Depois do Apocalipse

Up late and found this movie. No need nitpicking this movie, just enjoy it. It's pretty damn good.

Most movies if you don't get me within the first 10 minutes, I'm out. First of all I'm a fan of dystopian and post apocalypse movies, so it got my attention for over 10 minutes, there were deep sigh moments (the can we get the story moving sighs), but it kept me watching, and after a certain point I felt committed to see it through to the end. While I was watching I'm thinking to myself, is it so bad that I'm watching or is it just good enough to keep me watching, whether it's the former or the latter, I didn't regret the watch, but I wish I would've watched a better movie with that time, talk about opportunity costs!!! If you're watched out on the latest or streaming and you want to watch something for the sake of watching, this isn't a bad fare, keep in mind it's a low budget movie with decent writing and decent acting and the story keeps going just enough for you to not bail out.

This post-apocalyptic love story could have been very good, even great, had it not been for the jarring back-and-forth jumping between two different timelines.

The main plot-line finds our heroine injured and alone in a barren, zombie-infested no-man's land, hunted by a spindly creature with a bad skin condition. This situation could have been a nerve-wracking viewing experience, had the director not decided to splice scenes of her "life before" throughout the full run-time of the movie. This breaks the tension EVERY TIME, in both narratives.

If you want to tell a backstory, just tell it and get it over with!

The acting, music and cinematography was adequate.

This was definitely not what I was expecting, it was actually much better, and deeper. I'm sure this movie, like most with flashbacks, will get panned by some reviewers because of it. However, after watching it through, the movie is actually more in the flashbacks than the "present" storyline. It has a really cool and moving symmetry at the beginning and end, using the gunshot. I actually let the movie begin to play over again at the end, which is where I really noticed it, and by rerunning is where you catch all the foreshadowing that you may not have caught. One of the first scenes, in the art gallery, with the "look past the ugliness" explanation of the Bacon artwork, is the basis of the story. I think you'll enjoy the movie as long as you're not looking for it to be the typical, gory, zombie-like post apocalyptic movie. Also understand that one flashback doesn't pick up exactly where the other left off (this threw me off at first and is why I enjoyed watching it a second time after understanding). The flashbacks are linear, but time passes (weeks to months) between them. This was a pleasant surprise, since I sit through quite a few bad movies when I look for free movies to stream.

The apocalypse happened. "How" morphs itself into "What Now?"

Behind a plethora of sweeping landscape shots depicting the years following an apocalyptic event, Mathieu Turi's feature debut Hostile gives us the story of Juliette (Brittany Ashworth) and her struggle to survive.

Sounds cliche, right?

Wrong. It took a while to digest this film as initially I had written it off as "just another post-apocalyptic film." Let's face it, there are so many in this genre.

The film centers around Juliette and her struggle to stay alive following a debilitating car accident while on a scavenging mission. She must not only survive the barrenness of nature while badly injured, but a threat far more sinister.

We're offered abbreviated glimpses into her life pre-apocalypse as she longs for the days before everything went sideways. During these sequences is when Ashworth really gives a believable depth to her character. There's a palpable honesty in her interaction with the people in her previous life's sphere - most notably the sophisticated and charming Jack (Gregory Fitoussi).

Juliette's memories throughout the film not only to provide a contrast to her current situation but also provide a good break in the inescapable dread of being surrounded by unknown dangers.

The tension in the film is abundant and while the idea of the damsel Juliette needing to be saved borders on tongue-in-cheek, the climactic confrontation is equal parts tense and emotional.