AVALIAÇÃO DA IMDb
7,7/10
27 mil
SUA AVALIAÇÃO
O artista alemão Kurt Barnert escapou da Alemanha Oriental e agora vive na Alemanha Ocidental, mas é atormentado por sua infância sob os nazistas.O artista alemão Kurt Barnert escapou da Alemanha Oriental e agora vive na Alemanha Ocidental, mas é atormentado por sua infância sob os nazistas.O artista alemão Kurt Barnert escapou da Alemanha Oriental e agora vive na Alemanha Ocidental, mas é atormentado por sua infância sob os nazistas.
- Direção
- Roteirista
- Artistas
- Indicado a 2 Oscars
- 5 vitórias e 18 indicações no total
Evgeniy Sidikhin
- NKWD Major Murawjow
- (as Evgeny Sidikhin)
Avaliações em destaque
It's a 3 hours movie but you don't perceive so long. The plot is great. The story is well depicted. The actors are very good.
The soundtrack as well so great. Very touching in some moments.
I didn't know that Germans were so good in making movies.
It's another story totally different than Dr Zivago but great as well.
I strongly recommend to watch it. Strongly.
The soundtrack as well so great. Very touching in some moments.
I didn't know that Germans were so good in making movies.
It's another story totally different than Dr Zivago but great as well.
I strongly recommend to watch it. Strongly.
I watched this at home on BluRay from my public library. My wife skipped, she doesn't like to see movies with subtitles.
I studied German for two years in college, while I can't converse in it anymore I was able to fit the German dialog with the English subtitles.
While there are several intersecting stories the main thread is Kurt, a boy of 8 in 1937 Nazi Germany, being exposed to various forms of art by his 20-something aunt. As he grows, and WW2 comes and goes, he develops into a quite good painter. He eventually has to escape to West Berlin to be free to develop his talents. The story extends through the 1960s.
Part of the overlapping story is of the Nazi programs to purify their race, to see to it that even Germans who had some sort of affliction were terminated, and this was the fate of his aunt who had the occasional emotional malfunction. As it turns out Kurt unwittingly marries the daughter of one of the evil doctors who it seems had named his daughter Elizabeth, the same as Kurt's aunt.
This is a really good movie and at just over 3 hours didn't seem overly long, I can't think of any scene that I would cut. However I watched it over three different sessions with some overlap each time. In the extra on the disc the writer/director explains, in English, how he modeled his story off a real German artist who developed through this same period.
I studied German for two years in college, while I can't converse in it anymore I was able to fit the German dialog with the English subtitles.
While there are several intersecting stories the main thread is Kurt, a boy of 8 in 1937 Nazi Germany, being exposed to various forms of art by his 20-something aunt. As he grows, and WW2 comes and goes, he develops into a quite good painter. He eventually has to escape to West Berlin to be free to develop his talents. The story extends through the 1960s.
Part of the overlapping story is of the Nazi programs to purify their race, to see to it that even Germans who had some sort of affliction were terminated, and this was the fate of his aunt who had the occasional emotional malfunction. As it turns out Kurt unwittingly marries the daughter of one of the evil doctors who it seems had named his daughter Elizabeth, the same as Kurt's aunt.
This is a really good movie and at just over 3 hours didn't seem overly long, I can't think of any scene that I would cut. However I watched it over three different sessions with some overlap each time. In the extra on the disc the writer/director explains, in English, how he modeled his story off a real German artist who developed through this same period.
"Never Look Away" is a seriously good movie. It tells the life of Kurt, a German artist born just before the Nazis took power, who survives the war and studies in East Germany under the Communists, eventually ending up in West Germany and trying to find his own style.
The story is engrossing, the acting is good, there are some beautiful nude scenes, excellent camera work, interesting characters, and the insight that all totalitarian societies treat their artists as means to an end. What stops it getting a rating of 10/10 is that everything is just a bit too much.
Kurt's beloved aunt Elizabeth, an early victim of the Nazis, is heartbreakingly, almost inhumanly, beautiful. Perhaps she is seen that way by her 8-year-old nephew; but he already shows the precocious artistic talent to see things as they really are.
There is a Bad Guy in the film, and he is unremittingly, almost inhumanly, bad. This is not just an artistic failing. By having the Bad Guy so evil, it tends to distract the viewer from the fact that the Holocaust was conducted by ordinary people, not super-villains.
The film is long, at 3 hours and 8 minutes. It doesn't feel like that, and I didn't find myself looking at my watch. But it could have lost, say, half an hour, and would have been better for it.
And the music is a bit overdone, a bit too emphatic.
"Never Look Away" is a very good film that could have been better.
It is one of films who you just feel. Only feel. Because it is about family, past, Nazi regime, cold adaptation to the new realities, love, cinism and survive, art, truth and parenthood, about happiness and about be yourself. A beautiful film, many memorable scenes, great Sebastian Koch and Tom Willing and the fair story. And, no doubts, magnificent portraits . A film who, if you are real honest to yourself, can be only about you.
I am reluctant to write my review of this film, only because I fear I won't do it justice. This film is a masterpiece of the first order. According to Wikipedia, it received a 14-minute standing ovation when it was first shown at a European film festive. I can testify that it received a 14-minute standing ovation in my living room.
We follow a small circle of characters through approximately 30 years of tumultuous history. We are intensely interested in the fate of each of them. There is humor, pathos, agony, exhilaration, discovery, closure, wonder, and astonishment in every scene. The acting is astounding, as is every other aspect of movie making. Bach's beautiful "Sheep May Safely Graze" is used throughout the movie; ironically, of course, because in Hitler's Germany, the sheep were not safe.
My life has rarely been changed, set on a new path, by a film, but I can say this one has done it. I wish the same for you. Watch it over a period of two days, because you probably won't be able to take it all in in only one.
We follow a small circle of characters through approximately 30 years of tumultuous history. We are intensely interested in the fate of each of them. There is humor, pathos, agony, exhilaration, discovery, closure, wonder, and astonishment in every scene. The acting is astounding, as is every other aspect of movie making. Bach's beautiful "Sheep May Safely Graze" is used throughout the movie; ironically, of course, because in Hitler's Germany, the sheep were not safe.
My life has rarely been changed, set on a new path, by a film, but I can say this one has done it. I wish the same for you. Watch it over a period of two days, because you probably won't be able to take it all in in only one.
Você sabia?
- CuriosidadesKurt's art teacher, played by Oliver Masucci, is modeled on artist Joseph Beuys, the head of sculpture at the Kunstakadamie in Dusseldorf during the early '60s, at the time Gerhard Richter first enrolled.
- Erros de gravaçãoAt one point Carl Seeband mentions that Mozart was dead by the time he was 30. This is incorrect; Mozart was 35 when he died. (He could have been lying to try to convince Kurt to give up Art).
- Citações
Elisabeth May: Don't look away. Never look away, Kurt. All that is true is beautiful.
- ConexõesFeatured in 2019 Golden Globe Awards (2019)
- Trilhas sonorasDe torrente in via bibet [Dixit Dominus, HWV 232]
Composed by George Frideric Handel (as Händel)
Performed by Angela Kazimierczuk, Katherine Fuge, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Never Look Away
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- € 18.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.304.042
- Faturamento bruto mundial
- US$ 6.193.234
- Tempo de duração
- 3 h 9 min(189 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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