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IMDbPro

Nosferatu

  • 2024
  • 16
  • 2 h 12 min
AVALIAÇÃO DA IMDb
7,2/10
223 mil
SUA AVALIAÇÃO
POPULARIDADE
58
14
Lily-Rose Depp in Nosferatu (2024)
A gothic tale of obsession between a haunted young woman, and the terrifying vampire infatuated with her, causing untold horror in its wake.
Reproduzir trailer2:25
8 vídeos
99+ fotos
FantasiaFantasia sombriaHorrorMistérioTerror popularTerror sobrenaturalTerror vampírico

Um conto gótico de obsessão entre uma jovem assombrada na Alemanha do século XIX e o antigo vampiro da Transilvânia que a persegue, trazendo consigo um horror incalculável.Um conto gótico de obsessão entre uma jovem assombrada na Alemanha do século XIX e o antigo vampiro da Transilvânia que a persegue, trazendo consigo um horror incalculável.Um conto gótico de obsessão entre uma jovem assombrada na Alemanha do século XIX e o antigo vampiro da Transilvânia que a persegue, trazendo consigo um horror incalculável.

  • Direção
    • Robert Eggers
  • Roteiristas
    • Robert Eggers
    • Henrik Galeen
    • Bram Stoker
  • Artistas
    • Lily-Rose Depp
    • Nicholas Hoult
    • Bill Skarsgård
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    223 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    58
    14
    • Direção
      • Robert Eggers
    • Roteiristas
      • Robert Eggers
      • Henrik Galeen
      • Bram Stoker
    • Artistas
      • Lily-Rose Depp
      • Nicholas Hoult
      • Bill Skarsgård
    • 1.6KAvaliações de usuários
    • 406Avaliações da crítica
    • 78Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 4 Oscars
      • 58 vitórias e 195 indicações no total

    Vídeos8

    Official Trailer
    Trailer 2:25
    Official Trailer
    Official Teaser
    Trailer 1:44
    Official Teaser
    Official Teaser
    Trailer 1:44
    Official Teaser
    Nosferatu
    Trailer 2:28
    Nosferatu
    Nosferatu
    Trailer 1:49
    Nosferatu
    Nosferatu
    Trailer 1:44
    Nosferatu
    Nosferatu Official Teaser Trailer
    Trailer 1:49
    Nosferatu Official Teaser Trailer

    Fotos414

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    Elenco principal36

    Editar
    Lily-Rose Depp
    Lily-Rose Depp
    • Ellen Hutter
    Nicholas Hoult
    Nicholas Hoult
    • Thomas Hutter
    Bill Skarsgård
    Bill Skarsgård
    • Count Orlok
    Aaron Taylor-Johnson
    Aaron Taylor-Johnson
    • Friedrich Harding
    Willem Dafoe
    Willem Dafoe
    • Prof. Albin Eberhart von Franz
    Emma Corrin
    Emma Corrin
    • Anna Harding
    Ralph Ineson
    Ralph Ineson
    • Dr. Wilhelm Sievers
    Simon McBurney
    Simon McBurney
    • Knock
    Adéla Hesová
    • Clara
    Milena Konstantinova
    • Louise
    Stacy Thunes
    Stacy Thunes
    • Head Nurse
    Gregory Gudgeon
    • Hartmann
    Robert Russell
    • First Clerk
    Curtis Matthew
    • Second Clerk
    Claudiu Trandafir
    Claudiu Trandafir
    • Innkeeper
    Gherghina Bereghianu
    • Innkeeper's Mother-in-Law
    • (as Georgina Bereghianu)
    Jordan Haj
    Jordan Haj
    • Vampire Hunter
    Katerina Bila
    • Virgin on Horseback
    • (as Kateřina Bílá)
    • Direção
      • Robert Eggers
    • Roteiristas
      • Robert Eggers
      • Henrik Galeen
      • Bram Stoker
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários1.6K

    7,2222.7K
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    Resumo

    Reviewers say 'Nosferatu' is lauded for its visuals, gothic atmosphere, and strong performances by Lily-Rose Depp and Bill Skarsgård. The film's meticulous detail and haunting score are appreciated, though some find the pacing slow and story unoriginal. Themes of isolation and obsession are well-explored, but narrative clarity is criticized. Practical effects enhance the immersive experience, yet the film's length is seen as tedious by some.
    Gerado por IA a partir do texto das avaliações de usuários

    Avaliações em destaque

    7drownsoda90

    A visual marvel with solid performances but a partly-enervated screenplay

    Robert Eggers made a significant impression with his 2015 directorial debut "The Witch", and has continued to impress me since. A reimagining of "Nosferatu" at his helm seemed like a dream come true, and after many years, it finally came to fruition with somewhat mixed results.

    As with the original 1922 film and Werner Herzog's surreal 1979 remake, Eggers mostly honors the source material here. The original film itself was a blatant derivative of "Dracula," so anyone who knows the bones of that classic story will more or less already have the lay of the land in terms of what happens in "Nosferatu".

    Firstly, the attention to detail here is impeccable; the period costumes and sets are dazzling, and the cinematography is top-notch, with repeated uses of muted grey nighttime sequences that border on black-and-white (intentional I'm sure, as an ode to the Murnau original). In the latter act, as rats and plague take over the streets, there is a palpable sense of rot that is highly effective. Given that Eggers has proven his excellence in these departments with his previous films, it is no surprise that the finer details and visuals are uniformly stunning.

    As far as performances are concerned, we have a strong cast here. Lily-Rose Depp (whom I'd never seen in anything prior to this) gave a formidable performance as the haunted Ellen Hutter, who is pursued by Count Orlok (Bill Skarsgard), a malevolent vampire whose connection to her is emboldened when her husband Thomas (Nicholas Hoult) is assigned to handle estate matters for the Count. Willem Dafoe is as spunky as ever here as an occult expert who attempts to help the Hutters, and Aaron Taylor-Johnson and Emma Corrin give effective performances as the Hardings, friends of the Hutters who oversee the troubled Ellen while Thomas travels to Orlok.

    All of these aforementioned elements give the film a real leg up, and approximately the first half of it (largely consisting of Thomas's travels into Transylvania and first encounter with Orlok) are engrossing and beautifully contrasted with Ellen's "melancholic" (and eventually possession-like) episodes back in urban Germany. However, once the story returns its focus to the city, the film seems to stall its momentum. One of the notable differences in this reimagining is that the focus revolves more around the Ellen character (aptly named "Lucy Harker" in Herzog's version) and the Hardings, but the unfortunate thing is that it never feels like the audience gets to know them any better for it. This is especially so in the case of Ellen, whose character has a slightly different spin in Eggers's screenplay, specifically in terms of her relationship to Orlok. The result feels like something of a missed opportunity, and the proverbial stake is driven in even further when one considers the film's running time, which is considerably longer than both the 1922 and 1979 versions, and yet those films often feel more involved. There is a strange amorphousness about the 2024 version's latter half that left it feeling enervated, especially against the ominous and suspenseful first hour.

    The film's conclusion will hold no surprises for those who already know the previous films, but Eggers's staging of it is nonetheless spectacular and visually effective--and this is a fact that remains true about the film as a whole. Unfortunately, it does stumble a bit in the latter half as it seems to attempt to expand the material without ever fully reaching a satisfactory fever pitch. All that being said, the film is a gothic visual marvel in its own right, upheld by stunning cinematography and uniformly solid performances. It is imperfect, but it is a showstopper in more ways than one. 7/10.
    6cutie7

    Did Not Do It For Me

    I usually love Robert Eggers' work - his films have this unique ability to pull you into eerie, unsettling worlds that linger with you long after the movie has finished. But his take on Nosferatu just didn't land for me.

    The pacing was painfully slow, to the point where it felt like it was dragging for the sake of atmosphere rather than tension. And while I can appreciate deliberate storytelling, this just felt uninspiring, like it was going through the motions without that signature spark Eggers usually brings to his projects.

    To make matters worse, I couldn't stop seeing Dr. Robotnik from Sonic the Hedgehog every time Nosferatu was on screen. It's probably not fair to the film, but the resemblance was so distracting that I found myself more amused than unsettled.

    Ultimately, Nosferatu lacked the sharp, visceral energy that made Eggers' previous work so compelling. Instead of feeling haunted, I left the theater feeling underwhelmed.
    Igetnojoy

    Fell short of the hype it received

    The movie doesn't quite live up to the hype it has built over time. While the cinematography, costumes, and sound design are impressive, the film falls short where it matters most-delivering real horror. Lily shows promise as an actress, but her tendency to over-exaggerate certain scenes takes away from the immersion. The slow pacing and lack of genuine scares make you double-check if you're even watching a horror movie. Despite a few good moments, it ends up feeling underwhelming and forgettable. Nosferatu felt less of a creepy vampire but more of a old man with a deep and weird voice. Not the worst, but definitely not memorable.
    jgcorrea

    No more than mediocre revisionism

    F. W. Murnau's (illegally adapted) 1922 film Nosferatu presented the vampire as a sickly, batlike elf. In the new 'Nosferatu,' Robert Eggers introduces an off-putting new look for Count Orlok, but Nosferatu (2024) is an unnecessary retelling of Murnau's original film wrapped in mediocrity. It reflects a trend of nostalgia and reboots. Innovation takes a backseat to reverence in the foreground. This is an exercise in indulgence that only the MMXXV Generation will enjoy. Visually, the film is overblown in its impressionistic palette. Coppola's Dracula was visually more imposing, combining opulent gothic imagery with operatic intensity. Herzog's Nosferatu (1979) had more haunting, austere beauty. And Carl Dreyer's Vampyr (1932) was more dreamlike.
    tommygal1974

    Two Hours I'll Never Get Back

    The previews looked promising and the cast made this movie look like a must see! Both I and my husband love vampire movies. So many different ones have been made from the ancient to the modern, drama (Interview with a Vampire), to horror (Dawn of the Dead) - even dark dramadies (like Fright Night) - some carrying the theme better than others. Needless to say, we were excited to watch this - especially seeing the cast lineup.

    Initially it felt like an attempt to slightly reimagine Bram Stokers' Dracula)...and if it was in anyway, it was poorly done!

    While the costuming and set were compelling, the actors, great in their artistic craft, were left with a slow, droll script that was slow and lackluster. The actors did their best with what was provided. And then there was the ending, which felt like an attempted "pretty bow" wrap up to shift to "love conquers all."

    We had such hopes for this movie - as there hasn't been much for quite some time that felt worthy of the "investment" of going out to see it on the big screen. We so rarely go to the theater to watch a movie...we trudged out into the bitter cold and sadly it took a bite out of our wallet wasting $50 and two hours... I wish we would've read the reviews and not just looked at the rating!

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The exteriors of Orlok's castle were filmed at Hunedoara Castle, also known as Corvin Castle, a Romanian castle located in Transylvania and one of the largest medieval castles extant in Europe.
    • Erros de gravação
      When Willem DaFoe sets fire to Knock's coffin, you can clearly see the gas jets igniting under the coffin.
    • Citações

      Ellen Hutter: Professor, my dreams grow darker. Does evil come from within us, or from beyond?

    • Cenas durante ou pós-créditos
      The Universal Pictures, Focus Features, Maiden Voyage Pictures and Studio 8 production logos are 1920-styled versions, in homage to the era Nosferatu (1922) released.
    • Versões alternativas
      The "Extended Cut" features four minutes of new footage, lengthening two scenes that were already included in the theatrical version. The first new scene is a Count Orlok monologue, responding to Thomas's mention of the ritual witnessed at a tavern during his journey, where the townspeople dug up a body from the forest and impaled it with a stake. The second scene shows more of the Second Night and foreshadows Ellen's eventual acceptance of agency over her own fate.
    • Conexões
      Featured in H-Cast: Death Threats, Nosferatu Christmas, Doctor Who Death & MORE! The H-Cast S3 EP 143 (2024)
    • Trilhas sonoras
      Dans Medieval
      Written by Florin Iordan

      Produced by Trei Parale

    Principais escolhas

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    Director Robert Eggers' Essential Watchlist

    Director Robert Eggers' Essential Watchlist

    Nosferatu director Robert Eggers recommends four of his all-time favorite films + one beloved TV series which he regularly returns to for inspiration and entertainment.
    See his Watchlist picks
    Production art
    Lista

    Perguntas frequentes21

    • How long is Nosferatu?Fornecido pela Alexa
    • What is the connection between the 1922 Nosferatu and the 2024 remake?
    • What makes Nosferatu (2024) different from the original?

    Detalhes

    Editar
    • Data de lançamento
      • 2 de janeiro de 2025 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Official Amazon Link
      • Official Site
    • Idiomas
      • Inglês
      • Romeno
      • Romani
      • Russo
      • Latim
      • Alemão
    • Também conhecido como
      • Ma Cà Rồng Nosferatu
    • Locações de filme
      • Corvin Castle, Transylvania region, Romênia(Castle shown in the trailer, 40 second mark)
    • Empresas de produção
      • Focus Features
      • Maiden Voyage Pictures
      • Studio 8
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 50.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 95.608.235
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 21.652.560
      • 29 de dez. de 2024
    • Faturamento bruto mundial
      • US$ 181.764.515
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 12 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Atmos
      • Dolby Digital
    • Proporção
      • 1.66 : 1

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