AVALIAÇÃO DA IMDb
6,9/10
16 mil
SUA AVALIAÇÃO
Conta a história de Addie Moore e Louis Waters, uma viúva e um viúvo que vivem juntos há anos. O casal não tem quase nenhum relacionamento, mas tudo muda quando Addie tenta fazer uma conexão... Ler tudoConta a história de Addie Moore e Louis Waters, uma viúva e um viúvo que vivem juntos há anos. O casal não tem quase nenhum relacionamento, mas tudo muda quando Addie tenta fazer uma conexão com sua vizinha.Conta a história de Addie Moore e Louis Waters, uma viúva e um viúvo que vivem juntos há anos. O casal não tem quase nenhum relacionamento, mas tudo muda quando Addie tenta fazer uma conexão com sua vizinha.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
Chantal Bushell
- Nurse
- (as Chantal Bushelle)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This movie is a long way from Barefoot in the Park, made in 1967, when Robert Redford and Jane Fonda were both 30. Now 80 they play two regular folk, Addie and Louis, who live alone in a small town and decide to spend their nights together to ease their loneliness. As Fonda put it, nights are the worst. The two had only known each other as acquaintances. So, when Addie knocks on his door with the proposal that the two sleep together, without sex, Louis is totally confounded but not scandalized. What I found interesting is how these 1960's sex symbols seemed to fit into these roles so naturally. The movie is slow and it takes a while for the two to get into the groove of being sleeping partners; however, it does pick up when Fonda's grandson comes into their lives. These 80 year olds take on all the energy and dedication of first time parents. The townsfolk were standoffish when they first found out about them but Addie was not bothered about gossip. Louis also adjusted to it. So what happens to spoil this bliss? Without giving it away, both Addie and Louis have acquired some baggage with their own grown children. They are able to face their own lives with a certain wisdom and honesty. The fact that these two actors, Fonda and Redford, can come together and star in a movie that breaks stereotypes is a positive note. It is refreshing to see a movie that treats older people as a loving, energetic couple. Thumbs up!
Jane Fonda and Robert Redford both aged 80 in a 2017 movie, what a treat! The acting is superb as you would expect. To find love again at this age is the dream of many elderly widows and widowers. Life is still complicated even at this age and both have family to consider. It is not fast paced with a lot of action but it is a good script for these two actors in their twilight years. The atmosphere created by their very presence and experience is beautiful. They are a joy to watch. This movie may be wasted on some young viewers but there will be some who can appreciate perfection when they see it. For older people who know these two from previous movies just sit back and know we are lucky to have this movie from them. It is probably worth more than 8 but the lack of action and intrigue makes it a bit tame for some viewers. The acting is worth 10 though!
The source of interest was, for me, the presence in cast of Jane Fonda and Robert Redford as a sort of return to old cinema, more full of wisdom, serenity and real good job of actors, out of ambitions of blockbuster and a lot of special effects.
But the film proposes more than nice flavors of late time.
From the eccentric, only at the first sight, proposition of Addie, to the life of comunity, marriage crisis and death of child, relation with children, new chance and a call in night , confessions, memories, reactions of others, it is just a comfortable oasis , soft, precise in detail, proposing a sort of romance who is easy to be feel by a generation not so young but far to accept the fall of life.
A delicate poetry and admirable use of silent moments, good cinema and a rare delicacy serving the cause of a sort of friendship between two neighbors , not very familiar one with other, but discovering sparkles of life in gentle manner, returning to true love.
A film choosing its public with grace . And a beautiful story.
But the film proposes more than nice flavors of late time.
From the eccentric, only at the first sight, proposition of Addie, to the life of comunity, marriage crisis and death of child, relation with children, new chance and a call in night , confessions, memories, reactions of others, it is just a comfortable oasis , soft, precise in detail, proposing a sort of romance who is easy to be feel by a generation not so young but far to accept the fall of life.
A delicate poetry and admirable use of silent moments, good cinema and a rare delicacy serving the cause of a sort of friendship between two neighbors , not very familiar one with other, but discovering sparkles of life in gentle manner, returning to true love.
A film choosing its public with grace . And a beautiful story.
It was a good film for sure. Simple and touching story. Easy to watch and very heartwarming. It also tries to avoid as many clichés as possible which was a nice refreshing surprise, as the story was nothing extraordinarily new. Robert Redford was very good and this performance is possibly his best of the past years. Really beautiful performance and a very natural and appealing character. Jane Fonda had the more challenging role and mastered it wonderfully. She had a lot of different facets that were captured in her performances. A lot of secrets are involved in that character and she handled that excellently. Matthias Schoenaerts was also memorable. The film however did have some little lengths. Also some characters like the one of Judy Greer or Phyllis Somerville appear and in the next second disappear again without any significant to the story. It is always nice to see Bruce Dern but also he was rather wasted. The score was fitting the mood of the film but a bit overused. The direction was very calm and concentrated on the two lead protagonists but sometimes failed to give the story some drive. Still very worth to see on a rainy Sunday.
An elderly man, sitting alone at a four-person table in his dining area, eats his dinner surrounded by silence, staring at nothing. This quick opening sequence is movie-shorthand for character exposition (the man is a widower--probably for a while now--in an obvious rut, still eating supper at the same time every night, in the same chair, just as he would if his wife were alive), and I feared the worst. Luckily, this script by Scott Neustadter and Michael H. Weber, adapting Kent Haruf's novel, proves to be a solid job of writing. Robert Redford plays the widower who no sooner sits down with his newspaper before he gets a surprise visit from down-the-street neighbor and widow Jane Fonda, an acquaintance of his late wife's. She proposes an initially-puzzling proposition: since they are both alone--and lonely, she presumes--and she has a hard time sleeping anyway, why don't they spend their nights together, platonically, in the same bed? It takes Redford a day to consider it, and their first sleepover is awkward, but soon the strangeness wears off and the couple comes to cherish their not-so-secret, non-intimate evenings. Sensitive study of small town lives, old wounds, family problems, loss, greetings and farewells, is tenderly and astutely rendered. This handsomely-shot film for Netflix may be criticized for being too polite, too tasteful, but you come to want the best for these people, even in the midst of life's big and small messes. The dialogue is vivid--amazingly so--and the supporting cast is uniformly excellent. This is the finest effort from either Redford or Fonda in many years; together, they provide a lovely duet.
Você sabia?
- CuriosidadesThe fictional county of Holt, where the film and Kent Haruf's novel are set, is in Eastern Colorado. Holt is a composite of the three Colorado towns where the author grew up: Wray, Holyoke and Yuma. All of Haruf's novels take place in the fictional town of Holt.
- Erros de gravaçãoThe title, if read out loud quickly, is a crude misinterpretation, out-of-keeping with the mood of the movie.
- Citações
Addie Moore: I've spent my whole life worrying about what people think.
- ConexõesFeatured in MsMojo: Top 10 Best Netflix Romance Movies (2018)
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Detalhes
- Tempo de duração1 hora 43 minutos
- Cor
- Proporção
- 1.78 : 1
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