AVALIAÇÃO DA IMDb
6,9/10
3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaToshio hires Yasaka in his workshop. This old acquaintance, who has just been released from prison, begins to meddle in Toshio's family life.Toshio hires Yasaka in his workshop. This old acquaintance, who has just been released from prison, begins to meddle in Toshio's family life.Toshio hires Yasaka in his workshop. This old acquaintance, who has just been released from prison, begins to meddle in Toshio's family life.
- Prêmios
- 5 vitórias e 8 indicações no total
Avaliações em destaque
The movie "Harmonium" has a beautiful plot and tells the story of how a harmonious traditional Japanese family is broken by the actions of the past. The director and writer Kôji Fukada leaves the story open for the spectator to decide and assume plot events, i.e. Was it a case of revenge?, what did really happen to the daughter? The ending seems a bit easy escape to complete the cycle, it should be more creative and better thought.
The fine treatment of the direction and the perfect performances of the actors make this film another great surprise from the current Japanese cinema. Highly recommended.
The fine treatment of the direction and the perfect performances of the actors make this film another great surprise from the current Japanese cinema. Highly recommended.
The principal flaw of Harmonium directed by Kôji Fukada may be its length. At more than two hours the film is by 20 to 30 minutes longer than the standard, and the extra time is not necessarily best used. Yet, this stylish combination between family drama, thriller and crime story has enough interesting elements in the story, and is so well acted and filmed that it eventually justifies itself and needs not make too many excuses.
We can admire from opening scenes the mastering of the art of describing the characters and the background with very little means, in a few beautifully filmed takes, with even fewer words. We see a family in Tokyo working hard for their living. The father has a metal shop and seems to be an agnostic. The mother is deeply religious and she drives the education of their daughter around ten years old, who tries to learn playing the harmonium. A stranger shows up, he is well mannered, accepted by the father and then by the rest of the family. There are secrets in the relation between the two men, and these secrets of the past will take over the situations that follow.
There are two different parts in the story separated by a jump in time which is one of the several techniques of story telling that are being experimented and combined in a well dosed mix. The story telling is built in a very interesting manner. Two acts of violence happen out of the screen, and viewers as well as most of the characters do not know exactly what happened. The first took place eleven year before the story starts. The second wraps up the first part and triggers the events of the second part, with another gap of eight years. None of them is represented on the screen, the story is not about violence but about its consequences. The final is also open ended, we see what happens, but the interpretation is left to the viewers.
I liked more the first part, with its more constraint setting and only with the four characters present on the screen. The development is necessary in the logic of commercial film making nowadays, the jumps and gaps are intentional, but they lack balance. There is wonderful acting from Mariko Tsutsui in the role of the dedicated mother but also of the feminine presence that triggers passion, and from Tadanobu Asano as the dignified and yet mysterious stranger. This film is not flawless, it lasts too long and its changes of direction may not be on everybody's taste, but it's a good example about how the Japanese school of cinema continues its great aesthetic tradition, how it combines it with the popular culture genres (like thriller and horror stories) and how it looks carefully to new means of expression in an evolutionary rather than revolutionary approach.
We can admire from opening scenes the mastering of the art of describing the characters and the background with very little means, in a few beautifully filmed takes, with even fewer words. We see a family in Tokyo working hard for their living. The father has a metal shop and seems to be an agnostic. The mother is deeply religious and she drives the education of their daughter around ten years old, who tries to learn playing the harmonium. A stranger shows up, he is well mannered, accepted by the father and then by the rest of the family. There are secrets in the relation between the two men, and these secrets of the past will take over the situations that follow.
There are two different parts in the story separated by a jump in time which is one of the several techniques of story telling that are being experimented and combined in a well dosed mix. The story telling is built in a very interesting manner. Two acts of violence happen out of the screen, and viewers as well as most of the characters do not know exactly what happened. The first took place eleven year before the story starts. The second wraps up the first part and triggers the events of the second part, with another gap of eight years. None of them is represented on the screen, the story is not about violence but about its consequences. The final is also open ended, we see what happens, but the interpretation is left to the viewers.
I liked more the first part, with its more constraint setting and only with the four characters present on the screen. The development is necessary in the logic of commercial film making nowadays, the jumps and gaps are intentional, but they lack balance. There is wonderful acting from Mariko Tsutsui in the role of the dedicated mother but also of the feminine presence that triggers passion, and from Tadanobu Asano as the dignified and yet mysterious stranger. This film is not flawless, it lasts too long and its changes of direction may not be on everybody's taste, but it's a good example about how the Japanese school of cinema continues its great aesthetic tradition, how it combines it with the popular culture genres (like thriller and horror stories) and how it looks carefully to new means of expression in an evolutionary rather than revolutionary approach.
"Harmonium" is a Drama movie in which we watch a man who just released from prison starts living and working for a family. His presence there will change the balance of the family and problems that need to be solved will occur.
I found the movie interesting despite that it was a bit slow. The plot was simple but very interesting and the direction which was made by Kôji Fukada who is also the writer, it was very good and he presented very well both the plot and his main characters from different aspects. This had as a result to better understand them and relate to them in some occasions. The interpretations of Mariko Tsutsui who played as Akié, Tadanobu Asano who played as Yasaka and Kanji Furutachi who played as Toshio were equally good. All in all, I have to say that "Harmonium" is an interesting movie and you will understand it if you just give it some time and be patient.
I found the movie interesting despite that it was a bit slow. The plot was simple but very interesting and the direction which was made by Kôji Fukada who is also the writer, it was very good and he presented very well both the plot and his main characters from different aspects. This had as a result to better understand them and relate to them in some occasions. The interpretations of Mariko Tsutsui who played as Akié, Tadanobu Asano who played as Yasaka and Kanji Furutachi who played as Toshio were equally good. All in all, I have to say that "Harmonium" is an interesting movie and you will understand it if you just give it some time and be patient.
A very interesting original screenplay written by a director.
A new perspective of crime and punishment. A grey perspective. Definitely one of the most interesting films I have watched in 2017 though the direction is not outstanding. Deserving of the Jury Prize in the Un Certain Regard section at Cannes.
Good performances and symbolism (Lady-Macbeth-like washing of hands, white bedsheets and ghost images).
A new perspective of crime and punishment. A grey perspective. Definitely one of the most interesting films I have watched in 2017 though the direction is not outstanding. Deserving of the Jury Prize in the Un Certain Regard section at Cannes.
Good performances and symbolism (Lady-Macbeth-like washing of hands, white bedsheets and ghost images).
Wow, major downer!
This is not really a film to sit down and watch if you have other important things to do or want to have a good time; the pacing is typical Japanese/foreign slow-paced style where they have scenes of just showing a family eating dinner/playing the harmonium, etc.
However, if you are able to tolerate that kind of pacing, especially the first half, you are in for a major emotional downer. The movie really takes a sudden turn that it feels like a completely different movie.
If you invested in the first half, you will definitely want to know what's going to happen.
Unfortunately, it's one of those abrupt, somewhat unsatisfying endings that make you shout "OH, COME ON!!!!!" where it leaves you hanging way too much, almost a cop-out, and really makes you wanting and needing more; you start drawing all kinds of conclusions and interpretations because it leaves you with many unsolved questions that will bug the hell out of you just like the characters are feeling. It will probably leave you with a lot of frustrations, shock, or depression. The movie almost feels unfinished.
There is some religious theme and imagery going on with this film.
Although we've already seen "the creepy/odd/mysterious neighbor/stranger/former buddy" entering another sweet family type of movie plot many times before - and we all know how that usually ends up - this film adds some unique elements to it that feels more raw and full of sympathy. It really makes you think about the consequences and emotional realism outcome that each and every character must feel.
The acting is great by all the cast. You just feel so bad and shocked like what the hell are you doing?!?!!
Again, this is definitely NOT an uplifting film. It's a pretty heavy movie that will certainly make you shake your head.
This is not really a film to sit down and watch if you have other important things to do or want to have a good time; the pacing is typical Japanese/foreign slow-paced style where they have scenes of just showing a family eating dinner/playing the harmonium, etc.
However, if you are able to tolerate that kind of pacing, especially the first half, you are in for a major emotional downer. The movie really takes a sudden turn that it feels like a completely different movie.
If you invested in the first half, you will definitely want to know what's going to happen.
Unfortunately, it's one of those abrupt, somewhat unsatisfying endings that make you shout "OH, COME ON!!!!!" where it leaves you hanging way too much, almost a cop-out, and really makes you wanting and needing more; you start drawing all kinds of conclusions and interpretations because it leaves you with many unsolved questions that will bug the hell out of you just like the characters are feeling. It will probably leave you with a lot of frustrations, shock, or depression. The movie almost feels unfinished.
There is some religious theme and imagery going on with this film.
Although we've already seen "the creepy/odd/mysterious neighbor/stranger/former buddy" entering another sweet family type of movie plot many times before - and we all know how that usually ends up - this film adds some unique elements to it that feels more raw and full of sympathy. It really makes you think about the consequences and emotional realism outcome that each and every character must feel.
The acting is great by all the cast. You just feel so bad and shocked like what the hell are you doing?!?!!
Again, this is definitely NOT an uplifting film. It's a pretty heavy movie that will certainly make you shake your head.
Você sabia?
- CuriosidadesThe director Koji Fukada was present at the screening of "Harmonium" at the Ghent Film Festival, where the movie was in the official competition selection. During a Q&A following the screening, he revealed that the Japanese title "Fuchi ni tatsu" could best be translated as "Standing on the edge", but the translation didn't quite have the same nuance. That's why he changed the international title to "Harmonium", referring to the musical instrument, but also because there was the wordplay on "harmony", which is an important element in the film. The use of the harmonium as a characteristic feature was a distinct choice, as the director saw it as a symbol of the traditional Japanese family.
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- How long is Harmonium?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Harmonium
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 17.191
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.453
- 18 de jun. de 2017
- Faturamento bruto mundial
- US$ 153.283
- Tempo de duração
- 2 h(120 min)
- Cor
- Proporção
- 1.66 : 1
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