The Boy Downstairs

If you don't like "emotional journey" films about millennials you will not like this film. That probably explains the low rating. Diana (Zosia Mamet) is an aspiring writer, as in she hasn't actually published anything yet. She is moving back to New York after some time in London. She rents a spacious brownstone apartment only to find out later that the person renting the apartment downstairs is Ben - the guy she had a serious relationship with and broke up with before she went to London, saying that it was about him being trapped and shackled to her aspirations when in fact she was just afraid of stepping into that cosmic void called commitment.

What makes it interesting? Diana is not classically beautiful. In fact, objectively, she is physically plain bordering on homely. The nice thing is that this does not seem to effect her confidence, the nicer thing is this is not about an ugly duckling turning into a swan - she has the same uneven bite, stringy hair, and dark eyebrows that do not match her blonde hair at the end of the film that she had at the start. What makes it really interesting are the little things - Diana working retail at a tony "wedding store" where she gets yelled at by customers who are much richer and prettier than she is about things (colors available) over which she has no control.;Her very beautiful friend finding out that the guy to whom she is very attracted is just stashing her - she is a friend with benefits without the friendship -she is a "plate" to use red pill language; Ben's live in girlfriend thinking that every chance encounter is Diana obsessing over Ben , and maybe she is obsessing, but most of the time Diana really is just raking leaves or returning a misdelivered package.

The weird stuff? In what universe do 20 somethings who are aspiring writers and musicians get to live in upscale Manhattan brownstones while working for minor duckets at a retail job? Celebrities live in those kinds of places! But then that would make the film about battling bedbugs and detract from the emotional turmoil. Oh, and it's also weird to have a landlady with whom you have no history, who is 30 years older than you, suddenly want to become besties. Maybe in Nebraska, but not in New York.

One more thing - something that confused me at first, but is actually a feature of the film. It goes back and forth between Diana's present and her past relationship with Ben. If you don't get that you'll think Ben is cheating on his girlfriend with Diana one minute and acting ambivalent towards Diana the next. He is not.

I honestly usually despise romantic comedies or romantic type movies in general, but this one was done well. I was captivated by the characters and their realistic/mundane lives that were intertwined with emotions, heartbreak, and love. The acting was also pretty great, you really felt as though the characters were genuinely in love. Overall it was very good.

So I really really wanted to like this movie, and a part of me did; only because I love " Shoshana". The acting was appropriate for its vernacular. My cinema induced anxiety was a result of the grossly abused words heard in almost every scene i.e " like" " ummm" " yea". Way too millennialish, and I am a millennial! True to life scenario's- we don't always get what we want, the one that got away, and of course IRONY. While this movie did have some good, it like had ummmmm like more bad, like yea.

An American romantic comedy; A story about a young woman who is forced to reflect on her first relationship when she inadvertently moves into her ex-boyfriend's apartment building. There are some fresh moments in this droll and occasionally amusing indie, even if it may feel like a familiar storyline. It is told from a mix of present-day scenes and flashbacks but they do nothing to stop the characters looking stranded at times. Mamet is charismatic in her quirkiness but by equal measure her character is irritatingly self-absorbed. All in all, the naval-gazing is diverting, even if the characters lack distinctiveness.

It's an average watch all around. The screenplay isn't riveting, yet it isn't horrendous. But the film constantly wants you to be in love with a story that doesn't seem to leave a mark within itself. It won't bore you to tears but it doesn't move you either. It's ok.