Um conto gótico de obsessão entre uma jovem assombrada na Alemanha do século XIX e o antigo vampiro da Transilvânia que a persegue, trazendo consigo um horror incalculável.Um conto gótico de obsessão entre uma jovem assombrada na Alemanha do século XIX e o antigo vampiro da Transilvânia que a persegue, trazendo consigo um horror incalculável.Um conto gótico de obsessão entre uma jovem assombrada na Alemanha do século XIX e o antigo vampiro da Transilvânia que a persegue, trazendo consigo um horror incalculável.
- Direção
- Roteiristas
- Artistas
- Indicado a 4 Oscars
- 58 vitórias e 195 indicações no total
Gherghina Bereghianu
- Innkeeper's Mother-in-Law
- (as Georgina Bereghianu)
Katerina Bila
- Virgin on Horseback
- (as Kateřina Bílá)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Resumo
Reviewers say 'Nosferatu' is lauded for its visuals, gothic atmosphere, and strong performances by Lily-Rose Depp and Bill Skarsgård. The film's meticulous detail and haunting score are appreciated, though some find the pacing slow and story unoriginal. Themes of isolation and obsession are well-explored, but narrative clarity is criticized. Practical effects enhance the immersive experience, yet the film's length is seen as tedious by some.
Avaliações em destaque
I usually love Robert Eggers' work - his films have this unique ability to pull you into eerie, unsettling worlds that linger with you long after the movie has finished. But his take on Nosferatu just didn't land for me.
The pacing was painfully slow, to the point where it felt like it was dragging for the sake of atmosphere rather than tension. And while I can appreciate deliberate storytelling, this just felt uninspiring, like it was going through the motions without that signature spark Eggers usually brings to his projects.
To make matters worse, I couldn't stop seeing Dr. Robotnik from Sonic the Hedgehog every time Nosferatu was on screen. It's probably not fair to the film, but the resemblance was so distracting that I found myself more amused than unsettled.
Ultimately, Nosferatu lacked the sharp, visceral energy that made Eggers' previous work so compelling. Instead of feeling haunted, I left the theater feeling underwhelmed.
The pacing was painfully slow, to the point where it felt like it was dragging for the sake of atmosphere rather than tension. And while I can appreciate deliberate storytelling, this just felt uninspiring, like it was going through the motions without that signature spark Eggers usually brings to his projects.
To make matters worse, I couldn't stop seeing Dr. Robotnik from Sonic the Hedgehog every time Nosferatu was on screen. It's probably not fair to the film, but the resemblance was so distracting that I found myself more amused than unsettled.
Ultimately, Nosferatu lacked the sharp, visceral energy that made Eggers' previous work so compelling. Instead of feeling haunted, I left the theater feeling underwhelmed.
It is boring. The acting is way too much and ridiculous overacting. The crying, the terrified faces and behaviour all felt so overplayed and unnecessary. The scenes, images and costumes are very impressive but that's about it. I didn't like any of the characters, Lily Rose Depp and her husband are not my definition of beautiful or handsome. The count's "breathing" is very annoying too.
The scenes as individual images were really well-made. I like historical settings in movies but overall, the film felt pretentious and self-indulgent, trying too hard to impress without delivering real meaning or a real story.
The scenes as individual images were really well-made. I like historical settings in movies but overall, the film felt pretentious and self-indulgent, trying too hard to impress without delivering real meaning or a real story.
The previews looked promising and the cast made this movie look like a must see! Both I and my husband love vampire movies. So many different ones have been made from the ancient to the modern, drama (Interview with a Vampire), to horror (Dawn of the Dead) - even dark dramadies (like Fright Night) - some carrying the theme better than others. Needless to say, we were excited to watch this - especially seeing the cast lineup.
Initially it felt like an attempt to slightly reimagine Bram Stokers' Dracula)...and if it was in anyway, it was poorly done!
While the costuming and set were compelling, the actors, great in their artistic craft, were left with a slow, droll script that was slow and lackluster. The actors did their best with what was provided. And then there was the ending, which felt like an attempted "pretty bow" wrap up to shift to "love conquers all."
We had such hopes for this movie - as there hasn't been much for quite some time that felt worthy of the "investment" of going out to see it on the big screen. We so rarely go to the theater to watch a movie...we trudged out into the bitter cold and sadly it took a bite out of our wallet wasting $50 and two hours... I wish we would've read the reviews and not just looked at the rating!
Initially it felt like an attempt to slightly reimagine Bram Stokers' Dracula)...and if it was in anyway, it was poorly done!
While the costuming and set were compelling, the actors, great in their artistic craft, were left with a slow, droll script that was slow and lackluster. The actors did their best with what was provided. And then there was the ending, which felt like an attempted "pretty bow" wrap up to shift to "love conquers all."
We had such hopes for this movie - as there hasn't been much for quite some time that felt worthy of the "investment" of going out to see it on the big screen. We so rarely go to the theater to watch a movie...we trudged out into the bitter cold and sadly it took a bite out of our wallet wasting $50 and two hours... I wish we would've read the reviews and not just looked at the rating!
The movie doesn't quite live up to the hype it has built over time. While the cinematography, costumes, and sound design are impressive, the film falls short where it matters most-delivering real horror. Lily shows promise as an actress, but her tendency to over-exaggerate certain scenes takes away from the immersion. The slow pacing and lack of genuine scares make you double-check if you're even watching a horror movie. Despite a few good moments, it ends up feeling underwhelming and forgettable. Nosferatu felt less of a creepy vampire but more of a old man with a deep and weird voice. Not the worst, but definitely not memorable.
This film did nothing that Coppola's 1992 Bram Stoker's Dracula didn't already do. Coppola's film both thematically, and visually broke ground (costumes, creature design, set pieces, etc.), and had a far more expository, but also sinister and apprehensive feel. Not to mention it was also far more carnal. Nosferatu on the other hand, just felt like a tamer, "nothing new to see here" re-make, with nothing remotely original in any depictions. Maybe if Nosferatu looked scarier than a bald Vlad Teppish ("The Impaler", "Dracul"), that might've helped. I give it a 5-6 with a "I wouldn't watch it again" rating.
Você sabia?
- CuriosidadesThe exteriors of Orlok's castle were filmed at Hunedoara Castle, also known as Corvin Castle, a Romanian castle located in Transylvania and one of the largest medieval castles extant in Europe.
- Erros de gravaçãoWhen Willem DaFoe sets fire to Knock's coffin, you can clearly see the gas jets igniting under the coffin.
- Citações
Ellen Hutter: Professor, my dreams grow darker. Does evil come from within us, or from beyond?
- Cenas durante ou pós-créditosThe Universal Pictures, Focus Features, Maiden Voyage Pictures and Studio 8 production logos are 1920-styled versions, in homage to the era Nosferatu (1922) released.
- Versões alternativasThe "Extended Cut" features four minutes of new footage, lengthening two scenes that were already included in the theatrical version. The first new scene is a Count Orlok monologue, responding to Thomas's mention of the ritual witnessed at a tavern during his journey, where the townspeople dug up a body from the forest and impaled it with a stake. The second scene shows more of the Second Night and foreshadows Ellen's eventual acceptance of agency over her own fate.
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Director Robert Eggers' Essential Watchlist
Director Robert Eggers' Essential Watchlist
Nosferatu director Robert Eggers recommends four of his all-time favorite films + one beloved TV series which he regularly returns to for inspiration and entertainment.
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Ma Cà Rồng Nosferatu
- Locações de filme
- Corvin Castle, Transylvania region, Romênia(Castle shown in the trailer, 40 second mark)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 50.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 95.608.235
- Fim de semana de estreia nos EUA e Canadá
- US$ 21.652.560
- 29 de dez. de 2024
- Faturamento bruto mundial
- US$ 181.764.515
- Tempo de duração
- 2 h 12 min(132 min)
- Cor
- Mixagem de som
- Proporção
- 1.66 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente