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IMDbPro

O Ornitólogo

  • 2016
  • Unrated
  • 1 h 57 min
AVALIAÇÃO DA IMDb
6,3/10
3,9 mil
SUA AVALIAÇÃO
O Ornitólogo (2016)
Trailer for The Ornithologist
Reproduzir trailer1:51
2 vídeos
20 fotos
AdventureDramaMystery

Adicionar um enredo no seu idiomaFernando, a solitary ornithologist, is looking for black storks when he is swept away by the rapids. Rescued by a couple of Chinese pilgrims, he plunges into an eerie and dark forest, trying... Ler tudoFernando, a solitary ornithologist, is looking for black storks when he is swept away by the rapids. Rescued by a couple of Chinese pilgrims, he plunges into an eerie and dark forest, trying to get back on his track.Fernando, a solitary ornithologist, is looking for black storks when he is swept away by the rapids. Rescued by a couple of Chinese pilgrims, he plunges into an eerie and dark forest, trying to get back on his track.

  • Direção
    • João Pedro Rodrigues
  • Roteirista
    • João Pedro Rodrigues
  • Artistas
    • Paul Hamy
    • João Pedro Rodrigues
    • Xelo Cagiao
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,3/10
    3,9 mil
    SUA AVALIAÇÃO
    • Direção
      • João Pedro Rodrigues
    • Roteirista
      • João Pedro Rodrigues
    • Artistas
      • Paul Hamy
      • João Pedro Rodrigues
      • Xelo Cagiao
    • 38Avaliações de usuários
    • 77Avaliações da crítica
    • 85Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 21 vitórias e 46 indicações no total

    Vídeos2

    The Ornithologist
    Trailer 1:51
    The Ornithologist
    The Ornithologist
    Trailer 1:51
    The Ornithologist
    The Ornithologist
    Trailer 1:51
    The Ornithologist

    Fotos20

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    Elenco principal16

    Editar
    Paul Hamy
    Paul Hamy
    • Fernando
    João Pedro Rodrigues
    João Pedro Rodrigues
    • António
    Xelo Cagiao
    • Jesus…
    Han Wen
    • Fei
    Chan Suan
    • Ling
    Jules Elting
    Jules Elting
    • Caçadora Loira
    • (as Juliane Elting)
    Flora Bulcao
    • Caçadora 1
    Isabelle Puntel
    • Caçadora 2
    Alexandre Alverca
    André Freitas
    David Silva Pereira
    Gil Mendes Da Silva
    Miguel Ângelo Marujo
    Nuno Santos
    Ricardo Jorge
    Alessandra Marquez
    • Direção
      • João Pedro Rodrigues
    • Roteirista
      • João Pedro Rodrigues
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários38

    6,33.8K
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    Avaliações em destaque

    8rovader77

    An incredible journey of self-discovery

    One of the few (if not the only) films that can take so many leaps into the plot, instigating you to embrace the idea and watch until the end. The new film by João Pedro Rodrigues, a guy who has always embraced the theme "queer" in his work, because there are, yes, great films in the gay scene for the LGBT community made by him. One that I really enjoyed was "The Phantom" (2000). It's his, too; "Odete" (2005) and "The Last Time I Saw Macau" (2012). It's curious how your cinema breathes Pasolini (but it's not a comparison). I think Rodrigues, like Gregg Araki, Gus Van Sant and Pedro Almodóvar, citing my favorites, are real filmmakers who hover the flag. But none of them focuses exclusively on the subject as Rodrigues - who also proved to go to other ways with this film. "The Ornithologist" is a journey of self-discovery. A bucolic adventure of a hermit in the wild heart. With some terrifying and surreal passages. The ending is totally wrapped in mysteries (just like the whole movie) and open to various interpretations. Their cinema is not childish, so the drama is strengthened by maturity and always bring erotic situations and sex scenes without fear of the showing. Nudity here is the most curious point, especially in a movie that never shows, a priori, clues to anything, just makes it happen. But, as I said earlier, the swings are the big cheap of the tape. It's a plot-twist after another. It is an exotic, economical and creative production. Yes. "I'm recovering ..." The Portuguese also make a daring and original cinema. This is a real lesson in script and direction. The sensation is almost a trip without purposeful destiny. Is it really that Fernando wants to go home?

    Oh, before I forget, it's a religious-themed film, in fact, it could not be missed. It is always pertinent to poke the jaguar with the short stick, right?

    It is another collaboration with João Rui Guerra da Mata, art director, screenwriter, and finally, filmmaker, who always works on Rodrigues' films.
    Kirpianuscus

    bizarre. at first sigh.

    it is the most comfortable definition. and, maybe, the most precise. because, except the trip of an ornithologist across a forest, strange meetings and fantastic adventures, nothing could be known. but, it is not exactly an enigma. and not a cryptic improvisation. it has a lot of cultural references and this does it, in same measure, a religious film, an art film, a form of fairy tale - the rules are the same - or an experiment remembering Bunuel. but significant is not what the director says . the key remains the final feeling. without a reasonable name but who could be defined as fascination. and this is the basic virtue of this challenge/provocative film. to recognize pieces from Romano Catholic hagiography, to see fragments of expressionism, to admire an eulogy of psychoanalysis or the deep solitude like a source of escape from yourself.
    7lasttimeisaw

    Where are the storks, anyway?

    A staunch queer cinema visionary and nonconformist, Portuguese filmmaker João Pedro Rodrigues' fifth feature beguilingly takes a leap of faith onto a religious theme, a pilgrimage to Saint Anthony of Padua, conspicuously transcribing its story into the existential trials and tribulations of our titular ornithologist Fernando (Hamy), which is also St. Anthony's birth name, stranded in a modern-day Portuguese waterway and forests.

    Fernando, an atheist from the word go, embarks on his stork-scouting journey with gusto and alacrity, and the implication that it is not his first sortie in the area makes his adventure quite up his alley. Few background information is purveyed, other than he is under medication and has a male lover who is caring for him. Contrasting Fernando's bird-watching/telescopic angle with different bird's-eye views, it is the modus operandi brings home a numinous frisson of watching and simultaneously being watched, literally sublimates the nature's gaze with a plethora of wild feathered friends hovering around incessantly through the film. When Fernando's kayak is upset during the rapids, the story starts to take shape into a multi-layered religious mythology through Fernando's various real/surreal encounters, garnished with sexual innuendos (undressed and tied- up by two young Chinese female God-bothers, a sadomasochistic position enticing one's fantasy; the urolagnia experience in the darkness among a contingent of masqueraded roarers), and an in- the-buff dalliance with a deaf-mute shepherd boy named Jesus (Cagiao), which ends in manslaughter, a startling incident but concocted with blasé wantonness.

    Conceivably, when one liquidates Jesus, there is nothing but a road to redemption beckons him, Fernando must carry on his mythical transmogrification into a pious St. Antony by dint of his self- inflicted ritual for absolution (that is where symbolic tunnel, tableaux vivants and inscrutable gestures abound), consummated by being dispatched by the alter ego of Jesus, an eye for an eye and a tooth for a tooth, if credits must be given to Rodrigues' wheeze of contemplating a grand mythos within an entrancing temporal sphere, his didactic exegesis is less a merit to be reckoned with.

    Leading actor Paul Hamy credibly shoulders on a role which requires boldness and physical exertion, instils his open-faced earthiness into the overlaying mystique and alone-in-the-woods background, which successfully retains Fernando in the cynosure, even when narrative longueur inevitably lurks. Tellingly, the film renders a captivating landscape to those eyes yearning for natural's majestic design, whether it is the picturesque on the surface or the uncanny residing in the deep, also the foley artists (Nuno Carvalho and Martin Delzescaux) ply their own distinctive aural intrusion to that latter effect: eerie, preternatural and strident. In the end of the day, THE ORNITHOLOGIST is another contrived fable trying to mythicize religion in order to elicit a sense of meta-sanctity of our own existence, but the fruition thuddingly slumps between artsy-fartsy and nonplussing, on top of that, where are the storks, anyway?
    6pancholi-kota

    a Christian film with beautiful cinematography

    A bird-watcher in jungles of Portugal gets lost and embarks on a journey of rediscovery of self and religion.Apparently ,this Portuguese film is an homoerotic allegory of the life of St Anthony of Padua,who is considered the patron saint of lost things,and whose original name was Fernando.The film is shot at beautiful locations to start with and works well till the ornithologist gets lost while kayaking.Then begins the torture,as the film descends from realism into supposed transcendental surrealism.There appear two Chinese lesbians tied up in a bondage relationship,members of a cult who dance and kill a boar in the middle of the night,a shepherd by the name of Jesus who makes out with the protagonist and who the latter ends up stabbing,nude huntresses riding horses and remains of a monastery.I am not sure if this work shud be classified as magic realism.The ornithologist was on medication since the very beginning,and ends up losing his pills when he meets with an accident.It can be argued then that whatever happened after that was in his mind.I watched the film because this film was on the ' to be watched' list of a friend.Maybe the cinematography made him like this nut job.
    8asifahsankhan

    A meandering Queer riff on the St. Anthony of Padua legend . . .

    The distinct individualism of João Pedro Rodrigues' worldview is turned inward via an unflaggingly intriguing poetical riff on the life of St. Anthony of Padua in "The Ornithologist."

    While possibly the director's most accessible film to date, calling this visually striking work "accessible" doesn't mean most audiences will fully understand Rodrigues' delightfully meandering paths, nor appreciate his homoerotic, playfully blasphemous modernised hagiography.

    Religious conservatives will be as apoplectic as they were with Godard's "Hail Mary," but art-house lovers, including those not always in sync with the "To Die Like a Man" helm-er's style should find much pleasure, even if they're perplexed by what it all means.

    Narratively, the film gets even more bizarre. A Latin-speaking Amazon (performance artist Juliane Elting, whose stage moniker pays fantastic tribute to Julian Eltinge) calls Fernando by the name Anthony, and by the time he meets Jesus' identical twin brother, Thomas, actor Hamy has been replaced by director Rodrigues.

    Visually, "The Ornithologist" is Rodrigues' most classically shot film, and the first entirely lenses outdoors. Regular collaborator Rui Poças brings out the richness of the forest and river canyon in all its natural splendours, at times almost hinting at a European version of the sylvan spirit of Thai magical realism rather than the lurid spectacle of the director's "The Last Time I Saw Macao." Unsurprisingly given both the title and the director's academic training, avian scenes are lovingly realised and a constant source of wonder.

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    Enredo

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    Você sabia?

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    • Curiosidades
      Paul Hamy, who played the lead Fernando, is a French actor. The director and writer João Pedro Rodrigues dubbed much of Fernando's dialogue.
    • Conexões
      Featured in The Story of Film: A New Generation (2021)
    • Trilhas sonoras
      Canção do Engate
      Performed by António Variações

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    Perguntas frequentes18

    • How long is The Ornithologist?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 30 de março de 2017 (Brasil)
    • Países de origem
      • Portugal
      • França
      • Brasil
    • Central de atendimento oficial
      • House on Fire (France)
    • Idiomas
      • Português
      • Inglês
      • Mandarim
      • Mirandês
      • Latim
    • Também conhecido como
      • The Ornithologist
    • Empresas de produção
      • Blackmaria
      • House on Fire
      • Ítaca Films Brasil
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 50.511
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 6.132
      • 25 de jun. de 2017
    • Faturamento bruto mundial
      • US$ 74.714
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 57 minutos
    • Cor
      • Color
    • Proporção
      • 2.35 : 1

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