Lady Bird: A Hora de Voar

Offbeat and off brand, Greta Gerwig's 2017 major studio directorial debut 'Lady Bird' is a tale of angst, stress and a strive for perfection and acceptance. The 2002-set film showcases Sacramento in all its glory - or perhaps, lack thereof - and puts Academy Award-nominee Saorise Ronan in the driver's seat to make an impact on audiences.

Think of it as a more mainstream, female 'Napoleon Dynamite,' the themes in 'Bird' are common ones that many young adults can identify with during the confusing, competitive high school years. At the center of the film is Ronan's title character (née, Christine), who stops at nothing to escape her hometown for the east coast while battling her mother, Marion (Laurie Metcalf). This rivalry dominates the entire film and helps us understand how one's environment growing up can have a major impact on their choices in life. Between jumping out of moving vehicles, disrupting assemblies at her Catholic high school and struggling with early love, Lady Bird stumbles her way through senior year in pursuit of being part of the "in crowd."

Of course, this premise offers Gerwig a lot to work with, and her signature dramedic, deadpan tone is a constant throughout 'Bird.' Everything from the way scenes are shot to the quirky music selection are dripping with proverbial eye rolls, and they all work. Sure, there are a few moments that could cause general audiences gasp, but most of them are done in a way that is not mean-spirited or in poor taste. Aside from Ronan's A+ performance, others in the supporting cast don't disappoint, from Lucas Hedges to Timothée Chalamet.

'Lady Bird' was not a monster hit, but it has the building blocks to become a cult classic for this generation, similar to the way 'Dynamite' did nearly 15 years ago, and sets up Gerwig and Ronan to become even bigger stars than they already are.

This film is a blissful piece of nostalgic joy. I was nowhere near Sacramento in 2002, but whilst watching I genuinely felt as if I was there.

The relationship between Ladybird and her mother is the underlying thread throughout and they pull off a believable dynamic that's fun to see. There are also a bunch of other sub stories that are beautifully woven in.

I highly recommend if you want a nice relaxing film that is not too long and makes you smile at the end.

In the year 2002, Catholic high school senior Christine McPherson, self-named "Lady Bird," is an impetuous girl literally from the wrong side of the tracks who's at a critical stage in her life: she's continually at odds with her mother, despises her mundane life in Sacramento, and wants to go to college on the east coast in a city with culture. Her ordinary life suddenly takes a turn when she has to deal with popularity, discovering boys and romance, and coping with the problems of people other than her own. Cute, quirky, and thoughtful coming-of-age story is one everyone can relate to, with the all-important themes of teen angst, adolescence, and ambition; colorful dialogue, well-drawn characters, and believable situations are only elevated by a talented cast of actors. Twenty-three-year-old Ronan perfectly embodies the spirit of a self-absorbed teenager in all her complexities, making it easy for viewers to recall a similar time period in their lives. ***

This coming of age movie is finely written and directed by Greta Gerwig. She loosely bases the story on her own experiences growing up in Sacramento. The main character, Christine, is 17 years old and calls herself « Lady Bird ». I like her free spirit. Saoirse Ronan fully embodies the role, bringing her energy and her sense of humor. She gives a great performance, as does Laurie Metcalf. Both actresses perfectly capture the complex relationship between a mother and her daughter. The rest of the cast is also good, especially Lucas Hedges and Timothée Chalamet who play the boyfriends. The scenes with them are indeed funny and colorful. This bittersweet comedy deserves to be seen. It's a refreshing portrayal of teenage life.

Lady Bird is surprisingly set in a post-9/11 Sacramento in 2002 , which is an un-usual but refreshing era for a modern coming-of-age story. While coming of age stories can often fall in to their charming but conventional trappings, Lady Bird shines in that it doesn't shy away from showing the faults of the characters it follows throughout its run time, almost to the point that you want to see even more of their journeys through life.

Lady Bird has excellent cinematography and believable characters with identifiable flaws and traits that really ground the movie. Lady Bird takes influence from the 'mumblecore' sub genre (a drama with emphasis on natural dialogue and personal character relationships over plot) and ties it nicely with a coming of age structure that doesn't over stay its welcome and definitely takes its own path you can relate to as a viewer.

Saoirse Ronan is particularly charming as our main character and bounces well with Laurie Metcalf and Tracy Letts filling in as her parents. The movie addresses a few subjects that aren't touched upon in most conventional coming of age movies, which gives the film a mature feeling. Particularly the 15 certificate in the UK meant the film didn't have to pander towards a younger audience, which is exactly want you want as a viewer of this genre because teenagers swear, talk about sex and abuse alcohol/drugs.

Some viewers may find its general pacing, structure and tone to be not particularly entertaining and up beat as many other coming of age movies but I found it enjoyable, funny and grounded. The soundtrack also wasn't particularly that memorable but does include some nods towards that era and adds some licensed tracks that some may appreciate.

A decent coming of age movie that shakes genre conventions but nothing particularly groundbreaking.