Sem Fôlego

This film was positively wonderful. I am dumbstruck at it's IMDB rating. For crying out loud it's a magical children's tale with a soundtrack that includes Brian Eno/Robert Fripp and 70s soul jams. It's disability-positive, the way the sound is done to convey deaf children navigating NYC is extremely creative and well done. The art and scenes are what I worshipped as a child - my greatest fantasy was to find a secret room in a museum and stay the night! And the dioramas and the incredible way they wove them into the storytelling! The people saying "nothing dramatic happens" are seriously off their rockers - a kid loses his hearing!!! two deaf children run away to NYC!!! how on Earth is that not dramatic? This film made me cry and laugh and feel like a child again. It's beautiful. If you have a child, watch it with them. If you don't, like me, watch it and feel like a kid again.

I absolutely love this movie. David Ehrlich wrote:"This is a soul-stirring and fiercely uncynical film that suggests the entire world is a living museum for the people we've lost, and that we should all hope to leave some of ourselves behind in its infinite cabinet of wonders". I couldn't have said it better myself. Of course it is a bit slow and maybe too complicated for a kid (it's definitely not for everyone). But A LOT of people actually love The Greatest Showman or another rubbish...I am 25 years old - I watched it with my mother who is 60 years old and we enjoed it. The ending is quite outstanding in my opinion. Everyone involved did such a beautiful job.

Director Todd Haynes ("Carol") has brought forth yet another slow paced film with "Wonderstruck". Containing almost no dialogue, the strong score (by Carter Burwell) fills the void of the voices and provides all the sounds of the emotions and environment in which the two main terrific child actors Ben (Oakes Fegley "Pete's Dragon") and Rose (relative newcomer and deaf actress Millicent Simmonds) encounter. At Ben's side, and with a voice, is his new friend and equally talented young actor Jamie (Jaden Michael "Baby Jaguar VO in Dora the Explorer) who unexpectedly helps move the two very different yet parallel stories of Ben and Rose along. While the jumping back and forth from the eras of 1920 (Rose) and 1970's (Ben) kept the film interesting, additional flashbacks explaining Ben's history, a cameo by Michelle Williams as Ben's mom, and double character rolls by Julianne Moore (as Lillian Mayhew and the older Rose) just left me confused and frustrated. Not frustrated enough to walk out, but enough that I just went with the flow and stopped trying to figure things out. Carter Burwell's score will surely be in Oscar consideration, Haynes' ability to capture the various periods will find Oscar traction, and costumes wizard Sandy Powell will once again be in the running for an Award. The film is based on book by Brian Selznick's, and I can hope the storyline in the book was easier to follow.

Unbelievably dull. Turned it off. Don't bother. Nothing positive to say. Save your time and money.

This was almost exactly what I expected based on the average reviews. Definitely a significant downgrade from Carol. I appreciated its ambition and some of its visuals, cinematography, and music is really good. But that screenplay is kind of a huge mess, and such a big missed opportunity. I don't see why this film would get much dislike, but I also don't see why it would get much love either. It's almost the complete opposite of mother!, which is probably the worst spot to be in. As soon as it was over I had forgotten it and felt so much apathy towards it. Not terrible or even bad, but not all that good either.