Noite de Lobos

I can't clearly determine what "Hold the dark" is: a sophisticated film that seems mindless or a mindless thriller that seems sophisticated. Nonetheless, it's an enjoyable view.

Hold the dark is complex: partly a thriller, partly a mystery film, partly a crime film. It reminds me of many films and tv shows: Prisoners, No Country for Old Men, The Grey, Twin Peaks and True Detective.

Visually, Hold the dark is one of those films that I wish I could see on a big screen rather than online. It's photography and alaskan scenery are often gorgeous. Generally, from a technical point of view, including in terms of acting, it is outstanding.

It is an atmospheric success: the eerie, dark theme of the film is almost palpable. There isn't any unnecessary dialogue and silence is overall well handled. It is a film filled with rural mysticism, a very peculiar subject, which often leads to such utterly irrational events that sometimes seem blatantly stupid. This often made me question whether it's because of the director's style (I haven't seen other movies from Saulnier), because I missed something, because of the mystic subtheme or because the plot is simply at times stupid.

I myself don't like the term 'poor writing' used in many reviews, but while watching "Hold the dark" the thought often popped to my mind. There are several scenes of violence, changes of heart, actions that character do that seem nonsensical. The worst part is that probably they were intented to be so 'mindless', but the film seemed to lack something that confirms this. This aspect is what provides the mixed feelings I'm trying to express.

I can't resolutely give a high rating to this movie. Although it is stylistically perfect, and it lends this permanent feeling that it's trying to tell something important, Hold the dark ultimately fails to deliver its message.

Let me start by saying that this movie is not completely garbage. It has something to it that keeps you going. For some reason, despite an unintelligible plot and amazingly slow pace, you still find yourself watching the movie waiting for it to redeem itself. It doesn't. The more time you invest in this adventure, the more painful it becomes to admit that this movie is beyond redemption, that nothing normal is going to happen and that you wasted two hours of your life.

Great actors and set but I'm still scratching my head on the story. When credits started to roll at the end, I was still waiting for some explanations.

I loved Green Room, but this was a very different movie. I don't really know what to make of it, because it is a film that doesn't have much of a plot, has characters that rarely speak, and is quite a slow burn. This is the kind of film that if you half-watch whilst doing something else, you would almost certainly hate it.

So the setup for the film doesn't matter really because within the first 20 minutes it has gone off those rails, but the setup is that a woman's child has been taken by wolves (the third child in the town to have gone missing) and so she writes a letter to a wildlife expert and author to come to Alaska and hunt down the wolves that did it. The film takes so many twists and turns very suddenly and abruptly that by the time it ends you kinda forget that this is how it started. The film is more concerned with tone, atmosphere and theme than it is with character or plot.

As expected the film is pretty damn violent. Not quite Green Room-level, but when it happens you feel it. It also happens very abruptly and suddenly, with little to no hint that anything is about to happen.

Overall the film reminded me of so many other films, but stands on its own as something unlike any of them. It had elements of Wind River, The VVitch, The Grey and Prisoners, but it really is a unique movie. It is somewhere between a 6/10 and a 7/10 for me but it is interesting and unique enough for me to say 7/10 for now. Definitely need to rewatch it.

The basic premise of Jeremy Saulnier's adaptation of Hold the Dark takes place in Alaska where wolf expert Russell Core has arrived to investigate the disappearance of a child claimed by his mother to have been taken from the very animal Core studies. From there Core discovers that the wolves may be the least of his concern.

The film is interesting through its dark atmospheric tone and gorgeous yet haunting cinematography of the wild landscape. As with any other of his, the violence is very sudden and brutal. It sneaks up behind you and leaves you in gasp from the site of it. While the body count is way higher and on a much bigger canvas, it lacks the self-contained momentum of Green Room and Blue Ruin. The pacing felt very inconsistent at times especially as it seems it never quiet matches the shocking shootout scene that happens in the middle act. Both Jeffrey Wright and Alexander Skarsgard get to show great character work in their performances. Wright shows Core as a man whom is sympathetic towards wolves as he sees their behaviour isn't intentionally evil but is disturbed and often times terrified of what horrifying acts human beings themselves do throughout the story. And Skarsgard as the missing boy's veteran father Vernon brings an intensity and intimidating presence while still conveying there is still a little bit of humanity left in him to understand his motivations. While the characters are certainly compelling, the vaguely defined supernatural element makes the story's direction feel too plot heavy and less compelling. The story is very much an exploration of how human behaviour can be more vicious then nature itself. While the conclusion makes sense thematically, it can feel anti-climatic depending on how much you are invested in the themes.

Hold the Dark I wouldn't call a disappointment but does not live up to the quality of his past films. It still has some really good scenes that are still worth watching.