Double Barrel

This movie is not for all. that is something people fail to understand. With a large number of characters intricately woven around the film should be watched with zero expectations as there are no prior movies it can be compared with. The movie will make you laugh and provide you with a cinematic experience that was alien to Malayalam movies. With time this movie may be appreciated as a Stoner classic of the industry

To all variety seeker Double Barrel will be an wonderful treatment. After Amen, Lijo Jose Pellisseri comes with a brave attempt in Malayalam Cinema like we've never seen before.A group of gangsters set out in search of two diamonds named "Laila and Majnu", which are worth only when they a together.Even though the story was simple,the movie got international look.Great visuals by Abhinandan Ramanujan by the use of Red Dragon Camera and the variety songs composed by Prashant Pillai are another plus points of the film.The Double Barrel give a feeling of reading a comic book,So we have to see this movie in the mindset of kid to enjoy movie.But don't expect Amen or his other movies.Director's approach towards film making was different from others. LJP doesn't want to make same kind of movies.His each movie is different from one another,in style,story,treatment..etc. Double Barrel is labeled as Gangster spoof film.As a experimental movie of course it has some negatives also.But I don't care about that,for me the movie was a great visual treat and entire cast was awesome-Prithviraj,Indrajith,Asif Ali,Arya..etc.May be it's style was inspired from the movies of Quentin Tarantino and Guy Ritchie. The costumes and style of characters reminded me of famous gangsters in Hollywood.Totally Double Barrel is my cup of tea.I think it's not everyone's cup of tea.I must admit that Double Barrrel is Bold Experimental movie released in Malayalam. Try to watch it in theaters. Lijo Jose Pellissery is Malayalam's original next- generation filmmaker.

(Please pardon for my English) This movie is a wonder. From start the movie tells the story about the two stones(Laila,Majnu). The stone handed over from persons to persons and country to country with background of Historical facts. Incredible photography,great concepts, funny dialogs and good casting. My experience is that each frame of this movie is colorful. The detail is incredible can't lift my eyes. Technically, conceptually this movie can be wonder in Malayalam movie industry. And need guts to take risk One can call it a comedy movie,art movie or Gangster movie or Fantasy movie. This includes all of it I think. In my opinion this movie have some similarities with comedy movies like Nadodikattu,Patanapravesham,Akkareakkareakkare up-to some degree.

Lijo Jose Pellisery's "Double Barrel" A.K.A " Eratta Kuzhal which was under production since early 2014 was undoubtedly the most anticipated Mollywood movie of 2015 from my side due to a wide range of reasons,a few being its whooping budget of around 16 crores,the sound technical crew headed by Lijo and of course the presence of an ensemble star-cast including my favourite actor Prithviraj Sukumaran alongside Indrajith,Arya and Asif Ali.

A gangster spoof at the first place,Double Barrel is beyond doubt a brave attempt from Lijo Jose Pellisery who has comeout with something different every time he wielded the megaphone.Even though there's still big room for improvement as far as a smooth experience is concerned,Double Barrel,which gives the feeling of reading a comic book will not letdown at least a small section of the movie buffs who love experimental flicks.

For a close viewer who loves films from the directors of the likes of Quentin Tarantino and Guy Ritchie,Double Barrel is sure to find a place in the heart with its technical integrity and unorthodox treatment devoid of clichéd elements that we usually come across in films.Visuals by Abhinandan Ramanujan making use of Red Dragon Camera deserves a special mention for the perfection in each frame.Action choreography and visual effects utilized during the shootout sequences too were really impressive but editing by Sathyaraj was pretty mediocre resulting in lack of continuity in between the narration.Music by Prashant Pillai was suiting the narration,but none of the songs can qualify for repeated hearing.The background score by himself was impressive.

The slow pace of the narration and inherent lag along with quiet a few numbers that backfired will surely evoke negative response from a major section of the audience and as such a box office success seems laborious for the makers,which was expected once the promos were out.The second half in particular is a roller coaster ride with impressive and sombre sequences tallying with each other resulting in a mixed response once the end credits start to roll on screen.Maybe too much experimentation with the narration keeps the movie far from the reach of the normal mass audience who are looking to chillout for sometime this festival season.

Coming to the performances,Prithviraj Sukumaran and Indrajith pulled off the humorous characters Pancho and Vinci convincingly,evoking laughs with their hilarious antics.The foreign actor who portrayed the role of Blacky was refreshing and received claps for his Malayalam version dialogues.Vijay Babu was impressive as Billy.Arya,Sunny Wayne and Chemban Viniod were adequate.Asif Ali had very little screen presence,but did his part well.Among others Rachana Narayanankutty,Sabumon Abdusamad,Pearle Maaney,Sajid Yahiya etc did their job well.

Overall,Double Barrel is a bold experiment that's targeted at a niche audience who love avant-garde film making.Nothing more nothing less!! Verdict::August Cinemas's latest endeavour Double Barrel is a rarity in an Industry like Mollywood where experiments come in less number.The 158 long gangster spoof is a roller-coaster ride with its fare share of ups and downs,so my advice is to try it at your own risk if you have taste for experimental movies.

This was one crash and burn like none other. As an ardent admirer of the Lijo Jose Pellisery school of film making and an even bigger admirer of Prithviraj (and to a lesser extent, his brother too), this was one flick I was betting the year on. Lijo's first movie was an under-appreciated little gem 'Nayakan' with Indrajith in a role which should have catapulted him to the big time, but didn't. Sadly, his second movie, and probably his best, City of God, was commercially noticed even less, but was one of my favorites of that year. But considering the huge supporting cast of big names and the Tarantino-sque trailer for this one, plus the fact that Lijo had finally cracked the commercial approval code with 'Amen', this had to be a surefire winner right?

Nothing could be further from the truth. Speaking as someone who loves experimental Malayalam cinema, I have to say I found nothing really to recommend here. The first sequence, in fact, was quite promising – with the arguing couple, the silent gunman and the explosive culmination of it in a black comedy of errors. But from then on in, I could only watch with growing disbelief as the movie descended into farce of unbelievable proportions. The silent gunman, played by Sunny Wayne, was probably the best part of the movie, and not nearly enough time was devoted to this character. A farcical tale on the pursuit of two diamonds, Laila and Majnu, which together are valuable beyond your wildest dreams but worthless individually, a whole cast of characters come together (or blow apart) in its chase. Leading the pack are the duo of brothers (Prithvi and Indrajith), small time crooks trying to break the big time. Chemban Vinod Jose and Arya play another track of small time hooligans trying to bury a couple of bodies their mobster boss killed. Speaking of which, how in the world is Arya such a huge star in the neighboring state? His lack of emotive skills and even poorer dialog delivery shows exactly why he probably could not make any in roads into the currently competitive Malayalam industry.

The ingredients were all there for a wild and quirky romp in a Mallu stoner attempt at Tarantino. Unfortunately, the biggest problem here is that the situations and dialogs are just not funny. What was meant to be rib tickling funny fell flat most of the time. Most of the story lines (apart from the silent assassin one) did not connect and it was way too long, clocking at a mammoth 2 hours 40 minutes.

There is almost nothing redeeming in this misadventure – except maybe for the fact that every director is allowed a misfire, and considering this is Lijo's first, he will hopefully bounce back with a bang.