Um veterano caçador ajuda a um agente do FBI a investigar um homicídio duma jovem mulher numa reserva indígena em Wyoming, Estados Unidos.Um veterano caçador ajuda a um agente do FBI a investigar um homicídio duma jovem mulher numa reserva indígena em Wyoming, Estados Unidos.Um veterano caçador ajuda a um agente do FBI a investigar um homicídio duma jovem mulher numa reserva indígena em Wyoming, Estados Unidos.
- Prêmios
- 17 vitórias e 27 indicações no total
Tokala Black Elk
- Sam Littlefeather
- (as Tokala Clifford)
Shayne J. Cullen
- BIA Officer #1
- (as Shayne Joel Cullen)
Austin R. Grant
- Carl
- (as Austin Grant)
Avaliações em destaque
There has been next to no fanfare for the release of this murder mystery. Which is surprising, considering the talent involved in front of the camera (Jeremy Renner, Elizabeth Olsen) and behind it (writer-director Taylor Sheridan). Fresh from joining the ranks of top-tiered screenwriters after the amazing one-two punch of Sicario and Hell or High Water, Sheridan continues his stellar run with a heart-wrenching study of loss and grief wrapped in a taut crime thriller narrative. Also having a crack at directing, Sheridan allows the snowy Wyoming setting to completely envelope the characters in a world that feels like it has no exits, both physically and emotionally. When this Native American community is hit with a homicide it feels like another tragedy in a long line of tragedies; their shock is replaced with deeper sorrow, their outrage is replaced with solemn defeat. Entering the scene like a fish out of water, Olsen's junior FBI agent Jane Banner must traverse the tricky cultural complexities if she's to understand the clues in front of her. Luckily she has Renner's local hunter Cory Lambert to assist, himself battling with a past family disaster. Renner and Olsen are both in terrific form, the former hiding his grief under a stoic veneer, the latter balancing big-city attitude with a genuine desire to find justice for the victim. Veteran character actor Gil Birmingham is also superb as a father unsure of how to deal with his earth-shattering loss. If this all sounds a bit heavy, well it is, but Sheridan's careful to inject a healthy dose of suspense and mild action to keep the drama gripping rather than overbearing; the finale in particular turns the movie on its head in an unpredictable but extremely effective manner. An intelligent, slow burning and provocative viewing that enthrals from start to finish, Wind River is an understated gem that deserves an audience.
After the southern heat of Hell or High Water, Taylor Sheridan gives us the cold wintery thriller Wind River.
In the frosty Wind River Indian Reservation of Wyoming, the body an 18 year old Native American girl is discovered by Wildlife service agent Cory Lambett (Jeremy Renner). Lambett with his knowledge of the mountain assists foreign FBI agent Jane Banner (Elizabeth Olson) to track down the killer, but also his own personal reasons wants to find the killer in an attempt to wrestle his own demons.
Inspired by true cases of missing native American girls, Wind River has cold hearted passion in its story-telling. A very melancholy murder mystery drama exploring grief and vengeance but also the neglect of the Native Americans in the mountain regions in the USA.
During a time this week while I was pondering the significance of different crime thrillers, with also the approach of the The Snowman in November, Wind River is real important stand out. The film itself although is about a murder is more centred on the atmosphere and location. Repetitive vibes of a hellish land resonate throughout the film. This mostly breathed life by the chilly aerial shots of the cold mountain land, identifying misery through the snow breeze and wind (an atmospheric format that was similar expressed in Hell or High Water). The most haunting aspect is the character brought to Wind River by Nick Cave and Warren Elis eerie soundtrack, echoing the dark past of the freezing land.
What leads us into the desolate mystery of Wind River is Jeremey Renner superb performance as the experienced hunter possessed by the past but also enriched with perception of his home land and its welcome. Renner very much appears as himself, however is a perfect casting choice with his neutral expression hiding his deeper emotions. Opposite is Elizabeth Olson, the most convincing FBI agent I've seen on screen for a while. But her city slicker style does not prepare her for the divergent law enforcement experience in the isolated Wyoming. These two leads are the perfect casting, with a enigmatic presence that makes you completely believe in them.
While Wind River has deeper meaning at its centre, Sheridan knows how to thrill his audience in quiet sensational but violent sequences. Loud sound effects of the gun shots bring light to the silent landscape that the characters dwell, and present a sense of realism to the experience.
Sheridan's third feature in his trilogy of modern American law enforcement, following, Sicario, Hell or High Water, has shown his strength in creating masterful crime thrillers with much to reflect about the real world. This capacity has also lead stronger confidence his potential prospects in directing a Bond film. 9.2/10
In the frosty Wind River Indian Reservation of Wyoming, the body an 18 year old Native American girl is discovered by Wildlife service agent Cory Lambett (Jeremy Renner). Lambett with his knowledge of the mountain assists foreign FBI agent Jane Banner (Elizabeth Olson) to track down the killer, but also his own personal reasons wants to find the killer in an attempt to wrestle his own demons.
Inspired by true cases of missing native American girls, Wind River has cold hearted passion in its story-telling. A very melancholy murder mystery drama exploring grief and vengeance but also the neglect of the Native Americans in the mountain regions in the USA.
During a time this week while I was pondering the significance of different crime thrillers, with also the approach of the The Snowman in November, Wind River is real important stand out. The film itself although is about a murder is more centred on the atmosphere and location. Repetitive vibes of a hellish land resonate throughout the film. This mostly breathed life by the chilly aerial shots of the cold mountain land, identifying misery through the snow breeze and wind (an atmospheric format that was similar expressed in Hell or High Water). The most haunting aspect is the character brought to Wind River by Nick Cave and Warren Elis eerie soundtrack, echoing the dark past of the freezing land.
What leads us into the desolate mystery of Wind River is Jeremey Renner superb performance as the experienced hunter possessed by the past but also enriched with perception of his home land and its welcome. Renner very much appears as himself, however is a perfect casting choice with his neutral expression hiding his deeper emotions. Opposite is Elizabeth Olson, the most convincing FBI agent I've seen on screen for a while. But her city slicker style does not prepare her for the divergent law enforcement experience in the isolated Wyoming. These two leads are the perfect casting, with a enigmatic presence that makes you completely believe in them.
While Wind River has deeper meaning at its centre, Sheridan knows how to thrill his audience in quiet sensational but violent sequences. Loud sound effects of the gun shots bring light to the silent landscape that the characters dwell, and present a sense of realism to the experience.
Sheridan's third feature in his trilogy of modern American law enforcement, following, Sicario, Hell or High Water, has shown his strength in creating masterful crime thrillers with much to reflect about the real world. This capacity has also lead stronger confidence his potential prospects in directing a Bond film. 9.2/10
One of the best movies I've seen in a long time. I enjoyed the subdued characters and acting. The story is unique and memorable. There is no gratuitous violence or nudity. The characters and story held my attention on their own.
Although very, very small errors crept in this story it is very true. As someone who lived right off the Wind River Reservation and whose husband worked for the Northern Arapaho tribe (one of three non-native employees) I can say that without a doubt this is what happens too many times on the res there. The natives often live in deplorable conditions but it's not all the other guy's fault either. However, the treatment of women and the disappearance of women, and yes men too, is horrific. There is often no closure. Things are so confusing and convoluted and corrupt that it's no surprise these things happen. We've since moved away but some of the experiences and events will never be gone. I wish that the people there, on and off the res, can find some resolution to the atrocities. It's a beautiful area and everyone should visit the Wind River mountains. It's on most people's way to the Grand Tetons and Yellowstone. Stop at Brooks lake and see the beginning of the Wind River. And the rest of the beauty there. Just don't go up on the res unless you're with a local.
This is a truly gripping, engaging and dramatic film. The first thing anyone will be aware of, is the quality of the production values, it is superbly made, gloriously acted, and meticulously filmed. A very classy production indeed.
You have to credit the sheer quality of the source material, a wonderful and sad plot, with plenty of twists and turns. Murder mystery fans will enjoy, thriller fans will also enjoy.
There are some truly big moments, one that will make you empathise with the victim's family, one that will leave you with your mouth open, as a big fight occurs.
So impressed by this movie. 9/10
You have to credit the sheer quality of the source material, a wonderful and sad plot, with plenty of twists and turns. Murder mystery fans will enjoy, thriller fans will also enjoy.
There are some truly big moments, one that will make you empathise with the victim's family, one that will leave you with your mouth open, as a big fight occurs.
So impressed by this movie. 9/10
Você sabia?
- CuriosidadesDuring the course of the shoot, writer-director Taylor Sheridan was visited on set by some Shoshone tribal leaders who astonished him with the revelation that, at that very time, there were 12 unsolved murders of young women on a reservation of about 6,000 people. Due to a 1978 landmark government ruling (Oliphant v. Suquamish), the Supreme Court stripped tribes of the right to arrest and prosecute non-natives who commit crimes on native land. If neither victim nor perpetrator are native, a county or state officer must make the arrest. If the perpetrator is non-native and the victim an enrolled member, only a federally-certified agent has that right. If the opposite is true, a tribal officer can make the arrest, but the case must still go to federal court. This quagmire creates a jurisdictional nightmare by choking up the legal process on reservations to such a degree, many criminals go unpunished indefinitely for serious crimes.
- Erros de gravaçãoIt's not possible to freeze the lungs by running, even in extreme cold. Air gets heated by the nose and throat before it reaches the lungs, and the lungs themselves are continually heated by the circulating blood. You'd die from hypothermia long before the lungs could freeze.
- Citações
Chip: Man, I get so mad. I wanna fight the whole world. You got any idea what that feels like?
Cory Lambert: I do. But I decided to fight the feeling instead, 'cause I figured the world would win.
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Muerte misteriosa
- Locações de filme
- Lander, Wyoming, EUA(city limit sign)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 11.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 33.800.859
- Fim de semana de estreia nos EUA e Canadá
- US$ 161.558
- 6 de ago. de 2017
- Faturamento bruto mundial
- US$ 44.202.682
- Tempo de duração1 hora 47 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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