Wanted

I am loving Wanted.

Rebecca Gibney, what a brilliant actress. Very natural and believable. She just gets better and better. I am enjoying her Character Lola. So different from anything Rebecca has done in the past.

Great Aussie scenery. Great Aussie Talent. Geraldine Hakewill is also very good in her role along with Stephen Peacocke. I am enjoying every minute of these talented actors.

The Aussie locations are great. I keep looking and wondering if I have been there before. Especially around tropical Queensland.

Love it.

Just finished binge watching all 12 episodes over two and a half days.

My only complaints are that it bordered on getting repetitive and I had to work at suspending belief when some near misses happened. On a couple occasions I said to myself, "they wouldn't be so stupid or let down their guard so much after going through all they went through."

Perfect score for being so engaging. The timing on the humor is perfect. The scenery and cinematography outstanding. It made me laugh out loud and get teary eyed. It made me scream at the t.v. to warn them. There are plenty of twists and characters to love and to hate.

So line up your snacks and start watching.

Superbly acted and written. Not your average cop drama. the plot changes every time you get up for a pint. Not a problem for the cast, which turns on a dime. Keeps the audience guessing, and engaged. Perfect for binge watching. Hard to put down. The only problem for American ears is that sometimes the Australian accents are hard to pick out from the background sound. Otherwise, a 10 out of 10.

Georges Polti, in his classic treatise from the 19th century, claimed that there were only 36 dramatic situations and all stories are either based on one of those or a combination of few. In crime genre on TV most plots have become a mélange of well-used ingredients. Only through nuanced acting, competent direction, editing and camera-work the repetition can be tolerated and the show becomes watchable despite its lack of originality.

Two episodes into Wanted if you get the feeling of I've-seen-this-before-but-not-really, you're not alone. Wanted is so far a dive into a very familiar pool, yet I don't mind looking at the third offering and so on unless it runs out of breath in later episodes. The story is developing in the familiar unbelievably predictable and predictably unbelievable fashion, but it moves fast. So far, it is an "odd couple on the run" story with "bent cops" and "the devil incarnate hit-man" on their tail. There is also a hint of '24' style development with the baddies exposing themselves gradually in a stratified structure (how else would they sustain the chase for 12 eps?) No matter. It has Rebecca Gibney, maturing gracefully both as a woman and as an actor, and she is a joy to watch. We may have met her character, Lola, before on paper and on screen (attractive older woman with a compromised past and a big heart made bitter and cynical by time and fate), but she inhabits the character with such conviction that you can tell her inner struggles from the minute expressions of her face. Geraldine Hakewille, an actor I have never encountered before, is less subtle, but she manages to put some shade into her stock character (the younger, neurotic, less prim and proper than she seems foil/buddy to the older woman).

The rest of the cast is equally capable in their stock roles. Notable also is Nicholas Bell who has the type of face that can appear avuncular or threatening simply by looking at the camera. I am not quite sure about Mirko Grillini as the dead-eyed-hit-man. He might have watched one Hollywood Mafia story too many.

Direction, sets, locales, camera-work and editing are near faultless. Wanted is unlikely to become a classic of the genre but it is watchable and it will serve as an audition piece for Australian talent yet to be swallowed by Hollywood.

This is good stuff for dialog writing, acting, location work (Bangkok! New Zealand!). and two strong, appealing female leads whose growing friendship is a pleasure to see. That said, though, there are a couple of plot devices that I started to get tired of. One is the hairsbreadth escape: one of the leads is cornered, in an impossible situation, with a bad guy's gun pointed directly at her head, and poof! something intervenes just when all looks hopeless. This happens too many times to be believed; I'm willing to suspend disbelief but not hang it from the rafters. The second is the partners-almost-split-up scene: "That's it, you need to go on without me," yet every single time, they stick together. And finally, I think the writers went to the MacGuffin shelf too often: the pair are searching for a pile of cash, no, a stash of drugs, no, the car containing both, no, a safe deposit box key... I can see why something like this would have seemed like a handy way to keep the story line going, but it started to get tiresome for me.