Em um reino conhecido como Lumandra, uma Terra reinventada e habitada por uma civilização antiga, um guerreiro chamado Raya está determinado a encontrar o último dragão.Em um reino conhecido como Lumandra, uma Terra reinventada e habitada por uma civilização antiga, um guerreiro chamado Raya está determinado a encontrar o último dragão.Em um reino conhecido como Lumandra, uma Terra reinventada e habitada por uma civilização antiga, um guerreiro chamado Raya está determinado a encontrar o último dragão.
- Indicado a 1 Oscar
- 13 vitórias e 62 indicações no total
Kelly Marie Tran
- Raya
- (narração)
Gemma Chan
- Namaari
- (narração)
Izaac Wang
- Boun
- (narração)
Daniel Dae Kim
- Benja
- (narração)
Benedict Wong
- Tong
- (narração)
Jona Xiao
- Young Namaari
- (narração)
Thalia Tran
- Little Noi
- (narração)
Lucille Soong
- Dang Hu
- (narração)
Alan Tudyk
- Tuk Tuk
- (narração)
Gordon Ip
- Merchant #2
- (narração)
Dichen Lachman
- General Atitaya
- (narração)
- …
Patti Harrison
- Tail Chief
- (narração)
Jonnie Park
- Chai
- (narração)
- (as a different name)
Sierra Katow
- Merchant
- (narração)
- …
Ross Butler
- Spine Chief
- (narração)
Avaliações em destaque
Taking the usual Disney story template, applying the same rinse n repeat formula to it, then slapping the added representation tag on the package just for the sake of it, and marketing it as something fresh when it's not, Raya and the Last Dragon marks the arrival of a new princess in the Disney kingdom, and is truly astounding to look at but the film as a whole has no original voice of its own.
Directed by Don Hall & Carlos López Estrada, the story hurries us through its own mythology and doesn't spend enough time to strengthen the foundations before the main plot surfaces. Add to that, it expects the viewers to be invested in Raya's journey without putting in the effort that would compel us to do the same. There are familiar beats & predictable subplots here, plus it plays safe instead of risking anything.
While some characters are interesting, others are annoying. Humour also falls flat, for the film tries too hard. The emotional moments pack a punch but isn't allowed to stay afloat for long enough to deliver the goods. The animation is breathtaking for sure. Its richness, colour depth, lighting & rendering is almost immaculate. The background score by James Newton Howard is also a plus. And the voice cast play their roles responsibly as well.
Overall, Raya and the Last Dragon is enjoyable & entertaining, and will manage to satisfy most but there isn't anything new or different about it. Visually it may look richer & resonant but the underlying flavours are all the same. From a storytelling perspective, it is formulaic. From a creative standpoint, only its animation is worth noting. Nonetheless, despite the conventional treatment, there is a sense of fun & lighthearted quality to it that makes the ride pleasant enough.
Directed by Don Hall & Carlos López Estrada, the story hurries us through its own mythology and doesn't spend enough time to strengthen the foundations before the main plot surfaces. Add to that, it expects the viewers to be invested in Raya's journey without putting in the effort that would compel us to do the same. There are familiar beats & predictable subplots here, plus it plays safe instead of risking anything.
While some characters are interesting, others are annoying. Humour also falls flat, for the film tries too hard. The emotional moments pack a punch but isn't allowed to stay afloat for long enough to deliver the goods. The animation is breathtaking for sure. Its richness, colour depth, lighting & rendering is almost immaculate. The background score by James Newton Howard is also a plus. And the voice cast play their roles responsibly as well.
Overall, Raya and the Last Dragon is enjoyable & entertaining, and will manage to satisfy most but there isn't anything new or different about it. Visually it may look richer & resonant but the underlying flavours are all the same. From a storytelling perspective, it is formulaic. From a creative standpoint, only its animation is worth noting. Nonetheless, despite the conventional treatment, there is a sense of fun & lighthearted quality to it that makes the ride pleasant enough.
Not even close to Disney's usual caliper. Every character was completely one-dimensional in personality. The plot line was so predictable. It wasn't even funny. I hope that this is not the future of Disney movies.
The movie's basically another allegory on greed and how it can tear humanity apart.
Now the plot's lack of originality would've been fine if they had a strong cast and some solid writing to build upon. But sadly, they were more concerned over the number of characters they could shove into the film than they were with actually developing said characters into actual people.
They keep cracking jokes and pop culture references instead of holding conversations that would could've added depth or provide a much more organic build-up to trusting and accompanying Raya -- a lone wanderer. They do have their somber moments, but it's brief and doesn't really do much in terms of establishing their bond over lost loved ones. It feels formulaic.
Back to the theme, I get it. People are inherently greedy. Greed is bad and destroys communities. It's overdone and the movie constantly bashes the audience's heads over it. Especially Sisu, who's the worst offender of the bad off-timed
I gotta admit that Raya does have great visuals and fluid animation. However, the dragons just pull you right out of the immersion. They stood out like sore thumbs with their wacky colors and fur, similar to those silly caterpillars with googly eyes. I bet they designed these "sacred dragons" with the intention to sell as many toys as they can.
Now the plot's lack of originality would've been fine if they had a strong cast and some solid writing to build upon. But sadly, they were more concerned over the number of characters they could shove into the film than they were with actually developing said characters into actual people.
They keep cracking jokes and pop culture references instead of holding conversations that would could've added depth or provide a much more organic build-up to trusting and accompanying Raya -- a lone wanderer. They do have their somber moments, but it's brief and doesn't really do much in terms of establishing their bond over lost loved ones. It feels formulaic.
Back to the theme, I get it. People are inherently greedy. Greed is bad and destroys communities. It's overdone and the movie constantly bashes the audience's heads over it. Especially Sisu, who's the worst offender of the bad off-timed
I gotta admit that Raya does have great visuals and fluid animation. However, the dragons just pull you right out of the immersion. They stood out like sore thumbs with their wacky colors and fur, similar to those silly caterpillars with googly eyes. I bet they designed these "sacred dragons" with the intention to sell as many toys as they can.
I applaud Disney for making this animation that celebrates diversity. However, the story is not very good. I get annoyed by the endless poor decisions that the characters make. The dragons look more like Monsters Inc characters than dragons that are depicted in Asia.
Yet another brilliantly done animation movie which is absolutely absorbing and should please audiences of all age groups. The movie has an Asian background and the antagonist is Raya, a warrior princess on a mission to bring back a dragon gem which will then help to bring back her father who has been turned into a stone statue by evil spirits. All this she does with the help of Sisu the last dragon who converts into human form for the mission. The plot keeps us glued to the screen since it has all the elements of an emotional drama ( father -daughter relationship) .The kingdom is split into 5 parts resembling the parts of a dragon starting from Fang, then Heart, Spine, Talon and finally Tail. So there is a mission, an assorted crusader group from the 5 areas, a few evil spirits ( the druuns), some adventures on the way, a bit of betrayal by a member, death of a member, and finally a fight to gain the gem which breaks into 5 pieces. Now Princess Raya has to retrieve and reassemble the 5 pieces to make the gem whole again and achieve results. ( Similar to mission of Avengers end game ?).
There are a few nicely done scenes like a hand to combat of princess Raya and princess Namaari, dragons dancing and flying all over the landscape, Vietnamese boats area etc. The dialogue speaks of trust, togetherness and peace like " Maybe the world is broken due to lack of trust" and " We are a world of orphans because we are fighting over a piece of gem". Very relevant to what is happening in our world today.
There are a few nicely done scenes like a hand to combat of princess Raya and princess Namaari, dragons dancing and flying all over the landscape, Vietnamese boats area etc. The dialogue speaks of trust, togetherness and peace like " Maybe the world is broken due to lack of trust" and " We are a world of orphans because we are fighting over a piece of gem". Very relevant to what is happening in our world today.
Você sabia?
- CuriosidadesSome Vietnamese words are used in this movie such as "Ba" which Raya calls her father. And "Oh, Toi" means "Oh, we're screwed"
- Erros de gravaçãoIn South East Asian cultures in particular and Asian cultures in general, it's considered very rude to address people who are older or in higher status than you with only their names, such as when Raya calls Tong or Boun calls Raya or Raya calls Sisu (a deity-like figure) with their names only. In Asian cultures usually you would address people using familial relationship: you would call a person who is around your age or slightly older than you with "brother/sister", person who is in the range of your parent's age with "uncle/auntie", person who is older than that with "grandpa/granny", and revered/high status/deity figure with something like "master/lord/lady". So Raya would call Tong "Uncle Tong", Boun would call Raya "Sister Raya", and Raya would address deity-ish Sisu as "Master Sisu" or "Lady Sisu".
Though this would, of course, assume that Kumandra is in what is known today as South East Asia. Even if it were, there's nothing to suggest that they would follow the customs of that area as it is today.
- Cenas durante ou pós-créditosA message appears towards the end of the credits: "The making of this movie from over 400 individual homes was completely unprecedented, and relied entirely on the talent, ingenuity, and dedication of everyone at Walt Disney Animation Studios. The filmmakers would like to thank them for their tireless hard work, good humor, and most of all patience... with our inability to properly use the internet. (Dude, you're still on mute.)"
- Versões alternativasIn the Indonesian version, the original end title theme replaced by "Kita Bisa" by Via Vallen.
- ConexõesEdited into Curtas Animados Zen: Rain (2021)
- Trilhas sonorasLead the Way
Written and Performed by Jhené Aiko
Produced by Julian-Quan Viet Le (as Julian-Quán Viêt Lê (Lejkeys))
Recorded and Mixed by Gregg Rominiecki
Jhené Aiko appears courtesy of 2Fish/ArtClub/Def Jam
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- How long is Raya and the Last Dragon?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Raya y el último dragón
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 54.723.032
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.502.498
- 7 de mar. de 2021
- Faturamento bruto mundial
- US$ 130.423.032
- Tempo de duração1 hora 47 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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