Mirzya

The most pretentious pile of turd splashed on the big screen since Roy and I am not exaggerating this one bit, mind you. This has pretentious written all over it. I would have given this movie 0 stars but it is not possible in this rating system and the only way I can justify the compulsory 1 star is the opening sequence, but then it is done over and over and over and over so many bloody times that I wish I wouldn't have thought that that was a good scene.

Well, everybody knows the story of Mirza-Sahiban but truly speaking I didn't and before getting into the theater I read about it a bit or else the flashback/lore sequence would have seemed even more vague. The people other than Anil Kapoor's son and the niece of Tanvi Azmi look from a foreign lineage for some reason. The whole movie is interjected with Daler Mehndi shrieking Mirzya and those irritating and even more pretentious and vague dance sequences. If anybody tries to explain it, I warn you, you are going to be slapped because THAT didn't have any significance at all! The cinematography looked like a recycled version of Bhaag Milkha Bhaag.

Now to Anil Kapoor's son and Tanvi Azmi's niece. You might be wondering why I am not taking their names because they were taken due to above mentioned Bollywood background that they have inherited and anybody saying otherwise is lying through their teeth and that goes for Rakesh Omprakash Mehra. I still remember that my 1st review on IMDb was of Bhaag Milkha Bhaag and I am a huge fan of RDB and even Delhi 6 had it's moments but this has diminished my respect for you. The reason that in an interview to T2 you clearly mentioned that the hero and heroine were taken solely on the basis of their acting prowess and they were treated just like any other actor. After watching the movie it is evident that you had Anil Kapoor breathing down your neck.

For moviegoers this is my true advice. I know many of you are a fan of Rakesh Omprakash Mehra or Gulzar and the girls might have a fondness for Junior Anil Kapoor but it isn't worth spending your money on. SO avoid this movie like the plague.

After a very high expectations, one should desire to gain something extraordinary. I'm from one of them. I'm die hard fan of Gulzar and Rakesh Omprakash Mehra. So, may be you can find it bias.

The legend of Mirza-Sahiban was the concept which Rakesh had to filmed. For that his writer, Gulzar penned a similar story. And then narration goes smoothly in both the eras in the film. What made Sahiban to brake Mirza's arrows is the question to be found. And the team leaves you to think and find out whatever answer you would like to keep.

Anil Kapoor's son Harshvardhan Kapoor is here as Mirza. And it's his debut film. Saiyami Kher plays the role of Sahiban. Both the newcomers had done above average work. All the other actors, like Om Puri, Art Malik and Anuj Chaudhary are good in their respective roles. Some dancers are there, and they keep coming to the screen to tell a pain in a folk-dance form. These little elements make this film a worthy watch.

Otherwise, as far as story is concern, the question of broken arrows is good, but what else we want from the tale? Despite the fact that the team of Mirzya had not enough material to present, the team experiments and develops new things. In these new things, the major one is Indian Cultural Music.

Shankar, Ehsaan, Loy & Daler Mehndi have given the music as well as background score. Gulzar has written lyrics in the form of poetry. Every single song with its meaningful words stays with you in your heart if you are able to listen it. If not, than just O Mirzyaa in the voice of Daler Paaji can able to melt your inner anger and you'll find yourself in some unknown moment which delivers only peace. Title track and Teen Gawah are five out of five songs. Every single bit of these songs are my obsession. I can't describe what I feel when I listen these songs, but for me it's wonderful experience.

Hitchki, Hota Hai, Nadi, Chakora - all these songs deserve awards. No Indian movie has given this type of pure Indian music. And I'm not talking about only this year, I don't remember when did last time I hear these type of purity in Indian movie music. Hat's off! Now, let's talk about Cinematography by Pawel Dyllus. I can imagine whatever Mirzya film shows in Rajasthan. Though, that is superb, but let me be frank. I can imagine this type of cinematography. But... One thing is beyond my imagination, and that is the part of Ladakh. I can't imagine how difficult it was to shoot in Ladakh on such a large level. Like with the usage of 20 horses and 30 people, running here and there, and the little drops of water which move in slow motion with shining. Every single picture or shot is 100% perfect or even above that in the part of Ladakh.

Director Rakesh Omprakash Mehra had given films like Rang De Basanti and Bhaag Milkha Bhaag. These films got successful. But, Delhi-6 and Aks didn't. Mirzya will go in the second category. Box office collection will not be high as M.S. Dhoni is running nicely. And mix review of these movie will not get more people after weekend. The things will be remembered, are the visuals, the unusual film-making, the cultural music with great lyrics, the beauty of Ladakh & the answer of those broken arrows.

Some people don't make films for money, or to be famous, they just make what they want to. I salute to Rakesh and his visions. Film will remain in my heart forever like one line of the title track speaks, 'Marta nahi hai Ishq O Mirza, Sadiyon Saahiban rahti hai'!

Dare to love. Dare to be desirable. Dare to be like Rakesh. Dare to think and develop. Dare to do for self. Dare to be unusual.

Some good random thoughts by R-O-Mehra, but fewer efforts were put to get them in shape. In an attempt to induce too much feel into the movie, the actual crux is lost. New actors Harshvardhan Kapoor and Saiyami Kher portrayed a good body language, despite having nothing much to showcase. Anjali Patil held her character well and was good in her little stint.

Storyline Rating: 2 Content: 3 Commercialization: 3 Entertainment: 2

Acting Rating: 2 Harshvardhan Kapoor: 2 Saiyami Kher: 2 Anjali Patil: 3 Anuj Choudhry: 3

Direction Rating: 2

Music Rating: 2

Cinematography: 4

Editing: 2

Inspired by the Punjabi folklore of Mirza Sahiban, Rakeysh Omprakash Mehra's 'Mirzya' is a visual dazzler, that lacks soul. Made with staggering ambition, this epic-love-story, sadly, lacks the heart to keep you glued.

'Mirzya' Synopsis: Two Star Crossed Lovers face tragic ends, in both, ancient times & in the modern era.

'Mirzya' is a visual marvel. Technically speaking, the film scores very highly. Each & Every Frame is mounted with beauty. And that's exactly why, the faulty writing & the soullessness puts you off. Gulzar, The Legend, fails to deliver an engaging narrative, as his Writing is not up-to the mark. Despite shifting between two time-lines, the film never transports you emotionally. There are moments that shine, particularly in the first-hour, but overall, the Writing is below expectations. Mehra is a filmmaker with a voice & his work in 'Mirzya' shows us that, once again. He is bogged down by a weakly written Screenplay, which lessons the effort put in. Also, the slow-pacing, doesn't work.

Paweł Dyllus's Cinematography is Magnificent. He's the real star of 'Mirzya'. Art & Costume Design are perfection. Shankar-Eshan-Loy's Score is wonderful. Action-Sequences are well-executed.

Performance-Wise: Debutants Harshvardhan Kapoor and Saiyami Kher, deliver well. Harshvardhan is earnest & uses his emotive eyes to express much of the time, while Saiyami, looks gorgeous throughout & portrays her part with conviction. They both have potential, but 'Mirzya' doesn't utilize to the hilt. Of the supporting cast, Anuj Choudhry is notable, while Om Puri is wasted.

On the whole, 'Mirzya' is a body beautiful, minus soul.

Movie is really good but people will take time to understand it. Each and every word and scene of this movie is beautiful but It's not for everyone . And you will have to think deeply about it to understand the work of gulzar Saab and mehra sir. Someday people are going to praise this movie. Many people complain about concept of different time Dimensions but same ending in the end . But it's correct, To have same ending, even I took a day to understand the reason behind it. The mixture of music is great as the lyrics joins everything with nature making it beautiful. Script is short but is to the point. Direction from my point of view is great. Acting is basically based on expressions which is good,. Visuals are outstanding. Story does not offer something new but actually is more realistic.