Cézanne e eu

If you didn't enjoy this movie you are probably neither artist nor author. That said the audience who is will love this film. The dialogue is witty, the acting superb, the dynamics between Zola and Cezanne fascinating.

The time frame is interesting. Outdoor (plein air) painting was made possible with the invention of oil colors in tubes, to vie with photography, and cheap books.

Only one mild disappointment. The film credits Cezanne's artistic genius yet does not discuss his clumsy draftsmanship of the human form. Perhaps in another film.

I'm surprised by the critics and bad ratings of this movie. Cézanne et Moi tells the relationship between Paul Cezzane and childhood friend Émile Zola, and their clash of personalities throughout their lives. Zola, shy and a little naif. Cezzane, conflictuous, at odds with his family and upset by his initial insuccesses, tries to hurt everyone around him, friends and lovers.

The film is a character study of artists in general, and of Cezzane and Zola in particular, including their ambition and selfishness. The constant flash back and forward in time has a purpose, as each conflict has a link to something happened in the past. All the cast delivers, with a special nod to the superb Guillaume Gallienne as Cezzane. On top of everything, the cherry on the cake: beautiful cinematography and scenary of Provance.

Whew boy! Saw a really wonderful movie last night. It is entitled Cezanne et Moi. Yep, a French movie. Actually, it was a Bro-mance, but I absolutely could not tear my eyes off of it. It was a visual, feast for the eyes, and compliments to the Cinematographer. I don't know how he did it (I'm thinking some kinds of filters), but he was able to light his film with brilliant Cezanne blues and pink and rose colors. Which, btw, prevented me from being able to take the time to read the subtitles because I was so busy being dazzled by the kaliedoscopic colors. The result was similiar to mirroring the desired effect of the painters. The impressionists were madly trying to capture an image which was held in a particular moment during the day when sunlight evoked a particular feeling. So the brush was flying, causing the impressionistic feel and look. And someone, A HACKER, caused my computer to "go dark." Now, thank you, I have to watch it again. But I don't mind...really. You are going to love it, I saw many Manets, Monets, Degas, Cezannes, etc. when I went to the Palace of the Legion of Honor, a museum in San Francisco. Actually, when I got to the Dutch Masters, I fell in love with my favorite painting, Fishing under the Ice on the Maas. The scene takes place at daybreak, I think, where the colors evoke the same impressionistic feeling. Anyway, I will see it again. I won't say when though; I don't want my pc to go dark again. :)

You wouldn't miss much if you watched this movie with the sound off. Some of the cinematography, especially of outdoor scenes in Provence, is just astoundingly beautiful. Some is very reminiscent of Le Château de ma mère and the scenes in la garrigue.

The acting is all fine. Guillaume Canet is a fine performer and does a good job, but he is not the seriously obese and not handsome man that the real Zola was.

The big problem here is the script. It starts with an imaginary meeting between Zola and Cézanne in 1888, two years after Zola permanently alienated the painter with his novel L'Oeuvre (The Great Work of Art). It then moves back and forth between the present and various scenes in the two men's past friendship. There is nothing wrong with that as a format, but the dialogue is way too stereotypical. If these men had been so pleasant, their friendship would not have come to an end. There is no real attempt to explore why Zola turned on the Impressionists, yet that is really the center of the story.

So, my recommendation would be to watch this with the sound off.

"Cezanne et Moi" (2016 release from France; 116 min.) brings the story of the ups and downs in the long friendship between French writer Emile Zola and the French painter Paul Cezanne. As the movie opens, we are in "Medan 1888", where Zola is awaiting the arrival of Cezanne, after not having seen each other for 2 years. We then go back in time to "Aix en Provence 1852", as we get to watch how they meet each other in 6th grade and become inseparable friends, Before we know it, we are in "Paris 1960" where the two are struggling to make it. At this point we're 15 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the latest movie from veteran writer and (later in life also) director Danièle Thompson, who is now in her mid-seventies, if you can believe it. Here, she brings us the story that on its face could be fascinating: how 2 legends from the 19th century interacted with each other over decades. Is this a true story? I have no idea, and the movie does not open with the usual "Based on a true story" or "Inspired by true events". But that is not the problem. The problem is in the script writing, which is way heavy and wooden, resulting in us the viewers watching acting performances that simple do not convince us or get us emotionally connected or invested in any way, shape or form. When at one point Cezanne gets mad/upset at Zola, it feels fake and very much "acted". In that sense, certain stretches of the movie feel like watching a theater play, rather than a movie. On the plus side, the scenes that play out in the south of France (Aix) are pure eye candy and provide a much needed boost to the film. Also noteworthy (for my anyway) is the excellent original movie score, courtesy of French composer Éric Neveux. But bottom line is that for me this movie feels like a missed opportunity, considering the potential involving large personalities of not just Cezanne and Zola, but other contemporary eventual celebrities appearing in the movie (Auguste Renoir, Guy de Maupassant, Eduart Manet, and more).

"Cezanne et Moi" opened this past weekend at my local art-house theater here in Cincinnati. The Tuesday evening screening where I saw this at was attended okay for a week night (about 10 people). Given the lack of critical acclaim or positive overall buzz, I can't see this playing in theaters very long, so is this movie sounds like it could be of interest to you, you're more likely to check it out on VOD or eventually on DVD/Blu-ray.