A Noviça Rebelde ao Vivo

I've loved "The Sound of Music" since I saw the movie when I was nine. Since then, I've seen several stage productions (both good and bad) along with seeing the movie countless times. With NBC's Live version in 2013, I was excited to see the story brought to life again but was left ultimately disappointed and wanting to forget it.

Then, I discovered that ITV had produced their own version and after seeing some clips online, I wanted to see more. In short, this is a wonderful production. The sets are so detailed (especially Maria's mountain and the family's garden) and unlike the NBC version, I never felt like I was watching actors in a studio. Kara Tointon is wonderful as Maria and was just a joy to watch. All of the kids were great too.

Granted, it's not an entirely perfect production (they only had one time to perform this after all), I didn't really care for the "Sixteen Going on Seventeen" scene, the dancing was boring and I thought Rolf was just an okay singer. There are some awkward camera angles and a moment where the camera stays on a Nazi officer who demands that the family sing before abruptly cutting to the festival. But these are all just minor things and didn't take away from my enjoyment of a new production of a familiar story. I loved it so much that I bought the DVD!

THE SOUND OF MUSIC - LIVE! is a comparative rarity on television these days - a revival recorded in an East London studio but broadcast as live, as if performed in a theater. It recalled those halcyon days in the Seventies and Eighties when both ITV and the BBC videotaped productions originally designed for the West End, Stratford-on-Avon and the Chichester Festival Theatre.

Coky Giedroyc and Richard Valentine's production was a straightforward one, emphasizing the choreography but using the camera to tell the story, as if it were an actor on the stage. Hence this was not a "flat" filming, with the camera confined by the proscenium, but a three-dimensional filming, making use of plenty of close-ups and panning shots. It used televisual techniques to emphasize the emotion of the piece on several occasions.

Although well-known to most viewers, both in its stage and film versions, THE SOUND OF MUSIC still has the capacity to stir the emotions. This is chiefly due to a strong book by Howard Lindsay and Russel Crouse, which does not shy away from the sinister political overtones of the story. The songs might be saccharine in places, but the plot certainly isn't.

Giedroyc and Valentine's production brought out the gradual change of character wrought in Captain Georg von Trapp (Julian Ovenden), as he discovered the effect that Maria had on his children. His pliability contrasted with Maria (Kara Tointon), a strong-willed personality who knew that what she was doing was right, even if Von Trapp disagreed with it. Set against this couple was the oleaginous Max (Alexander Armstrong) a slimy character if ever there was one, who willingly accepted the dictates of Nazism without understanding their basically evil purposes.

The singing was, on the whole, extremely good, while the orchestrations (by Michael England) were both lush yet melodic. Critics described THE SOUND OF MUSIC - LIVE! as an example of "event" television, designed to lure jaded viewers away from online service providers and back to terrestrial channels. If this was the purpose, then I can only say that it was admirably fulfilled. I sincerely hope that ITV repeats the experiment.

'The Sound of Music' is my all time favourite film and I have watched it countless times. In addition, I have seen several theatre productions and this was up there with the best. Those who compare this to the film and contrast actors' choices in portraying their parts are missing the point - this is not intended to be a remake of the film. Of course different actors will bring their own personality to the role - it would be merely a pointless rip-off if they tried to imitate every nuance of the film. Julian Ovenden seems to have been particularly subject to criticism but I think he captures the emptiness that the Captain's life has had since losing his wife, and also his cold and distant nature which warms gradually with Maria's influence. The staging of the Laendler dance between Maria and the Captain was stunning as the background characters slowed down for certain sections. Also, the 2 songs of the stage version sung by Elsa and Max were brilliant comic relief. Overall, I thought this was brilliant all round. I'm so glad that it was different from the film otherwise it would be just a replica which could never live up to the original. Don't try to see it as being a would-be replacement for the film, rather as being an independent version in a different medium that we can treasure alongside the film and other productions. For critics, I suggest you definitely avoid the American version of 'The Sound of Music Live' as that truly had acting that was unconvincing and wooden.

The book and score are closer to the original R&H version. "I Have Confidence" is missing but the movie song "Something Good" is added. Two minor original songs added and I can see why they were edited out of the movie. They point out how "shallow" the rich Capt. and Countess really were. Very well produced and directed UK "stage" version which was telecast there live in 2015. I do not (personally) like the 2 jarring real newsreel clips, but they are quite short and certainly get the point across that the real thing was no "romp in the park." British accents of course but that can't be helped. Great acting and singing performances from a cast that is (probably) unknown here in "The States". A few slightly off-key notes are expected in a truly live performance but this doesn't spoil a thing. Maria is "cast" a bit older than I expected. It's all 100% first-rate. 10 stars and 2 hankies. Shown on PBS' Great Performances series in November 2018. To those user reviewers that complain at the differences between between this and the popular movie, I suspect that they have not seen (many) live or taped performances of plays or musicals on stage. There is a huge difference between the two as a stage version can have only a few major set changes, and backdrops are usually painted but today may be digital.

Real facts: In truth, they traveled to the border at the end of their property and escaped by train to Italy. Therefore, they did not hike over the Swiss Alps. All the real children's names are different. "Edelweiss" is not an Austrian folk song! The real story only vaguely resembles this story and there are far too many differences to explain here. The "timeline" is totally different. There are several Internet articles that cover this subject. Also, look for "My Story" by Maria Von Trapp, published in 1949, for the true story.

I enjoyed the solid British style of this production and although I can see why Christopher Plummer's military bearing might not be matched in this version, it isn't a fair comparison to me. I found the sets and the singing, albeit not so polished as on film, far more immediately engaging and the 'live' feel came across really well. A great treat, found by chance on the itv hub from its broadcast in the final days of last year (2017) - a Sunday night jewel.