Promessa ao Amanhecer

Absolutely DIVINAL! Majestic interpretations and how history grabs you to the screen is remarkable

Watched it on a recent flight to Paris and glad that I did since I probably wouldn't have paid to see it (not the biggest Gainsbourg fan) and would've missed out on a modern classic. The two main characters in the film, the mother (Gainsbourg) and the son (Niney) carry the film due to the inspired performances of the actors playing those roles. Gainsbourg, in particular, gave a finely-tuned, nuanced performance that perfectly captured the extraordinarily devoted yet overbearing character of Nina; I'm now a big fan! Also inspired were the cinematography and the breathtaking dogfight scenes, which were probably the best I've seen in any war film. The first half of the film does meander a bit and the pace of it gets a bit patchy (hence the 9 stars instead of 10) but the second half more than makes up for it. I didn't know the film was based on a true story (i.e. Romain Gary's biography) until I read the closing credits, which made it that much more impactful and emphatic since real people actually lived the epic events portrayed in the film. The closing credits also had another shock but I won't reveal it here so that I won't spoil the film! All in all, this was probably the best film I've seen in a long while; it felt genuine, engrossing and it left me with tears in my eyes, though the airplane food may have contributed to that.

Based on novelist Romain Gary's biography,this is the second version of the writer's youth .In her husband Jules Dassin's 1970 movie, Melina Mercouri hammed it up,but did convince as this character of a Jewish mom ,and it was the main asset of this earlier work.That director ,in his last part of his career,was succumbing to the vices of European cinema of the era: the slow motion sequences ,which were very trendy then are almost unbearable today.Romain was played by no less than three different actors.

The same goes for the remake :a boy ,a teenager and a young man (Niney,thus,only appears in the second half);.Charlotte Gainsbourg reprises La Mère-Couri 's role and compares favorably with her performance ,less histrionic,but always omnipresent -her arrival at the base is worth the price of admission-,ambitious ,demanding ,almost in love with her son (one never sees her have an affair with a single man ,though some of them (the painter, portrayed by the always reliable Darroussin)woo her .

Longer than the first version (101 min) ,this one (125 min) sometimes drags on and seems a little patchy and desultory but it's inherent in any biography ;sex scenes are more explicit (the initiation scene with the unexpected mom because of the coach incident is featured in both movies) .

War scenes are much more developed than in the first adaptation ;it sometimes verges on ridicule : the aviator ,suffering from typhoid,crosses the hospital stark naked .

Two small details : two soldiers were actually denied their promotion,Romain was not the only one ,but it 's less storylike on the paper,let alone on the screen. The 250 letters mom supposedly wrote are pure fiction; when he was in Africa, a telegram was sent to Romain who knew his dear one was dead when he came back to France.

The prologue in Mexico ,a bit gaudy , is a bit derivative:how many biographies were filmed as flashbacks?

All in all, you should see this remake ,but mainly for miss Gainsbourg ,in one of her best parts.

NB: When the first version was released,Gary was still alive ;hence the necessity to treat his material more gingerly.

Very good dramatic comedy about the impressive life of Jewish writer and military pilot Romain Gary (Kacew), his relashionship with his crazy, controlling and abusive mother (he loved her, but I did not see a so bad mother since Brian de Palma's "Carrie") and anti-Semitism during and before World War II. Quite dark humor for narrating a glorious but tragic life.

La promesse de l'aube (2017) is a French film shown in the U.S. with the translated title Promise at Dawn. The movie was co-written and directed by Eric Barbier, based on a novel by Romain Gary. This is an autobiographical film, in which Gary is portrayed by Pierre Niney.

Gary was born in Poland, but became a renowned author in France. Some of what's in the movie is factual. The facts are exciting--Gary moved to France, and when the Germans conquered France, he joined the RAF.

One of the most exciting scenes in the movie shows Gary, as the navigator of a RAF bomber, talking the pilot--who is temporarily blinded--to the bombing target, and then back to the RAF airfield. (This actually happened.)

However, the movie isn't about Romain Gary's daredevil life. It's about Romain Gary and his mother, Nina Kacew, played by Charlotte Gainsbourg. If we are to believe the author, his mother played an immense role in his life--teaching him what he had to know, urging him on, and coming to him in dreams and hallucinations when she wasn't actually with him.

Who could have told us--other than Gary--how much of this was true? True of not, it certainly makes for an interesting script. The script only works because Gainsbourg is such a great actor. She's not always someone we like, but she's someone in whom we believe. I don't know another actor who could have pulled this off as well.

Incidentally, there's a confusing episode when the film starts. It's Day of the Dead in a small city in Mexico, and someone--we later learn that it's Gary--decides that he's dying and needs to go to a distant hospital in Mexico City.

Notice that the talented Catherine McCormack plays his wife, Lesley Blanch. Gary was a diplomat, and he and his wife were stationed in Mexico for a time, so maybe this really happened. (Gary later divorced Blanch and married Jean Seberg, darling of the French Nouvelle vague.)

I enjoyed this movie and would recommend it for people who like epics about famous, successful people. Promise at Dawn has a moderately strong IMDb rating of 7.2. I thought it was better than that, and rated it 8.