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IMDbPro

O Retorno de Mary Poppins

Título original: Mary Poppins Returns
  • 2018
  • Livre
  • 2 h 10 min
AVALIAÇÃO DA IMDb
6,7/10
99 mil
SUA AVALIAÇÃO
POPULARIDADE
3.623
1.397
Emily Blunt in O Retorno de Mary Poppins (2018)
Assistir a Mary Poppins Returns Home Video Trailer
Reproduzir trailer1:01
64 vídeos
99+ fotos
Supernatural FantasyAdventureComedyFamilyFantasyMusicMusical

Mary Poppins retorna para ajudar a próxima geração da família Banks a encontrar a alegria e a magia que estão faltando em suas vidas após passarem por uma perda pessoal.Mary Poppins retorna para ajudar a próxima geração da família Banks a encontrar a alegria e a magia que estão faltando em suas vidas após passarem por uma perda pessoal.Mary Poppins retorna para ajudar a próxima geração da família Banks a encontrar a alegria e a magia que estão faltando em suas vidas após passarem por uma perda pessoal.

  • Direção
    • Rob Marshall
  • Roteiristas
    • P.L. Travers
    • David Magee
    • Rob Marshall
  • Artistas
    • Emily Blunt
    • Lin-Manuel Miranda
    • Ben Whishaw
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,7/10
    99 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    3.623
    1.397
    • Direção
      • Rob Marshall
    • Roteiristas
      • P.L. Travers
      • David Magee
      • Rob Marshall
    • Artistas
      • Emily Blunt
      • Lin-Manuel Miranda
      • Ben Whishaw
    • 1.1KAvaliações de usuários
    • 315Avaliações da crítica
    • 66Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 4 Oscars
      • 24 vitórias e 112 indicações no total

    Vídeos64

    Mary Poppins Returns Home Video Trailer
    Trailer 1:01
    Mary Poppins Returns Home Video Trailer
    Official Trailer
    Trailer 2:27
    Official Trailer
    Official Trailer
    Trailer 2:27
    Official Trailer
    Teaser Trailer
    Trailer 1:36
    Teaser Trailer
    Mary Poppins Returns: The Royal Doulton Bowl
    Clip 1:09
    Mary Poppins Returns: The Royal Doulton Bowl
    Mary Poppins Returns: Royal Doulton Bowl
    Clip 1:11
    Mary Poppins Returns: Royal Doulton Bowl
    Mary Poppins Returns: Rummaging Through The Attic
    Clip 0:46
    Mary Poppins Returns: Rummaging Through The Attic

    Fotos525

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    Elenco principal99+

    Editar
    Emily Blunt
    Emily Blunt
    • Mary Poppins
    Lin-Manuel Miranda
    Lin-Manuel Miranda
    • Jack
    Ben Whishaw
    Ben Whishaw
    • Michael Banks
    Emily Mortimer
    Emily Mortimer
    • Jane Banks
    Pixie Davies
    Pixie Davies
    • Annabel
    Nathanael Saleh
    Nathanael Saleh
    • John
    Joel Dawson
    Joel Dawson
    • Georgie
    Julie Walters
    Julie Walters
    • Ellen
    Meryl Streep
    Meryl Streep
    • Cousin Topsy
    Colin Firth
    Colin Firth
    • Wilkins…
    Jeremy Swift
    Jeremy Swift
    • Gooding…
    Kobna Holdbrook-Smith
    Kobna Holdbrook-Smith
    • Frye…
    Dick Van Dyke
    Dick Van Dyke
    • Mr. Dawes Jr.
    Angela Lansbury
    Angela Lansbury
    • Balloon Lady
    David Warner
    David Warner
    • Admiral Boom
    Jim Norton
    Jim Norton
    • Binnacle
    Noma Dumezweni
    Noma Dumezweni
    • Miss Penny Farthing
    Tarik Frimpong
    Tarik Frimpong
    • Angus
    • Direção
      • Rob Marshall
    • Roteiristas
      • P.L. Travers
      • David Magee
      • Rob Marshall
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários1.1K

    6,798.6K
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    Avaliações em destaque

    7bob-the-movie-man

    A valiant attempt to recreate a masterpiece.

    How do you repaint a masterpiece: the Mona Lisa of children's fantasy cinema? Some would say "You shouldn't try".

    As I've said before, Mary Poppins was the first film I saw when it came out (or soon afterwards) at a very impressionable age.... I was said to have bawled my eyes out with "THE MAGIC NANNY IS GOING AWAY!!" as Julie Andrews floated off! So as my last cinema trip of 2018 I went to see this sequel, 54 years after the original, with a sense of dread. I'm relieved to say that although the film has its flaws it's by no means the disaster I envisaged.

    It's a fairly lightweight story. Now all grown up, young Michael from the original film (Ben Whishaw) has his own family. His troubles though come not singly but in battalions since not only is he grieving a recent loss but he is also about to be evicted from 17 Cherry Tree Lane. Help is at hand in that his father, George Banks, had shares with the Fidelity Fiduciary Bank. But despite their best efforts neither he, his sister Jane (Emily Mortimer) nor their chirpy "strike a light" lamplighter friend Jack (Lin-Manuel Miranda) can find the all-important share certificates. With the deadline from bank manager Wilkins (Colin Firth) approaching, it's fortuitous that Mary Poppins (Emily Blunt) drops in to look after the Banks children - John (Nathanael Saleh), Anabel (Pixie Davies) and Georgie (Joel Dawson) - in her own inimitable fashion.

    I know musical taste is very personal but my biggest problem with the film was that the songs by Marc Shaiman were, to me, on the lacklustre side. Only one jumped out and struck me: the jaunty vaudeville number "A Cover is not the Book". Elsewhere they were - to me - unmemorable and nowhere near as catchy as those of "The Greatest Showman". (What amplified this for me was having some of the classic Sherman-brothers themes woven into the soundtrack that just made me realise what I was missing!) Richard M Sherman - now 90 - was credited with "Music Consultant" but I wonder how much input he actually had?

    Another issue I had with the film was that it just tried WAAYYY too hard to tick off the key attributes of the original:

    'Mary in the mirror' - check 'Bottomless carpet bag' - check 'Initial fun in the nursery' - check 'Quirky trip to a cartoon land' - check 'Dance on the ceiling with a quirky relative' - check 'Chirpy chimney sweeps' - check ("Er... Mr Marshall... we couldn't get chimney sweeps... will lamplighters do?" "Yeah, good enough")

    Another thing that struck me about the film - particularly as a film aimed at kids - is just how long it is. At 2 hours and 10 minutes it's a bladder-testing experience for adults let alone younger children. (It's worth noting that this is still 9 minutes shorter than the original, but back in the 60's we had FAR fewer options to be stimulated by entertainment and our attention spans were - I think - much longer as a result!)

    But with this whinging aside, the film does get a number of things spit-spot on.

    Emily Blunt is near perfection as Poppins. (In the interests of balance my wife found her bizarrely clipped accent very grating, but I suspect P.L. Travers would have approved!). Broadway star Lin-Manuel Miranda also does a good job as Jack, although you wonder once again whether the 'society of cockney actors' must again be in a big grump about the casting! I found Emily Mortimer just delightful as the grown-up Jane, although Ben Whishaw's Michael didn't particularly connect with me, .

    Also watch out (I'd largely missed it before I realised!) for a nice pavement cameo by Karen Dotrice, the original Jane, asking directions to number 19 Cherry Tree Lane.

    What the film also gets right is to implement the old-school animation of the "Jolly Holidays" segment of the original. That's a really smart move. Filmed at Shepperton Studios in London, this is once again a great advert for Britain's film technicians. The London sets and the costumes (by the great Sandy Powell) are just superb.

    Finally, the aces in the hole are the two cameos near the end of the film. And they would have been lovely surprises as well since neither name appears in the opening credits. It's therefore a CRYING SHAME that they chose to let the cat out of the bag in the trailer. In case you haven't seen the trailer, I won't spoil it for you here. But as a magical movie experience the first of those cameos moved me close to tears. He also delivers a hum-dinger of a plot twist that is a genuinely welcome crossover from the first film.

    Frank Marshall directs, and with a pretty impossible task he delivers an end-product that, while it didn't completely thrill me, did well not to trash my delicate hopes and dreams either.

    But what we all think is secondary. Because if some three or four year old out there gets a similarly lifelong love of the cinema by watching this, then that's all that matters.

    (For the full graphical review, please check out One Mann's Movies on the web or Facebook. Thanks).
    7weekilter

    A good film but cannot compare to the 1964 film

    I thought that the film was very enjoyable, however, even though I've been cautioned not to I cannot help but compare this film to the original 1964 film with Julie Andrews and Dick Van Dyke. There's so much to like in the 1964 film.
    7reubyn

    Good on it's own, falls short when compared to its predecessor

    Nostalgia in the form of the almost non existent 2D animation and a few characters and even the progression of the story make the film a must watch for fans of the original. The film is also worth a watch for ones wishing to enjoy a light film with good visuals. Kids below 10 would enjoy it.

    The acting performances are good, but the singing isn't on par with the original, but on it's own and watched as a standalone, it is a good movie.

    P.S. Please do not watch the original immediately before watching this one as you will struggle to like this film.
    7Molongirl

    This Mary is more like the book.

    Have finally caught up with this and enjoyed it thoroughly. The only reason I've not scored it higher is for the song in the Music Hall, too sleazy for Mary Poppins and a flatness and wordiness of some of the other songs. But others were light hearted and catchy and beautifully done. I never liked the Mary Poppins books, she lied and was way too weird. I enjoyed the Julie Andrews/Disney version, much more likeable. Emily Blunt based her Mary much more on the book but happily also managed to make her more likeable. I just wish someone would help Disney song writers realise that people enjoy good melodies and don't need loooong songs that are too wordy. Plus when doing a movie for children keep it clean and good. The sleaziness of that 1 particular song was so out of step with Mary and the whole tone of her story.
    8ferguson-6

    Practically Perfect

    Greetings again from the darkness. The 1964 classic Disney film MARY POPPINS is much beloved and has been shared across generations for more than 50 years. It won 5 Oscars on 13 nominations, and shifted Julie Andrews from a Broadway star to an international movie star, as she won the Oscar for Best Actress while becoming the ideal nanny for most every boy and girl. Rarely do reboots, remakes, or sequels to the classics make much of a dent with the movie-going public, but it's likely director Rob Marshall's (CHICAGO, INTO THE WOODS) film will be an exception. Marshall balances nostalgia with contemporary, and benefits from a marvelous successor to the Mary Poppins role ... Emily Blunt.

    The film opens in low-key fashion as we follow Jack (Lin-Manuel Miranda) through town as he performs his lamplighting duties singing the melancholic "Underneath the Lovely London Sky". It's actually a bit of a dry opening that may have some impatient kids wondering why their parents dragged them to see this. Soon after, we are at the familiar 17 Cherry Tree Lane - the Banks' home - easily recognizable from the original film. We meet grown up siblings Michael (Ben Whishaw) and Jane (Emily Mortimer). Jane is a labor organizer following in her mom's footsteps, and Michael is a struggling artist and widower raising 3 kids. He has taken a teller job at the Fidelity Fiduciary Bank where his dad (now deceased) worked, but mostly he's an emotional wreck. In fact, the only way to save the family home from foreclosure is with proof of his father's bank shares ... something the evil new Bank President, William Weatherall Wilkins (Colin Firth), conspires to prevent.

    It's at this point that the kids' popcorn should just about be gone, so it's fortunate that our beloved nanny makes her timely appearance ... literally floating (with practically perfect posture) into the park where Georgie (an adorable Joel Dawson) and lamplighter Jack are flying a very recognizable kite. Jack, having been an apprentice under Bert the Chimney Sweep, is quite familiar with the significance of Mary Poppins' arrival. Back on Cherry Tree Lane, Michael and Jane are shocked to see their childhood nanny back in the house, and Michael's two spunky twins Anabel (Pixie Davies) and John (Nathanael Saleh) aren't sure what to make of this mysterious visitor.

    Director Marshall wisely utilizes the template from the original film, so many of the subsequent sequences have a familiar and cozy feel to them. Mary Poppins' "Off we go" kicks off a fantastical bathtub adventure and leads to the first of many smile-inducing, visually spectacular moments. A broken porcelain bowl guides us to a beautiful hand-drawn animation (from Walt Disney Studios) sequence with horse-drawn carriage, penguins, and more. Meryl Streep performs "Turning Turtle" in her topsy-turvy studio, and there is an extended (perhaps a bit too long) dance sequence featuring Jack and the other lamplighters singing "Trip a Little Light Fantastic".

    Julie Walters appears as the Banks' housekeeper and David Warner is Admiral Boom, the Banks' canon-firing neighbor; however it's two cameos that will really hit home with the older viewers: Angela Landsbury (not in the original) is the balloon lady singing "Nowhere to Go but Up", and the remarkable Dick Van Dyke (a huge part of the original) plays an elderly Mr. Dawes Jr from the bank - and even performs a dance routine atop a desk. All of the actors perform admirably, yet this is clearly Emily Blunt's movie. She shines as the practically perfect nanny, whether debating with her umbrella, digging in her mystical baggage, filling heads with 'stuff and nonsense', teaching life lessons to those in need, or singing solo and with others. It's a wonderful performance and she becomes Mary Poppins for a new generation.

    Director Marshall co-wrote the story and screenplay with David Magee and John DeLuca, and they have created a worthy sequel (a quite high standard) from P.L. Travers' original books that is delightful and a joy to watch. The group of original songs by Marc Shaiman and Scott Wittman serve the story fine, but the one downside to the film is that none of the new songs are as catchy or memorable as those of the Sherman Brothers (Richard and Robert) from 54 years ago. They won Oscars for Best Score and Song ("Chim Chim Che-ree"), and left us singing others such as "Spoon Full of Sugar", "Let's Go Fly a Kite" and of course, "Supercalifragilistic". These new songs including "Can You Imagine That", "The Place Where Lost Things Go", "A Cover is not the Book", "Nowhere to Go but Up" all contribute to the story and to the viewer's enjoyment, but none leave us singing or humming as we depart the theatre.

    This is a film where those behind-the-scenes are crucial to its success. Oscar winning cinematographer Dion Beebe (MEMOIRS OF A GEISHA) and Editor Wyatt Smith both are at the top of their game, and Costume Designer Sandy Powell delivers stunners, not just for the singing nanny, but for all characters. The core of the story remains rediscovering the magic in life, and finding joy in each other - and this sequel also provides the adventures to match the original. It's simultaneously familiar and fresh, which is key to a successful follow up to a beloved classic. Director Marshall has signed on to Disney's live action THE LITTLE MERMAID, but it's with MARY POPPINS RETURNS where he has delivered a film that is practically perfect in every way.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Dick Van Dyke was offered four options for his dance scene, each with a varying degree of difficulty. He insisted on performing the hardest dance routine and refused any help from fellow cast members while filming the scene. The resulting dance scene was so well received that there were reports of audiences applauding during screenings to see the old actor dance so well for his age.
    • Erros de gravação
      The gaslights used in the movie are all naked flames. By the 1930s, gaslights used mantles, which gave off a lot more light for less gas and didn't smoke the glass covers. Also, gaslights were largely controlled by clockwork (still used in historic areas today in London and other European cities), so the leeries' main job would have been maintenance: mantle replacement and winding the clockwork rather than daily lighting/dousing.
    • Citações

      Mary Poppins: [singing to Georgie, Anabel, and John] Nothing's gone forever, only out of place.

    • Cenas durante ou pós-créditos
      There is a special thanks to Jay Leno in the credits. According to Lin-Manuel Miranda, "I asked about this when I saw that! Apparently there is a car sound effect from the 1930's that they could not replicate, and someone realized Jay Leno had the car they needed to record the sound effect."
    • Conexões
      Featured in AniMat's Crazy Cartoon Cast: Avatar: The Live-Action Bender (2018)
    • Trilhas sonoras
      (Underneath the) Lovely London Sky
      Music by Marc Shaiman

      Lyrics by Scott Wittman, and Marc Shaiman

      Performed by Lin-Manuel Miranda

    Principais escolhas

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    Perguntas frequentes24

    • How long is Mary Poppins Returns?Fornecido pela Alexa
    • Why didn't Julie Andrews participate?
    • What happened to George and Winifred banks? Did they die?
    • Does this film feature songs by the Sherman Brothers, even as background music?

    Detalhes

    Editar
    • Data de lançamento
      • 20 de dezembro de 2018 (Brasil)
    • Países de origem
      • Estados Unidos da América
      • Reino Unido
      • Dinamarca
      • Austrália
      • Canadá
      • Índia
    • Centrais de atendimento oficiais
      • Disney+ Hotstar
      • Official Facebook
    • Idioma
      • Inglês
    • Também conhecido como
      • El regreso de Mary Poppins
    • Locações de filme
      • City of London, Inglaterra, Reino Unido(Bank/Threadneedle Street)
    • Empresas de produção
      • Walt Disney Pictures
      • Lucamar Productions
      • Marc Platt Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 130.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 171.958.438
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 23.523.121
      • 23 de dez. de 2018
    • Faturamento bruto mundial
      • US$ 362.529.106
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 10 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Atmos
      • Dolby Surround 7.1
      • Auro 11.1
      • 12-Track Digital Sound
      • D-Cinema 96kHz Dolby Surround 7.1
      • Dolby Digital
      • D-Cinema 96kHz 7.1
    • Proporção
      • 2.39 : 1

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