AVALIAÇÃO DA IMDb
5,2/10
1,5 mil
SUA AVALIAÇÃO
A vida aventureira do jovem Errol Flynn na Austrália antes de se tornar um famoso ator de Hollywood.A vida aventureira do jovem Errol Flynn na Austrália antes de se tornar um famoso ator de Hollywood.A vida aventureira do jovem Errol Flynn na Austrália antes de se tornar um famoso ator de Hollywood.
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Avaliações em destaque
Fact has little to do with this flick. Neither does good storytelling. Every time it starts to roll (which is rare), it comes to a dead stop, and those stops last for a very long time. Frankly, this film is so off with the self-indulgent daisies that one would think it was written and directed by the same person. The thing is stuffed with dull, drawn-out scenes that are only used to provide a breather and story point between the meat of a film but they are made to be the meat with the action merely serving as a distraction.
There are some signs of stupidity in this film, such as a backdrop intended to be filmed from a distance, but with the opening view of it - a studio water tower - being so close as to make it look skewed and so lacking in detail as to be obviously fake. A good director would have noticed the badly skewed water tower, but this fellow simply blew it off.
As Flynn's last film was in 1960 (released the year after he died) one wonders about the timing of this film, as virtually no one these days has ever heard of him.
Overall, this movie squeezes about thirty minutes of story into an hour and a half of film. It is passably amusing, sometimes boring, and shows a lack of competence on the part of the director, particularly in the area of storytelling.
As Flynn's last film was in 1960 (released the year after he died) one wonders about the timing of this film, as virtually no one these days has ever heard of him.
Overall, this movie squeezes about thirty minutes of story into an hour and a half of film. It is passably amusing, sometimes boring, and shows a lack of competence on the part of the director, particularly in the area of storytelling.
Nice movie, totally underrated... Somehow reminded me of Indiana jones or some other 80's movie like that. The movie doesn't have much of the fancy special effects that younger generations probably hunger for, so maybe this isn't for teenagers, but people who like older movies will like this because it's made in a similar way like those 80's movies... The story line isn't maybe the best or most exciting, but there is enough entertainment for sure.
This film is a moderately low budget film that uses the 2010s social lens that describes an historical incident. Applying patches of modern irrationality does not help make a good historical film.
The story is interesting in that it captures some of the events and the culture from the era. Australia was only founded a few decades earlier and this movie captures pockets of that cultural ruggedness you'd expect.
Where the movie lets itself down is in the portrayal of Achun (Grace Huang) who should not have been let near a camera. If she had researched an Australian vagabond like Tilly Devine she may have had some idea that tough women of that era didn't run around pushing girl power or behaving like Achun does. The performance of Rose (Isabel Lucas) was almost as misguided. I watched this movie to see William Moseley in action and it was reasonable. David Wenham playing Christian Travers was great fun. There were also solid moments from Clive Standen (Charlie) and Thomas Coquerel (Errol Flynn) who were both solid performers.
The Australian film industry needs a shakeup. It needs to take more risks and it needs to stop pandering. This film doesn't satisfy anyone. The last decade has not been a positive step.
The story is interesting in that it captures some of the events and the culture from the era. Australia was only founded a few decades earlier and this movie captures pockets of that cultural ruggedness you'd expect.
Where the movie lets itself down is in the portrayal of Achun (Grace Huang) who should not have been let near a camera. If she had researched an Australian vagabond like Tilly Devine she may have had some idea that tough women of that era didn't run around pushing girl power or behaving like Achun does. The performance of Rose (Isabel Lucas) was almost as misguided. I watched this movie to see William Moseley in action and it was reasonable. David Wenham playing Christian Travers was great fun. There were also solid moments from Clive Standen (Charlie) and Thomas Coquerel (Errol Flynn) who were both solid performers.
The Australian film industry needs a shakeup. It needs to take more risks and it needs to stop pandering. This film doesn't satisfy anyone. The last decade has not been a positive step.
This film follows a well known Australian, Errol Flynn, and tells the story of how this adventurous man discovered the cinema screen.
After escaping from a jungle exploration, Flynn decides to steal a ship from a Japanese pirate and assemble his friends. Flynn and the crew will sail the seas in hopes to finding New Guinea Gold.
With an opening sequence that can be compared to Raiders of the Lost Ark, we understand that Flynn is a man who loves a great adventure and really loves women (seriously- the amount of women Flynn goes for is crazy!). Other than that, there's very little to no development for our leading hero. Flynn is also surrounded by his friends, but once again there is no character development for them, which in return gives the audience zero desire to care. Without these characters being built correctly, the film continues on with a story of little interest. The one character that does try to open up about his past is given such a poor introduction that when he gets deep in discussion, I didn't feel anything emotionally.
The film's costume design and sets are amazing and it's obvious for an Australian film that much attention and focus has been given to provide a top looking Australian adventure film for 2018.
As for the plot, like the film characters... there's not much here other than Flynn being keen to sail with his friends for gold- that's really it. The film spends a large majority of time on trying to make consistently cheesy jokes for its audience rather than tell an exciting story. Considering our leads are in a hurry for treasure, there is also plenty of time for the film to take a moment and make jokes, fight a boxing match or even play on the beach instead. Many jokes are also dragged on, and the worst part is that the jokes don't actually land and cause a laugh (well, for me anyway). By the 3rd and final act the jokes disappear and we are then given a dramatic film instead.
Overall, In Like Flynn tries to be the next adventurous Australian blockbuster but instead gets cheesy dialogue and poor character developments, which in return hurts the film story like a sinking pirate ship. I feel there was so much potential but sadly I found the end result to be a complete misfire and a disappointment.
2.6/10 Walkden Entertainment
After escaping from a jungle exploration, Flynn decides to steal a ship from a Japanese pirate and assemble his friends. Flynn and the crew will sail the seas in hopes to finding New Guinea Gold.
With an opening sequence that can be compared to Raiders of the Lost Ark, we understand that Flynn is a man who loves a great adventure and really loves women (seriously- the amount of women Flynn goes for is crazy!). Other than that, there's very little to no development for our leading hero. Flynn is also surrounded by his friends, but once again there is no character development for them, which in return gives the audience zero desire to care. Without these characters being built correctly, the film continues on with a story of little interest. The one character that does try to open up about his past is given such a poor introduction that when he gets deep in discussion, I didn't feel anything emotionally.
The film's costume design and sets are amazing and it's obvious for an Australian film that much attention and focus has been given to provide a top looking Australian adventure film for 2018.
As for the plot, like the film characters... there's not much here other than Flynn being keen to sail with his friends for gold- that's really it. The film spends a large majority of time on trying to make consistently cheesy jokes for its audience rather than tell an exciting story. Considering our leads are in a hurry for treasure, there is also plenty of time for the film to take a moment and make jokes, fight a boxing match or even play on the beach instead. Many jokes are also dragged on, and the worst part is that the jokes don't actually land and cause a laugh (well, for me anyway). By the 3rd and final act the jokes disappear and we are then given a dramatic film instead.
Overall, In Like Flynn tries to be the next adventurous Australian blockbuster but instead gets cheesy dialogue and poor character developments, which in return hurts the film story like a sinking pirate ship. I feel there was so much potential but sadly I found the end result to be a complete misfire and a disappointment.
2.6/10 Walkden Entertainment
Lots of really bad stereotypes (being attacked by overly costumed natives in a jungle - please!) & noticeably contrived embellishment if not largely made up making of an Errol Flynn image. I agree w/another reviewer - it was cheesy.
Você sabia?
- CuriosidadesThe closing titles mention the term "In like Flynn" but do not give the context. Errol Flynn was able to charm his way into and out of any situation and he had a reputation for being extremely good at it. To be in like Flynn meant to be totally assured of success.
In the 1960s, this expression evolved into an actual movie character, Derek Flint, in the spy spoof films Flint Contra o Gênio do Mal (1966) and Flint: Perigo Supremo (1967).
- Erros de gravaçãoThe Sirocco did not sink on a reef as depicted in the film. In fact, the yacht is still in use today.
- ConexõesReferences Flint: Perigo Supremo (1967)
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- How long is In Like Flynn?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 8.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 11.255
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.646
- 27 de jan. de 2019
- Faturamento bruto mundial
- US$ 11.255
- Tempo de duração1 hora 46 minutos
- Cor
- Proporção
- 2.20 : 1
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