Classe Ociosa

I think that once a little time has separated THE LEISURE CLASS from the trumped up drama and cheap "reality" of Project Green Light, the film will be treated a little more fairly.

Not that it's a good film. It mostly isn't.

The whole first half is filled with unearned character motivations, plagued by pacing problems and tedious to the point of boredom, particularly anytime Tom Bell is talking. Bell's character is almost insufferable. An alcoholic so destructive to any social situation he's in that he must be mentally I'll. This could be seen as a pretty ambitious character for a social satire, except that it's all meaningless, which is most evident when he turns out to be a good guy in tune with his flaws for the tidy ending. So the bell character ends up neither being enjoyable nor consistent.

Where the film does deserve some credit is in its thematic ambition, its mean spirit and... the hunting room. Now this is the scene everyone complains about the most, but it's the only part of the movie that actually worked on a substantive level for me. Once the tone of the film grows darker and the cast descends into the basement the film tilts towards the brilliant. This is in large part due to the amazing performance by Bruce Davison. To be fair, Davison is the only actor with a real character to work with in this film. A character that's been hiding his true ugly-resentful-misogynist nature all along. He is the leisure class. Corrupt, selfish and old- world to a fault. And as he reveals himself, Davison gives it his all, almost saving the movie for me.

But don't worry, after that it's pretty much back to its sloppy ways as it rushes towards an unearned resolution.

A side note, Bridget Regan turns in a strong performance that lives almost entirely in her subtle reactions, mostly because she doesn't have a lot to work with.

I've been watching Project Greenlight along with all the other reviewers here, but I feel like these reviews have generally been unfair and weighted by feelings from the show.

The story is solid. You've seen some derivative of it before, but find me one you haven't. The character development could be stronger, most of these people are thin stereotypes, but, again, find me a movie not full of them. You do get a sense of who the 2 main characters are immediately, tho and their chemistry is fantastic. They're the heroes of this movie and they bolster it all the way through. The comedy is good: farcical slapstick. although I personally would have liked to see it ramped up a bit more. As was stated in the show, I would also have liked to see more progression in the main female lead and the pacing does feel a bit rushed.

Overall a good solid effort with a few great performances. Not your favorite movie but enjoyable, and certainly not as pannable as the sour-grape-eating, wannabe-directors have reviewed here.

I have a feeling that the crucifixion of this movie in the user comments is from PGL viewers who didn't like Jason on the show, didn't get their film selected, or were sticking up for Effie. The most difficult part of enjoying the movie was the fact that most of the scenes were shown out of sequence during PGL, so you already knew the ending before the movie started.

I would call this a dark humor movie, but not necessarily film noir. It does try to shine the light on the troubles of the rich family, but a lot of that doesn't come until the third act. There were a few plot holes, and frankly some of the scenes don't quite ring true. The acting was good though and there were more than a few lines that I laughed at (in particular towards the end).

Normally the brothers would have had a flashback to develop their characters more, but as the movie was effectively a one location picture, they had to do all of it with dialogue that worked for the most part. The Fiona character was developed well enough, I think; however, the sisters and the mother, while competently acting, didn't have a lot of dialogue to offer except for the third act. Bruce Davison was spot on, as usual.

There were a few uncomfortable moments in the beginning, but maybe I adjusted or perhaps the tone became more even because I liked it a lot more at the end then I did in the beginning; the final shot is excellent. Give the director and writers credit, that is a strength that most movies don't have even if they had ten times the budget.

I just binged through the last season of Project Greenlight and right before the final episode, I decided to give "The Leisure Class" a chance. I'd already read the reviews on IMDb and seen that the movie had a 3.9, but felt like I was better served in making my own judgement, despite the bias of having watched the show.

The movie is flawed, for sure and having watched the show, it's hard to feel like it couldn't have been better if a few things had gone differently.

That said, this is definitely worth a watch. It IS funny. It's a dark comedy. This reminds me more of "Running With Scissors" or "Death At A Funeral," but certainly not as good as either.

Ed Weeks, Tom Bell and Bridget Regan are all spot on. The flaws lie more in the script than anything else. Sadly, this flick seems to have been the death knell for Jason, Tom and the Project Greenlight series.

I would absolutely encourage anyone to give this movie a shot; it is worth your time.

And regarding other comments:

1. It is funny! 2. Fiona evolves and comes out STRONG. 3. Character development is there, though it doesn't follow the typical three act structure, WHICH, if you watched Greenlight, you should be aware of. By the end of the flick, if you don't care about ANY of the characters, then you may have missed the point.

How can you review a movie where virtually everything in it is wrong? All of it seems like it was thrown into a blender and mushed together to create this mess.