Un pas în urma serafimilor

This was pretty good, I really liked how the producers realized everything. It was very thrilling, with some cliches, but, still, very good for Romanian potential. Good job for the crew, regarding the cast, most of the young actors played some interesting roles and the storyline is very dramatic. I recommend this for every movie enthusiast that is looking for something new, because, I repeat, this is Romanian cinematography and, it is far different from other countries.

I dreaded that the film is going to be about another over-dramatised and falsely advertised misconducts in the Orthodox Church BUT it wasn't! I dislike commercial films where you're forced to give up one and a half hour from your life or even more for another cliché ending or nothing. The actors play their roles authentically, the story could have been detailed more and the ending is gripping as well. Music in films are important to me, so it's well chosen and makes you think a bit about the film next day after you've watched it. I recommend it!

teenagers.between vocation and the desires of the age.forms of resistance against the pressures. an Orthodox seminary circle who reflects Romanian school system in many aspects. and the compromises. good music. admirable performances. the touch of personal experiences of the director at his first movie. and the trip across a world of survive. the easy verdict - a film against the Church. in fact, only the exploration of the geography of an age, with its clear perception about good and bad, with its aspects of weakness and idealism and a priest teacher and his recipe of successful control. the basic observation - new proof of the force of performance from Vlad Ivanov. the second - first step of a great generation of actors. and the ironic expression about appearances and expectations.not the last - the bitter humor. and the tension who remains good spice for a film who has the virtue to escape to the expectations.

'One Step Behind the Seraphim' reminded me Pedro Almodóvar's "Bad Education" in many ways. Both films can be seen as recovery exercises from old traumas by sharing personal experiences many years later, films in which the directors included part of the personal experiences of the years spent in religious education systems. Both films take place in countries (Spain and Romania) which came out of nights of dictatorship. The difference is that in Almodóvar's film the religious school system belonged to the old regime, while in Daniel Sandu's film the Orthodox theological school that is presented (for the first time as far as I know in a Romanian film) was allowed to function freely only after the 1989 revolution. In both films, the heroes, children or teenagers, are confronted with the rigidity of dogmatic systems and evil personalities among teachers who will influence their roads in life.

The heroes in Daniel Sandu's film are not presented as passive victims. They are at the age of uncertainties and discoveries, but also at the point where they can begin to discern between good and evil and may decide to collaborate with evil to fight against it. Director Daniel Sandu, in his first feature film, comes from this world. Although he has left it many years ago, he does not look back with anger, but rather tries to describe the system and the people who populate it, as he knew them in the first decade after the fall of Communism. The image is not radically different from that of the 'outside' world, there is corruption and dogmatism, but guilt seems rather personal. So is the revolt of young people, whose conflict seems more personal than anti-dogmatic. The final scene (a visual quote from '1984') suggests acceptance and integration in the system after the danger has passed, at least for the time being.

'One Step Behind the Seraphim' succeeds very well in describing the group of young men on the threshold of maturity, at the age and in the phase of experiences and rebellions. The team of young actors is doing a great job, each of the characters is well built and different from the others. I am not a great amateur of coming to age movies, but the quality of the acting game conquered me, with a special mention for Stefan Iancu, a reincarnation of James Dean in Romanian cinema. Vlad Ivanov proves with every new role that he is one of the great Romanian actors of the moment. His character embodies the continuity of corruption in the Romanian society, the perpetuation of the old methods of denunciations and personal files in combination with the new rhetoric, the one of the church in this case, which they compromise through contamination. Director Daniel Sandu demonstrated professionalism in leading the actors and story telling. The film is a bit long but it avoids ostentation and remains in memory because of the thematic and of its heroes. 'One Step Behind the Seraphim' adds a new facet to the complex image of Romanian cinema.

First: Not a movie about The Church. It's a great story about coming of age in a very specific and harsh environment, friendship and finding yourself. Excellent movie that shifts the approach about such topics in the Romanian cinematography. It's good to see a movie that doe does not exploit in a dramatic way the status quo of the Romanian society in the last 30 years, but tries to tell a real story. The music and cast are on point and Daniel's style is omnipresent throughout the narrative.