Depois do Apocalipse

This was definitely not what I was expecting, it was actually much better, and deeper. I'm sure this movie, like most with flashbacks, will get panned by some reviewers because of it. However, after watching it through, the movie is actually more in the flashbacks than the "present" storyline. It has a really cool and moving symmetry at the beginning and end, using the gunshot. I actually let the movie begin to play over again at the end, which is where I really noticed it, and by rerunning is where you catch all the foreshadowing that you may not have caught. One of the first scenes, in the art gallery, with the "look past the ugliness" explanation of the Bacon artwork, is the basis of the story. I think you'll enjoy the movie as long as you're not looking for it to be the typical, gory, zombie-like post apocalyptic movie. Also understand that one flashback doesn't pick up exactly where the other left off (this threw me off at first and is why I enjoyed watching it a second time after understanding). The flashbacks are linear, but time passes (weeks to months) between them. This was a pleasant surprise, since I sit through quite a few bad movies when I look for free movies to stream.

Hostile is actually a good movie, but you have to make it to the end to figure that out. There is not nearly enough backstory to make much sense of things, and the ending, although touching, doesn't make logistical sense. Maybe fate? My suggestion? Lower your expectations. Don't analyze it too much. And expect a love story more than anything else. You do that, you'll enjoy this movie.

6/10- Comes together nicely (although not logically)

Movie has a great premise and an interesting setup similar to "Buried", "Locke" or "The Wall", where most of the action is just the lone protagonist communicating with disembodied voices on a radio or cellphone. The post-apocalypse narrative was what I came for, so I was disappointed that so much of the film's scant 83 minute runtime is given over to a distractingly creepy "Pretty Woman"-style romance subplot presented as flashbacks. And when I say it's creepy, I don't mean in the way you want your horror movies to be. I mean the way the controlling, wealthy romantic interest, having met the main character once, later follows her home and then later still imprisons her in his own home until she kicks her heroin habit and falls in love with him. Stockholm Syndrome? The movie acts like this is normal and sweet.

Back in the main storyline, the titular "Hostile" creature is well designed and well played with the correct kind of creepiness to his movements and appearances. The standoff between the creature and Juliette eventually reaches its necessary showdown, to good effect with some nice echoes to "Predator".

Most movies if you don't get me within the first 10 minutes, I'm out. First of all I'm a fan of dystopian and post apocalypse movies, so it got my attention for over 10 minutes, there were deep sigh moments (the can we get the story moving sighs), but it kept me watching, and after a certain point I felt committed to see it through to the end. While I was watching I'm thinking to myself, is it so bad that I'm watching or is it just good enough to keep me watching, whether it's the former or the latter, I didn't regret the watch, but I wish I would've watched a better movie with that time, talk about opportunity costs!!! If you're watched out on the latest or streaming and you want to watch something for the sake of watching, this isn't a bad fare, keep in mind it's a low budget movie with decent writing and decent acting and the story keeps going just enough for you to not bail out.

This post-apocalyptic love story could have been very good, even great, had it not been for the jarring back-and-forth jumping between two different timelines.

The main plot-line finds our heroine injured and alone in a barren, zombie-infested no-man's land, hunted by a spindly creature with a bad skin condition. This situation could have been a nerve-wracking viewing experience, had the director not decided to splice scenes of her "life before" throughout the full run-time of the movie. This breaks the tension EVERY TIME, in both narratives.

If you want to tell a backstory, just tell it and get it over with!

The acting, music and cinematography was adequate.