Os Bad Boys favoritos do mundo estão de volta, mas desta vez com uma reviravolta: os melhores de Miami são agora os mais procurados.Os Bad Boys favoritos do mundo estão de volta, mas desta vez com uma reviravolta: os melhores de Miami são agora os mais procurados.Os Bad Boys favoritos do mundo estão de volta, mas desta vez com uma reviravolta: os melhores de Miami são agora os mais procurados.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 4 indicações no total
Paola Núñez
- Rita
- (as Paola Nuñez)
Dennis Greene
- Reggie
- (as Dennis McDonald)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I looked forward to Bad Boys: Ride or Die as I really enjoyed Bad Boys for Life. It retains a lot of the positive things which have made the past films fun such as impactful action, R rated jokes and family dynamics. That came with a bunch of side characters new and old and an okay plot but there is one thing that lets this movie down and it's Martin Lawrence's character, Marcus Burnett.
Unfortunately, it's becoming all too common in Hollywood for a character to be so over the top for a movie that it just becomes distracting.
After surviving a near death experience at the beginning of the film, Marcus is high on life and he literally acts as if he is high for the rest of the film. This went beyond fun and playful to the point where it was distracting and annoying. It led to many frustrating scenes which felt like they belonged in a cartoon including one scene where the characters chose one of the worst possible moments to sing the Bad Boys theme.
In the End, Bad Boys Ride or Die is a frustrating but okay film which could have been much better with different narrative choices although many people might enjoy the direction that the film went.
Unfortunately, it's becoming all too common in Hollywood for a character to be so over the top for a movie that it just becomes distracting.
After surviving a near death experience at the beginning of the film, Marcus is high on life and he literally acts as if he is high for the rest of the film. This went beyond fun and playful to the point where it was distracting and annoying. It led to many frustrating scenes which felt like they belonged in a cartoon including one scene where the characters chose one of the worst possible moments to sing the Bad Boys theme.
In the End, Bad Boys Ride or Die is a frustrating but okay film which could have been much better with different narrative choices although many people might enjoy the direction that the film went.
The movie" continues the long-running saga, but this latest installment falls into the trap of delivering more of the same without much innovation. The film lacks any fresh elements and largely recycles tropes seen in countless other action movies.
The action scenes, while brief and sporadic, feature our heavily battered yet inexplicably bulletproof heroes. These sequences are interspersed with lengthy, tiresome filler dialogue that does little to advance the plot or develop the characters. The two hours in the theater felt more like a slog, as the film struggled to maintain engagement with its audience.
"Bad Boys 4" at times resembles an ego-shooter game, a style that may appeal to fans of intense, immersive violence. However, this aspect requires a particular taste for such content. While the film manages to deliver solid entertainment and the dynamic chemistry between Smith and Lawrence remains a highlight, it ultimately fails to rise to the level of a masterpiece.
One of the most glaring issues is the evident aging of the main actors. Smith and Lawrence, though charismatic, often show their age, and the series' attempt to maintain the high-energy antics of its predecessors feels forced and out of touch. The weariness is palpable in many scenes, making it clear that the franchise is running on fumes.
A passable action film that relies heavily on the established rapport of its leading men. It offers a familiar blend of action and humor, but its lack of originality and overused clichés render it a largely forgettable experience. While fans of the series might find some enjoyment, it's time for this franchise to finally rest, acknowledging that its stars can no longer convincingly play the roles of youthful action heroes.
The action scenes, while brief and sporadic, feature our heavily battered yet inexplicably bulletproof heroes. These sequences are interspersed with lengthy, tiresome filler dialogue that does little to advance the plot or develop the characters. The two hours in the theater felt more like a slog, as the film struggled to maintain engagement with its audience.
"Bad Boys 4" at times resembles an ego-shooter game, a style that may appeal to fans of intense, immersive violence. However, this aspect requires a particular taste for such content. While the film manages to deliver solid entertainment and the dynamic chemistry between Smith and Lawrence remains a highlight, it ultimately fails to rise to the level of a masterpiece.
One of the most glaring issues is the evident aging of the main actors. Smith and Lawrence, though charismatic, often show their age, and the series' attempt to maintain the high-energy antics of its predecessors feels forced and out of touch. The weariness is palpable in many scenes, making it clear that the franchise is running on fumes.
A passable action film that relies heavily on the established rapport of its leading men. It offers a familiar blend of action and humor, but its lack of originality and overused clichés render it a largely forgettable experience. While fans of the series might find some enjoyment, it's time for this franchise to finally rest, acknowledging that its stars can no longer convincingly play the roles of youthful action heroes.
So I was left a little disappointed after the last film, something just seemed to be missing but this really hit the spot.
The 2 central characters still have great chemistry, but this felt a lot more like an ensemble piece with more fleshed out characters around them. I'm just going say #Reggierocks.
Some great cinematography with lots of fab camera and drone work zooming around all over the place. The first person gun work at one point added a new dimension.
Miami looks beautiful with the Orange and Teal tones.
Action galore and a good protagonist in Eric Dane, although his motive and why he is doing what he is, was pretty rubbish, but he still played it well, and to be fair you don't come in to this sort of film hoping for Shakespeare level story telling.
Some fun cameos pop up which raise a smile.
The soundtrack is good and Lorne Balfe delivers on the orchestrated score.
It has all you would expect from a Michael Bay production. Definitely life still in the franchise.
The 2 central characters still have great chemistry, but this felt a lot more like an ensemble piece with more fleshed out characters around them. I'm just going say #Reggierocks.
Some great cinematography with lots of fab camera and drone work zooming around all over the place. The first person gun work at one point added a new dimension.
Miami looks beautiful with the Orange and Teal tones.
Action galore and a good protagonist in Eric Dane, although his motive and why he is doing what he is, was pretty rubbish, but he still played it well, and to be fair you don't come in to this sort of film hoping for Shakespeare level story telling.
Some fun cameos pop up which raise a smile.
The soundtrack is good and Lorne Balfe delivers on the orchestrated score.
It has all you would expect from a Michael Bay production. Definitely life still in the franchise.
Watched it in Imax in Manchester Vue and it has to be one of the worst written movies i have watched in a few years , sad to see better action flicked movies get bombed like Furiosa ,watched that last week and man what a movie that was after fury road. This movie is worse is many ways compared to For Life.
Hopefully this will bomb bad as Fall guy and all too coz this isn't any better than any of those dumb action flicks. Go watch Furiosa guys and do that after watching Mad Max Fury Road, just a recommendation to you'll, and you'll will love it for sure.
Now all we wait is for Deadpool and Wolverine hopefully that wouldn't disappoint like so many others this year man.
Hopefully this will bomb bad as Fall guy and all too coz this isn't any better than any of those dumb action flicks. Go watch Furiosa guys and do that after watching Mad Max Fury Road, just a recommendation to you'll, and you'll will love it for sure.
Now all we wait is for Deadpool and Wolverine hopefully that wouldn't disappoint like so many others this year man.
The fourth entry in the revitalised buddy cop, action, comedy franchise. Bad Boys: Ride or Die sees wisecracking Miami cops Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) embark on a dangerous mission to clear the name of their late police captain when he gets linked to drug cartels.
Firstly, they missed a trick not calling this instalment Bad Boys 4 Life, alas we cannot have everything we desire. Anyway, it was inevitable that we were going to get a fourth (and potentially fifth) as 2020's actual Bad Boys For Life made nearly half a billion dollars and due to the pandemic, was in the top 3 highest grossing of that year.
It has been too long since I watched the first film (it is long, long overdue a rewatch), however Bad Boys II I return to every couple of years when I require a dousing of Bayhem. Has it aged well? Nope. Is it obnoxious and overlong? Yes. Does the action rule? Hell yes! The third film I found solid, yet disappointing, it lacked the grit and sleaze of its predecessor and incorporated a bizarre supernatural element that didn't quite click.
This was a real step up from three and balances the slick, modernised lega-sequel of the previous film with the sleaze and chaos of Bay's entries. Admittedly it's a little bit of a rushed and rocky start and narratively the film isn't bringing anything particularly new to the table, yet it's clearly relishing its heightened mid-00's vibes. Once Marcus returns a from death's embrace with a new outlook on life and spirituality and Mike's fears for his family, his own mortality and a reconnection with his fugitive son come to the forefront of his anxieties, the film adds a surprising layer of character work that still manages to incorporate dick jokes and f-bombs aplenty.
Action-wise this boasts some of the franchise's best set pieces. Director's Adil El Arbi & Bilall Fallah certainly lean a bit heavier into the Bayism's here than in BBFL. A slow-motion, sped up and gloriously chaotic digital, neon tinged art exhibition shootout is very Bay. A superb John Wick-esque home invasion shootout (featuring a well deserved triumphant moment for a fan favourite character) and the *entire* finale section of the film is a bar setter for shootouts this year. The incorporation of first person POVs, drones, alligators, explosions aplenty mix together for a riotous bloody blowout.
Performance-wise this was certainly the best way Will Smith could properly return after the Oscars controversy (I know he had Emancipation a few months after the incident, but I don't think anybody apart from me watched it). His more vulnerable and subdued fatherly moments as Mike are well executed... as well as the kick ass swagger that established the character. However, it's Martin Lawrence that steals the show. A motormouth, wide-eyed, born again foul mouthed spiritual guide who claims he can't die. He's having a ball and both he and Smith's chemistry is still unbeatable. Supporting players Jacob Scipio, Ioan Gruffudd, Rhea Seehorn and Reggie himself Dennis Greene are all locked in to the material.
Bad Boys: Ride or Die was a bullet riddled, cackle worthy blast of throwback fun that was a step up from my expectations. Smith & Lawrence are still a great duo, the action is killer and the balance of soap opera sincerity and over-the-top drama balances effectively with the motor-mouthed bickering and gags. Sure, the plot isn't particularly standout and the film is a little choppy in the first act, but when the wheels begin to fully spin, the film charges off the start line.
Firstly, they missed a trick not calling this instalment Bad Boys 4 Life, alas we cannot have everything we desire. Anyway, it was inevitable that we were going to get a fourth (and potentially fifth) as 2020's actual Bad Boys For Life made nearly half a billion dollars and due to the pandemic, was in the top 3 highest grossing of that year.
It has been too long since I watched the first film (it is long, long overdue a rewatch), however Bad Boys II I return to every couple of years when I require a dousing of Bayhem. Has it aged well? Nope. Is it obnoxious and overlong? Yes. Does the action rule? Hell yes! The third film I found solid, yet disappointing, it lacked the grit and sleaze of its predecessor and incorporated a bizarre supernatural element that didn't quite click.
This was a real step up from three and balances the slick, modernised lega-sequel of the previous film with the sleaze and chaos of Bay's entries. Admittedly it's a little bit of a rushed and rocky start and narratively the film isn't bringing anything particularly new to the table, yet it's clearly relishing its heightened mid-00's vibes. Once Marcus returns a from death's embrace with a new outlook on life and spirituality and Mike's fears for his family, his own mortality and a reconnection with his fugitive son come to the forefront of his anxieties, the film adds a surprising layer of character work that still manages to incorporate dick jokes and f-bombs aplenty.
Action-wise this boasts some of the franchise's best set pieces. Director's Adil El Arbi & Bilall Fallah certainly lean a bit heavier into the Bayism's here than in BBFL. A slow-motion, sped up and gloriously chaotic digital, neon tinged art exhibition shootout is very Bay. A superb John Wick-esque home invasion shootout (featuring a well deserved triumphant moment for a fan favourite character) and the *entire* finale section of the film is a bar setter for shootouts this year. The incorporation of first person POVs, drones, alligators, explosions aplenty mix together for a riotous bloody blowout.
Performance-wise this was certainly the best way Will Smith could properly return after the Oscars controversy (I know he had Emancipation a few months after the incident, but I don't think anybody apart from me watched it). His more vulnerable and subdued fatherly moments as Mike are well executed... as well as the kick ass swagger that established the character. However, it's Martin Lawrence that steals the show. A motormouth, wide-eyed, born again foul mouthed spiritual guide who claims he can't die. He's having a ball and both he and Smith's chemistry is still unbeatable. Supporting players Jacob Scipio, Ioan Gruffudd, Rhea Seehorn and Reggie himself Dennis Greene are all locked in to the material.
Bad Boys: Ride or Die was a bullet riddled, cackle worthy blast of throwback fun that was a step up from my expectations. Smith & Lawrence are still a great duo, the action is killer and the balance of soap opera sincerity and over-the-top drama balances effectively with the motor-mouthed bickering and gags. Sure, the plot isn't particularly standout and the film is a little choppy in the first act, but when the wheels begin to fully spin, the film charges off the start line.
Você sabia?
- CuriosidadesMichael Bay: The director of Os Bad Boys (1995) and Bad Boys II (2003) appears as as an irked driver who almost runs into Mike Lowery. He's shown driving a black 1990s 964 Porsche 911 Turbo, the same car Mike drove in Os Bad Boys (1995), which was in fact Bay's own car.
- Erros de gravaçãoWhen McGrath frames the banker's lover for the "murder suicide" at the beginning, the bullet holes and blood spatter from when the bodyguard got shot would not fit the narrative at all.
- Citações
[Marcus confronts an alligator]
Marcus Burnett: Begone, gator. I rebuke you!
[the alligator backs away]
Marcus Burnett: See, Mike, that's how you command the universe.
[the alligator attacks Marcus]
Marcus Burnett: That motherfucker racist, Mike! That motherfucker racist!
- Cenas durante ou pós-créditosHome releases added a joke scene after the credits set in 305 BC, with Marcus as a shepherd traveling along with Mike, who is a donkey.
- ConexõesFeatured in Black Eyed Peas & El Alfa feat. Becky G: Tonight (2024)
- Trilhas sonorasBad Boys
Written by Sean Paul (as Sean Paul Henriques), Trueno (as Mateo Palacios Corazzina), Albert Hype (as Alberto Carlos Melendez) and Santiago G. Ruiz
Produced by Albert Hype, Tatool and Onesix
Performed by Sean Paul and Trueno
Trueno appears courtesy of Sony Music Entertainment US Latin LLC
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Bad Boys Hasta La Muerte
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 100.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 193.573.217
- Fim de semana de estreia nos EUA e Canadá
- US$ 56.527.324
- 9 de jun. de 2024
- Faturamento bruto mundial
- US$ 404.550.184
- Tempo de duração1 hora 55 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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