Prevenge

After having enjoyed Alice Lowe's performance in Sightseers from 2012, I looked forward to see her directional debut in Prevenge. And I was not disappointed as the movie continues the tone with dark humor and explicit crime scenes. Lowe was heavily pregnant during the making of the movie. She plays the puzzled pregnant Ruth having lost the baby's father and facing birth on her own. Just like in Sightseers she is living on the edge of society in her own illusory world and feels that her unborn child is increasingly dictating her thoughts and actions. The movie depicts a depressing perspective of a pregnant women facing denials in all aspects of society. Nurses, flirting men, job interviewers, landlords, everyone is letting Ruth down because of her "circumstance". But the movie is more than a moral statement. It's a story of how a person can lose grip after a blow of fate. As in the prior movie, heavy violence is shown as a result of the main character's deep obsession. So I recommend this movie only to those who can stand explicit and bloody scenes. Many cynical and funny elements within the conversations make Prevenge an entertaining movie to reflect on with a shaking ending.

One of my partner's strangest pregnancy cravings was to consume this dark slasher film before she popped - hastily written and filmed in the weeks before Alice Lowe herself did likewise. The fact that this authentic angle is there gives this otherwise unfocused narrative a strange gravity. It ultimately amounts to just one improbable murder after the next but Lowe's glowering sarcasm gives each interaction (with a succession of brilliantly cast folk) a nice edge. It does feel a bit first-drafty and there are some holes in it that make Prevenge unravel before the finale but the nature of how it was filmed and why I watched it will likely leave this particular film as an uncanny experience. A dark night of horrors before a totally new day.

Isn't Alice Lowe a POWERHOUSE - Go Girl. Writer, Director and lead in this Psychological thriller, with a spattering of black comedy throughout, about a psychopath's love for her unborn psychotic child. Sounds brilliant(?) Well it is... sort of.

This is one of those movies you really do have to stay with. I very nearly turned off about five minutes in. You have a scene where Ruth, Alice Lowe, is in a pet store asking the owner about buying a reptile or spider for her eight-year-old son; the more dangerous the better. I wondered what I'd let myself in for as the banter was banal and atrociously unrealistic. It was when she dispatched the owner that I began to wonder about her motives.

Unfortunately, the banality and atrocious discourse continued and it wasn't until Ruth puts DJ Dann's mother to bed that I began to warm to the film; it's a touching and humorous scene with melancholy overtones. It's her first big venture so some leeway can be given, especially when from that pivotal moment in the movie the direction and acting got so much better.

Lowe does a great job of a being an expectant mother and is pretty good at being creepy and threatening, not something you'd expect of a mum-to- be.

Kayvan Novak is brilliant as Tom the climbing instructor. He's an actor who has a wide range of talents including vocal as he's done a lot of voice-overs. In SunTrap (TV Series) and Cuban Fury he shows he's adapt to comedy, here he shows that seriousness is easily in his wheelhouse too, Hope we see more of him.

As the story progresses the audience is imparted to Ruth's and her unborn's reason for their killing spree.

There is some really outstanding mood setting sequences that either get the audience to think, like the very beginning where she's sat alone in the rain; or to feel uneasy as with Ruth's walk entrance to the Halloween party. Alice Lowe is a Writer, Director, and Actress to watch for in the future.

If the opening sequences were better I would've scored it more. I would recommend this to all lovers of black humour and psychological thrillers. You just have to get through the opening fifteen to twenty minutes - it's well worth the slog. Though if your other half is pregnant... maybe you shouldn't... we don't want her getting any ideas...

The three Greek Furies that feature prominently in the 1934 Noirish movie, Crime Without Passion, are the central metaphor in Alice Lowe's extraordinarily dark Prevenge, billed as the world's first pregnant, slasher, comedy, horror movie.

In it, Alice Lowe's character, Ruth, embarks on a revenge murder spree goaded on by her helium-voiced, gestating baby.

It takes her to Wales and, in one breathtaking scene, the streets of Cardiff on Halloween night where she claims she almost needed protection from the boozed-up locals in a sequence reminiscent of Scarlett Johnassonn's Under The Skin street walk in Glasgow.

The reason for her bloody revenge spree is only revealed in drips (so I won't spoil it - like a preview I read before the screening did for me) which adds greatly to the narrative tension.

The making of this low budget Film Four offering is remarkable. Lowe was offered development money and finding herself pregnant used her condition to inspire this blackest of black script. She then wrote, produced, cast and filmed (in 11 days) the whole affair before her baby arrived.

Seeing an actor perform whilst heavily pregnant, and genuinely playing a pregnant character, is a rarity (my only recollection is Frances McDormand in Fargo) and Lowe certainly makes the most of the opportunity. Shooting took place in her late third Trimester.

The Furies are the ultimate avenging angels and she uses the extraordinary scenes from Crime Without Passion to symbolise her quest for justice, viewing the movie from the comfort of her hotel room where she takes respite, despite noisily bonking near neighbours, from her exhausting killings.

The killings themselves are simple but bloody affairs and each has hilarious set ups. Can she complete her task before the long arm of the law catches up on her careful forensic clean ups? You'll have to see it to find out.

This is classic British black comedy at its best. Using its low budget as a virtue but still making some moments of genuinely great cinematography, most notably in an exotic pet shop and a beautiful full facial dream sequence in a yoga class.

It has echoes of Mike Leigh's early work and Ben Wheatley's Sightseers is an obvious reference point. Obvious because Lowe is its co-star and it too shares a murderous plot line.

But, comparisons aside, this is an entirely original take on several genres that does its damnedest to create a genre of its own.

Whether there's room for thousands of pregnant, slasher, comedy, horror movies is debatable.

So we'll just have to agree on one thing. The original and best.

Alice Lowe has a twisted dark sense of humour. And after this, I'm a little bit afraid of her too. And yet, because of this, I find myself strangely drawn to her. What that says about me, I don't know. But I kinda wanna watch everything she's done now.

As an indie film, it's pretty good. But when you know the facts, that it was written by Lowe in three and a half days, directed by her and filmed in just 11 days, and starring in it whilst 8 months pregnant, is a remarkable effort; and I would imagine, quite inspiring for any would-be filmmaker.

Of course, it didn't hurt to include some additional genuine talent in its cast, such as Jo Hartley of This is England fame, Gemma Whelan of Game of Thrones fame, Kayvan Novak (the Fonejacker guy) and the best murder victim character Tom Davis as DJ Dan.

It's all very very British. Which is also why this works as well as it does.

I can't wait to see what Alice Lowe comes up with next when she decides to do her own thing again.