Vingança

Forget the uproar from sensitive trans groups, this film was never transphobic, it was just a classic revenge thriller. Waking up as the opposite sex is the worst thing imaginable for the overwhelming majority of society and tat's the crux of the film - not an attack on trans. If anything, its success would spark a franchise of a kick-ass trans-woman - talk about giving trans the spotlight! I am trans myself and I was looking forward to it as it seemed to be a throwback to the films I grew up on in the 80s when one man would avenge his life being ruined (usually his family being massacred). However this film was dull and muddled and riddled with exposition.

The biggest problem is that it's told in flashback and with lots of - literally - one character 'talking' the story to another (Frank to the camera, the Doctor to the other doctor) and as a result there was no tension only on the nose dialogue. The other problem was a completely unlikeable anti-hero in Frank and a completely unbelievable performance by Michelle Rodriguez who never once convinced she was a man with her female frame, female build, female skin and female voice. Similarly, Weaver's The Doctor was lacking. I appreciate she was playing an aloof, detached character but there was nothing to her character. There was no bad guy you wanted to root against just as there was no protagonist you wanted to root for.

This film could have been a solid, action-filled romp had it been told in a linear fashion and with stronger characterisation. As it was, it was a boring affair with too little action, style or interesting characters. The IDIOTS who say it's transphobic are, well, idiots. It's no more transphobic as Death Wish was phobic to people who have been raped and murdered.

This isn't an awful movie and it does have some good moments, but I struggle to think that it really works. Firstly the story itself is pretty improbable although the idea of a mad surgeon wanted to experiment is not new it is still a bizarre thing to want to do, especially to worry about the quality of her work when changing the guys sex to female. Michelle Rodriguez does a pretty good acting job but never really convinces that she is ever male. From the outset it looked like a girl with a beard, apart from the shower scene where they must have used either CGI or good prosthetic. She also didn't really convince as an assassin and made some pretty silly errors of judgement but I guess that is down to the script rather than acting. So over all I have mixed feelings. It isn't a bad movie just not a great one.

After waking up and discovering that he's been betrayed by gangsters (Anthony LaPaglia) and undergone gender reassignment surgery , an assassin (Michelle Rodriguez) aware he's been double crossed , then seeking to encounter the doctor responsible and at whatever cost . The hitman now a hitwoman sets out for vendetta against those who betrayed him , and he'll stop at nothing to get them , and eliminating one by one his enemies . Along the way , she is helped by a nurse named Johnnie (Caitlin Gerard) who also has dark secrets , too . One job changed it all !. A revenger's tale !. Payback's !.

Thriller crime containing unstopped action , betrayals galore , violent events , twists and turns . Lots of slam-bang action , shouting , swearing , shooting and there is graphic violence as well as other convenient elements with no much sense , at times it seems too similar to Hill's previous films . The Assignment (2016) is based on a story and script by Denis Hamill and director Walter Hill himself . The stars are pretty decent , but everything is predictable . Michelle Rodriguez provides a nice but unfriendly interpretation as an ace hired killer suddenly falling into the hands of rogue surgeon known as The Doctor who turns him into a woman. There are enough colourful roles in the support cast delivering acceptable acting, such as : Tony Shalhoub as a strange doctor , Anthony LaPaglia as a cunning mobster , Caitlin Gerard as the girl who aids the series killer , and brief performances from Ken Kirzinger , Darryl Quon , Adrian Hough , Caroline Chan, Paul McGillion and the great Sigourney Weaver giving the best acting .

It packs functional and atmospheric cinematography by cameraman James Liston . And moving and thrilling musical score by the veteran Giorgo Moroder and Raney Shockne . The motion picture was regular but professionally directed by Walter Hill , though here he hasn't improved his previous thrillers , resulting in an intriguing but boring and tiring flick .The veteran craftsman Hill is a good writer , producer , filmmaker who has made a lot of films of all kinds of genres , working from late 60s , early 70s to nowadays . As he has directed action movies as Hard times , The driver , Southern comfort , The warriors , Extreme prejudice , 48 Hours , Another 48 hours , Last man standing , Johnny Handsome , Undisputed. Science fiction genre : Supernova . Western: Geronimo American legend , Wild Bill , Long riders . Comedy : Brewster's millions . Terror : Tales of the Crypt . Musical : Crossroads . The Assignment (2016) Rating 5/10. Average and inferior than others Walter Hill pics.

They should have had a man play the part of the male Frank Kitchen. Also should have voice-overed Michelle Rodriguez's voice. Her fake guy voice with accent sounded forced.

First time reviewer. What prompted me to write about this movie is how unusual it is. Interesting premise, and yet written as if by a talented high schooler. The dialogue is so obviously artificial and yet written with artistic intent. An unsympathetic viewer will rightly trash the film as juvenile, and yet a more open viewing may perceive the strained charm that the film almost achieves.

Consider the experiment. Would changing a violent man's gender change him for the better? Interesting question (at least for me). More broadly, how would such a man respond to the sudden change? The movie attempts to present this scenario and provide an interesting response. I think it succeeds.

Look past the actual effects that change Rodriquez into a man. Sure, they don't perfectly succeed, but suspend your critical attention and accept the basic fact of his existence. You can also look past Weaver's awkward dialogue and forced encounters and simply take what she says without concern for verisimilitude, if you can.

This film is deeply flawed and deserves a poor grade, and yet offers an interesting and fairly entertaining experience. I would take this over the multitude of blockbusters that spend millions on special effects and star actors and then forget to pay a decent writer. Movies that have no point, no ambition, and nothing to say.

Well, the Assignment as something to say, and it's worth hearing.