Coração e Alma

If this film had been made in Hollywood it would have vomit inducing. Because it's french it's anything but. A simple story, told without sentiment, but so poignant and real. All the characters are like people you almost know, with hints about them and their lives even of the smaller parts. The technical aspects of the medical procedures are twinned with the real care and involvement of the staff. There is a great scene where a nurse is ticked off by her superior but stands her ground and he backs off. Somehow that was thrilling. It's also about people trying to control their lives, not what others want. In the end it's so life enhancing without any soppiness. What a treat!

Based on the novel of the same name, this French film was unique in many ways. Firstly, it was an awareness film. An awareness about the organ donations. In this medical revolution world, all we need is a little support. A support to our own species who are suffering. Not to waste our precious organs after the death. But it's not all about the deaths, the natural death. There are many reasons for death to happen, but not always the organs are the reason. So it can be transplanted to live on in another body, giving a chance of life. Sometimes, there were sentiments involved. Not because of the love and care shown to those particular persons by their family and friends, but because of unexpected event puts them into such position, where they all can only hope for something miracle.

It was like hundred minute long film, but for every 10-15 minutes, it changes focus from people to places and situations. So there's no one particular character the film to follow entirely. All were pieces of the individual's story that in a way connected. This surely a much need film. Because of the story design, especially being organ transplant/donation related theme, they wanted to avoid the emotions as much as possible. Since it's always happy at one side and sad on the other, which might discourage the idea of what this film trying to highlight.

A teenager who met with an accident in now treated in the hospital. But it is not a good news for his beloved ones. Literally, he's dead, though kept alive by machines. This is not those kind of coma, we have had seen in the films. The parents have to make a quick decision about what the doctors had suggested to them that is to donate the organs to whom needed them most. On the other side of the tale, a middle aged woman with heart trouble has her own opinion about heart transplant. But she needs to be there for her two young sons. In the meantime, with all the developments, the narration heads to the final segment, where tense moments arise till the final scene.

❝Maybe my time has come. My heart will stop. That's nature.❞

I'm surprised that recently I've watched tons of films directed by women. It's really a good sign. Because stories from women's perspective can flourish in the coming generation, similar to the equal rights revolution happed a century ago in the western world. Considering that, it was a bit late to pick up the pace in filmdom. Not all the directresses make romantic or commercial chic films. Take Kathryn Bigelow as an example, she makes lots better men films than many male filmmakers today. This one was a gender neutral films. I've never seen other flicks from this maker, but seems she's young and very potential, that I want her to make a big entry into Hollywood as well.

The details in the film were astonishing. I usually not good at bloods. I avoid hospitals till it becomes a must. What I saw in the final quarter of the film was totally something. Like something I watched in a health channel. Of course it was staged, but very realistic presentation or you could say the demonstration was breathtaking. A few weeks ago in one of my reviews I've mentioned a doctor turned director made a film about his former profession. That was a simple rural based drama. The outside struggle. But this one, take us to the deep into the doctors' the other side of the world. I meant the surgery. I have seen many films like this, but none of them were edgy as this one. A perfect ending for such a film too.

So, the film might be a bit under-rated, but it was a much better film than many of the recent ones. It might be under-noticed, but that's because of lack of interest in such themed film among common people. Definitely not because of anything defect in the film. The critics have given thumbs up, so do I. But remember that the film has a story, not entirely about what mostly I've mentioned in most of other paragraphs. So expect less from it and be patience for its slow narration. There's nothing like what I've enjoyed you would enjoy it too. Just give it a try, it is totally worth.

8/10

An hymn to the importance and, at the same time, fragility of life. Every single moment has been carefully planned to weaved together a multitude of strands which will only make sense at the end. Every human being play a fundamental role in the game of life: never forget that! This film is a reality check to remind us that we are here for a higher purpose even if we can't yet see it. If you are looking for an inspirational story, look no further: a must watch!

The movie makes me want to read the book because there might be so much more, I would think, in the novel. But the beauty of the ocean, the city from the plane juxtaposed with the wharves at La Havre and the bareness of the hallways in the hospital probably could not be realized in the book. Beautiful. I am obsessed, however with finding out about the music. What was the concert pianist playing? Can anyone tell me.

For as beautiful and sincere as this film is, it's honestly a little frustrating.

There isn't really anything to complain about concerning the presentation of the film. It looks very good, with the visual nature of certain scenes creating a sort of dream like state, which is fitting considering the meditative nature of the story. The music is fine, though I don't think it's especially memorable except for maybe a couple of instances, one of those being the jarring opening track, which frankly does not fit the tone of the film nor does it compliment the musical accompaniment for the remainder of the run time. That's no biggie though. It's just one slip up in an otherwise competent score. Of course the acting's good. You should pretty much assume that'll be the case for all good film.

So if the presentation tends to range from pretty good to spellbinding, then where does the frustration come from? The issue that I have this film is that it's difficult to really say with any certainty what exactly is intentional in it. That issue applies to not only the presentation, but the story as a whole. This might be a problem with my perception, but what I found was happening repeatedly as I watched this film was that I had to stop and ask "Why is this happening?". I don't mean to say that events in the story didn't make sense, it' not that hard to follow. What I have to wonder is, why exactly did the director choose to put certain moments in the film? What is tying it all together? The thing with meditative films, which I have no fundamental problem with, is that the lack of urgency should be supplanted with clear theme and motive from a story telling perspective. The sequence of events in a film don't all have to connect to each other via the plot, but rather via the theme.

This shouldn't come as a surprise, but I really struggled to come up with a clear thesis for how all the scenes in this film really complimented each other. The film clearly wants to be a commentary on life and death. The problem is that every film is about life and death, so that isn't really good enough for tackling this film. Too bad I can't really get any more specific without sort of just guessing at it with little confidence. The best answer I can come up with is that this film is trying to say that you can't fully appreciate life without accepting the reality of death. That doesn't sound too bad, and maybe it fits. Ultimately though, I can't formulate an answer that brings all the disparate elements of this film together in a cohesive way.

One final note which might add clarity to my lack of confidence in the direction of this film whose individual scenes are all wonderful works of art, is in the ending of this film. Naturally I'm not going into the specifics of the plot, but I should say that there is a moment in the latter half of the third act which seems to betray the spirit of the film as a meditative piece on the relationship between life and death. For the most part, this film lacks any real sense of urgency or legitimate conflict. I think that's totally acceptable in this instance, however, it is not consistent. The final sequence in this film tries to create a sort of false sense of tension which not only contradicts the rest of the presentation of the film, but which is not even believable in and of itself. There was never any point in this film where I was especially surprised by the sequence of events or felt that there was any real peril. So when the director tries to suggest it in order to satisfy a formula which doesn't even fit the type of film she's making, it sort of calls into question what else in the film was actually meant to fit in the way that I perceived.

This film is beautiful. I like it a lot, and if you haven't seen it yet then I would recommend it. Despite what I feel are some disingenuous moments, this film is born out of sincere intention and presents its subject matter with a clear mind towards honesty and integrity. Maybe after I watch it a second time I'll like it even better. Who knows.