who meet by chance and decide to go together on a trip from Germany to Portugal in a 30-year-old caravan. It's one of the 'retro' elements of the movie, there are a few more, but the truly 'retro' stuff is the relationship that emerges between them. The boy belongs to the category of those who are not able to maintain a relationship for more than a few months. The girl is in the middle of the complete disintegration of her previous relationship and on top of this, she is also pregnant and undecided whether or not to keep the baby. Both of them are students, intellectuals in making, and they talk a lot, enormously, theorizing everything from politics and ecology to their attitudes toward love and the hormonal analysis of caressing and kissing. Verbosity slows down their getting close, and as tension accumulates between them and in the minds of the audience, dialogues play the role of prelude (Yael Shuv used the term foreplay) to the love affair between the two. Intelligently, director Hans Weingartner focuses most of the time on the two heroes and the caravan that carries them from the north to the south of Europe. The surrounding landscapes almost do not exist, when filmed they are practically deserted, only the two characters, the boy and the girl count. It's a 'road movie' where the important road is the way the two of them progress in their relation.

I liked the two characters, and the way the interaction between them is described on screen. The director and the actors Mala Emde and Anton Spieker manage to create empathy between heroes and spectators. Hans Weingartner told the audience at the discussion after the screening that the actors were let very little freedom to improvise, being asked to strictly follow the written text for most of the time. That also means that the script is well built, and the actors have achieved remarkable performances, giving autenticity to a text that is not at all trivial or easy. The film is optimistic without being sweet. As long as there are young people who are discussing with the same seriousness and passion about the planet's problems and about kisses, and as long as there are directors who know how to make movies where a love story can create thrill just like an action movie, there is still hope. I mentioned 'Love Story' that I saw almost half a century ago. I do not remember many details, I have not seen the movie since then, but I remember my personal identification with the heroes. I had a similar sensation yesterday watching '303', although I'm now at a very different age than the characters.

It's good, for me its very good. one of the most best roadtrip movie.

Jule and Jan succeed to delivered a very romantic relationship from the start. it doesn't feel to fast and to slow, their doing it just right. it should be like that when two person who have that condition of life should fallin to each other, just like that. somehow this movie gave us the reality of love step that other movie tend to be afraid to show it. this movie tell it in a very warm and in good phase.

the story it self was quite simple honestly, but the way it been told was make us feel that this movie still focus on the main two character with all the event that happened. i love the tone of this movie, the set, the music all of it was make this movie have a really strong sense of really fun adventure