A guerra contra as drogas na fronteira no Mexico e os Estados Unidos escalou quando os cartéis començaram a trafegar terroristas ao territorio americano.A guerra contra as drogas na fronteira no Mexico e os Estados Unidos escalou quando os cartéis començaram a trafegar terroristas ao territorio americano.A guerra contra as drogas na fronteira no Mexico e os Estados Unidos escalou quando os cartéis començaram a trafegar terroristas ao territorio americano.
- Prêmios
- 1 vitória e 8 indicações no total
Isabela Merced
- Isabel Reyes
- (as Isabela Moner)
David Castañeda
- Hector
- (as David Castaneda)
Raoul Max Trujillo
- Rafael
- (as Raoul Trujillo)
Avaliações em destaque
Pros: The story was well told.
The characters were engaging.
Benicio Del Toro is a God.
An honest portrayal of a sad reality.
Cons: one character should have remained how he was, that would have been a fitting send off for his character. Is it better than the first Sicario? Yes. Why? No moral compass, it doesn't exist in the real world.
The characters were engaging.
Benicio Del Toro is a God.
An honest portrayal of a sad reality.
Cons: one character should have remained how he was, that would have been a fitting send off for his character. Is it better than the first Sicario? Yes. Why? No moral compass, it doesn't exist in the real world.
Film starts really well. Gritty, violent, miltaristic. Relevant and exciting. Cool photography and sound. Interesting plot line. Seems like a solid follow-up to the excellent original. Helicopters, machine guns, explosions, mercenaries and black ops. But about halfway through it comes to a screeching halt that it never recovers from, even as there are some scenes that give you hope that the pace will resume.
But the film commits itself to going with a train of events that are not engaging or exciting. It never follows up with what could have been supremely interesting, the cartel war that the planned and executed event was supposed to trigger. Instead it undoes itself with the embarassingly obvious attempt to set that stage for another sequel. We get a lot of wasted time on the way, with story decisons that make no sense, and a convoluted and boring backward human-smuggling idea with political motivations.
The other major annoyance is the young gangster character. He does not act, at all, and his one-expression face alone is extremely unpleasant, not in a menacing way, but punchworthy. Highly ineffective and off-putting. Really bad casting.
First half was great. Second half was a joke.
But the film commits itself to going with a train of events that are not engaging or exciting. It never follows up with what could have been supremely interesting, the cartel war that the planned and executed event was supposed to trigger. Instead it undoes itself with the embarassingly obvious attempt to set that stage for another sequel. We get a lot of wasted time on the way, with story decisons that make no sense, and a convoluted and boring backward human-smuggling idea with political motivations.
The other major annoyance is the young gangster character. He does not act, at all, and his one-expression face alone is extremely unpleasant, not in a menacing way, but punchworthy. Highly ineffective and off-putting. Really bad casting.
First half was great. Second half was a joke.
Sequels typically strive to go bigger and badder than the original. This sequel is no exception. This issue with attempting to up the ante is that it often causes sequels to lose sight of what made the original special. Again, this sequel is no exception.
For some reason that I still don't understand, 'Sicario: Day of the Soldado' opens with coverage of Somali pirates, Mexican-United States border crossings, and graphic scenes of ISIS suicide bombers that will leave you unsettled for an uncomfortably long time. Government agents presume that all these terrorist efforts are connected. They're not.
The film's inclusion of these scenes doesn't add layers to the complexity of anti-terrorist or anti-drug efforts (it's unclear if that was ever the intention). Instead, the scenes only serve to offer some of the BANG BANG moments that sequels seem to require.
There's an emptiness, a pointlessness to the violence-that should be the point of the film. "The war on drugs" is a war without an opponent, and the U.S. is fighting an unwinnable fight. The violence only begets greater violence, one immoral acts leads to dozens more like it, and everyone becomes dirty in the end. This film has no heroes.
I wish that's what this movie was about, but it misses the point. It lacks the perspective and awareness of the first 'Sicario' film. The action in this film is well shot and exciting, same as the first film, but all subtle yet crucial details that made the first film excellent are wrong in this one.
The acting saves the movie from failure. Josh Brolin is excellent once again as the smirking tough guy government agent, and Benicio Del Toro is award-worthy as Alejandro, the sicario. Though he has taken frustrating character development leaps since the first film, Del Toro is nonetheless commanding, angry and tactful. Mercifully, he also provides a few drops of humanity into a movie in desperate need of some. Most actors lack the versatility to successfully transition between all these emotions. But this is Benicio Del Toro.
If you're a huge fan of Del Toro, Brolin or this genre of film, consider seeing it in the theater. Otherwise, wait until you can watch it at home.
For some reason that I still don't understand, 'Sicario: Day of the Soldado' opens with coverage of Somali pirates, Mexican-United States border crossings, and graphic scenes of ISIS suicide bombers that will leave you unsettled for an uncomfortably long time. Government agents presume that all these terrorist efforts are connected. They're not.
The film's inclusion of these scenes doesn't add layers to the complexity of anti-terrorist or anti-drug efforts (it's unclear if that was ever the intention). Instead, the scenes only serve to offer some of the BANG BANG moments that sequels seem to require.
There's an emptiness, a pointlessness to the violence-that should be the point of the film. "The war on drugs" is a war without an opponent, and the U.S. is fighting an unwinnable fight. The violence only begets greater violence, one immoral acts leads to dozens more like it, and everyone becomes dirty in the end. This film has no heroes.
I wish that's what this movie was about, but it misses the point. It lacks the perspective and awareness of the first 'Sicario' film. The action in this film is well shot and exciting, same as the first film, but all subtle yet crucial details that made the first film excellent are wrong in this one.
The acting saves the movie from failure. Josh Brolin is excellent once again as the smirking tough guy government agent, and Benicio Del Toro is award-worthy as Alejandro, the sicario. Though he has taken frustrating character development leaps since the first film, Del Toro is nonetheless commanding, angry and tactful. Mercifully, he also provides a few drops of humanity into a movie in desperate need of some. Most actors lack the versatility to successfully transition between all these emotions. But this is Benicio Del Toro.
If you're a huge fan of Del Toro, Brolin or this genre of film, consider seeing it in the theater. Otherwise, wait until you can watch it at home.
Not as good the the first one but held my attention throughout. If you can bear the plot holes and just go with it then definitely worth a watch.
Benicio as always is great to watch and most of the cast do a great job. I'd recommend it if you enjoyed the first one.
I thought this movie was pretty good. It's a follow-up to the absolutely terrific film Sicario but it doesn't quite stay in the same tier as the original. The acting is still just as good as the first. Brolin and del Toro are incredibly talented and the new actors/actresses like Isabela Moner did a fantastic job. I just thought some characters weren't consistent with their actions like the first one. Especially del Toro's character, it was written a bit weirdly and the ending was kind of odd compared to what I would have expected to happen given their nature in the first movie. I still recommend a watch and even a back-to-back viewing with the original but I really hope they close this series with the cliffhanger and keep it a solid one-two punch. 3.5/5 stars.
Você sabia?
- CuriosidadesEmily Blunt was originally attached to reprise her role in Sicario: Terra de Ninguém (2015) as FBI Agent Kate Macer. However, director Stefano Sollima ultimately decided not to use Blunt or her character in the film, noting that Macer represented the moral compass in Sicario: Terra de Ninguém (2015), whereas he did not want any character to serve as moral guidance in the sequel. Screenwriter Taylor Sheridan, who wrote the story and screenplay for both films, also stated in interviews that he could not think of a reason to keep Agent Macer in the second film, and that her character's story had already come full circle in the first installment.
- Erros de gravaçãoImmediately after Alejandro is shot, the helicopter pilot tells Matt that they are 2 minutes out. This scene takes place in complete darkness. However, when the helicopters catch up with the coyotes, it is broad daylight and the coyotes have been shown to drive a significant distance.
- Citações
Matt Graver: Fuck it all. Wipe it clean.
- Cenas durante ou pós-créditosThere are no opening credits.
- Trilhas sonorasSe Sienten Menos
Written by Victor Daniel Federico Guerrero and Dante Edu Espinoza Sanchez
Performed by Under Side 821
Courtesy of Under Side 821
Principais escolhas
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- How long is Sicario: Day of the Soldado?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Sicario: Día del soldado
- Locações de filme
- Avenida Santa Fe 485, Cuajimalpa, Cidade do México, México(Alejandro says "Adiós")
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 35.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 50.072.235
- Fim de semana de estreia nos EUA e Canadá
- US$ 19.007.566
- 1 de jul. de 2018
- Faturamento bruto mundial
- US$ 75.837.743
- Tempo de duração2 horas 2 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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